Posts by Caitlin McDiarmid — APP Administrator

Point #68: Best Individual Booth Winner – Blessings to You

Cyrus headshotInterview of Prince Cyrus, conducted by Kimberly Zapata

Q. What is Blessings to You?
A: Blessings to You is the title of my current creative metalsmithing venture which, at the moment, includes designing ear weights and bespoke commissions. The phrase comes directly from my process of creating something for someone as a talisman, an object to carry and direct intention. No dogma subscribed, just well wishes. It took a very long time to think of some clever name or witty phrase but when all was said and done I chose Blessings to You because everything else seemed unable to describe the spirit of my work. On a physical level, BTY is mostly just me at my home studio, hand carving models, and casting them in my garden. But for bigger projects, like creating enough stock for everyone at the APP Exposition, I am very thankful to have support from the fine folks casting at Anatometal in Santa Cruz.

Q: Speaking of Anatometal, how has your collaboration been going with them so far? Are there any big projects in the works you can share with us?
A: Oh my how wonderful it is to be able to visit all the beautiful faces at Anatometal. Their offices and production areas are massive! I always feel like Charlie in the Chocolate Factory. (Cyrus laughs.) Barry and Tod have been so welcoming to me when I come through and I really feel like part of the family there. This being my second year casting I feel like I’ve hit the ground running with my abilities to create, but there is no replacement for the experience in casting like Tony has. I’ve been so thankful being able to count on them for my larger production for Vegas everyone was able to take home jewelry they wanted except the bats of course they sold out the first day. As a wizard I always have something up my sleeve…but for now I’ll stay tight-lipped.

blessings jewelry
Photo by Prince Cyrus

Q: What was the catalyst that drove you to create Blessings to You?
A: I’ve dreamt of hand-making metal art for many years. From when I was young being around iron artists, to coming up as a piercer, then assisting design companies; this all further fueled my thirst for learning. The world of jewelry in our industry is very small, especially compared to other industries. For a while I wanted to step back and find a space for myself that was not ‘stepping on anyone’s toes’ so to speak. I created BTY in response to a yearning to contribute to my DIY community and for stability in the context of hypergentrification in San Francisco.

Q: Many of your pieces seem inspired by nature. Can you tell me a bit about how you decide on your designs, and what the creative process is like?
A: My first collection last year was entitled ‘The Floating World,’ as an honor to Japanese nature spirits. I chose pieces based on musings about 16th century Japanese poetry and how that poetry described the mysterious connection we have to the icons of nature. For example, the cicada is iconic for its symbolism of rites of passage and its intense summer mating song.

The focus of this year’s collection shifted under water, for my ‘Modern Atlantis,’ bringing awareness about the starfish wasting disease and the endangered nudibranch sea slugs off the California coasts. It frightens me how mass extinction seems unending in our era, and as an artist I wanted to create bronze body art for archeologists 1000 years from now to dig up and ask ‘Where did this go? Why did they make this?’

Creating these pieces usually starts with hours of research until I envision the right subject of what I am to execute. Sometimes there are days of hand-carving or sometimes hours of rummaging through a forest for the right moment to observe a critter or find the perfect tree pod.

_MG_0153
Photo by Autumn Swisher

Q: How does this creative process then inspire your displays, and what you want people to see?
A: Usually researching a subject really lets me dive deep into the culture of a thing. For example, Atlantis wasn’t just some Greek myth. If you go deeper and deeper you notice many cultures speak of an ancient climate change that devoured coastal cities, cities that we are unearthing off coasts all over the planet. From there I wanted to create a mood for my booth at the expo: hand-painted Neolithic ruins, coral pieces, pyramids, crystal displays, a giant wooden Ziggurat. Selenite crystal slabs were great, a subtle flat white background for displaying bronze and standard versions of designs. “Underwater and ancient” was the set, and my jewelry were the players. I wanted people to see more of a story in my designs, and I tried to use thematic elements in my display to bring that point across.

Q: What do you feel is the most important factor to consider when displaying jewelry, and how does that differ when you display jewelry online versus in a store (or at an expo)?
A: I would say that the most important thing to consider when displaying jewelry is being able to let someone understand everything a piece is about in one glance. Visually you should be able to see the whole silhouette and the physical details. Avoid visual clutter and have a color scheme in mind. Setting the environment around the jewelry should be simple but thematic of the pieces. I try to keep the eye directed through a display to unknowingly move an onlooker along to other pieces. Visuals can entertain while also inform, is there text about the materials and price? I tend to be more contemporary when displaying my jewelry in a studio by keeping flat surfaces and simple accessories in the cases, as opposed to displaying jewelry at an Exposition where a grandiose presentation is better appreciated. In the digital world I love seeing my jewelry next to real life versions of themselves, in pristine natural environments, inside fancy case displays, and—of course—an infamous selfie never hurts. I tend to not have such a strict method to online photos, and on the contrary, I feel the more variety that is displayed of jewelry online the better—only as long as the jewelry is in focus!

Q: What can we expect to see from Blessings to You over the coming year?
A: A glimpse into my bag of tricks?  I’m really loving the fact we’ll be at the Flamingo next year for 20th Anniversary Conference, so I’m thinking taking everyone’s ears, necks and arms into the Amazon this year. Think vivid splashes of color, jeweled python in trees, and sloths swimming with piranha through a lush flooded forest. Everyone should start seeing a little bit by little come winter. I’m really in love with found object natural casting, so I intend on releasing more ear jewelry and accessories from the mountains. Theo, from Honeycomb Organics, and I have also been collaborating on a series of plugs. Plus offering bespoke has led me to no shortage of work making folks dream jewelry. If there is one thing I know how to do it’s keeping busy!

Point #68: Best Multiple Booth Display – Tawapa

phoebe headshotPhoebe Minona

I am being given the opportunity to write about my company, Tawapa, for this issue of The Point, as we won the award for “Best Multiple Booth Display” at this year’s Conference. I’m honored of course, but given the audience, a promotional article on who we are feels redundant. We’ve been around awhile and, if you have too, you’ve probably already read it somewhere before. This realization allowed me to reflect on all the years we have been in this industry and how it has changed over time. A more appropriate title for this article could be “Growing up as a business in an unstable environment” or,” A condensed history of organic jewelry through the eyes of Tawapa.”

Being in our teens (as a company) feels the same as getting older as a human. We have become wiser and more mature, but we are left wondering how so much time could have passed. As we continue to accumulate years of experience, I realize that the lifespan of this company reflects the ebb and flow of life itself, a road paved with joy and successes, but not without bumps, potholes, and major road blocks.

I began Tawapa as a renegade wanderer, rejecting the confines of normalcy for a life of adventure, art, and eccentric exchanges with extraordinary people. This put me on a direct trajectory into the piercing world, which embodied and supported all of these ideals. In 1996, I found myself in a small carving village in Indonesia. In those days, the carvers in that village were actually carving sculptures, animals, and art, but as years passed the village has become dominated by piercing jewelry—to the point of oversaturation. When I first arrived there, I was introduced to an exceptional carver who opened the doors of creativity to me. I was so inspired, the possibilities felt limitless. I came back to America with a little suitcase full of treasures I had collected and created. I traveled the country in an old truck with my little case and my carver friend at a time when almost no one had even encountered “organic” jewelry. In fact, that term was only just then being coined. If I am correct, it was Erica Skatsen who coined it. I met her in Portland that summer. She was hand-carving beautiful wood plugs.  She was a pioneer in her field and our meeting felt important and exciting.  Besides Erika, Borneo Joe had created and produced incredible jewelry, but his wares were not widely distributed. In Europe, Cold Steel and Wild Cat had begun carrying some carved horn and bone jewelry, but that was it. The tiniest handful of artists, designers, and distributors were the beginning of a new movement of jewelry in the piercing world which, until that time, had been dominated by steel jewelry.

Tawapa booth winners
Photo by Autumn Swisher

As we all know, the term “organic jewelry” quickly became industry jargon.  An influx of carved jewelry, particularly horn and bone, flooded the market. Everyone and their piercer decided to go to Bali, the mecca of the organic movement, to cash in on a budding micro industry that seemed to be growing and growing. Meanwhile, the peaceful village of artisans took down their signs that said “handicrafts” and hung new ones stating “piercing jewelry”. An artist village became a piercing village. The younger locals even began adopting the style, stretching their ears, covering themselves in tattoos, and listening to punk rock heavy metal.

This shift in the industry was both exciting and overwhelming. I loved the hardcore aesthetic some of the Balinese were embodying at the same time that more and more people in America and Europe were stretching their ears and choosing organic jewelry.  I did not love the disproportionate amount of jewelry companies that were popping up everyday, and with them, an excessive amount of rip offs and counterfeits. However, now that we are in our ripe old teenage years, I can look back at that time with gratitude and appreciate the fruits that blossomed from that rich yet unstable environment.

Within a couple years, we saw many companies fall as quickly as they had risen. Most of them realized that there was a lot more to running an international business than they had imagined, and the dream was quickly deflated. The ones that did manage to hold on and grow within the industry did so because they were exceptional. With so much competition, the only way to make it was to be amazing. Today there are only a few really successful companies in the “organic jewelry” industry.  The ones who have succeeded are the ones who have forged their own unique aesthetic and style, who make beautiful high quality jewelry, and who know how to run and manage a business.

I feel honored to have been able to experience so much growth and change and sometimes challenge in this dynamic, insular, tiny beast of a community. I am grateful to the companies who came before me for paving the road.  I also appreciate all of those companies who came and went over the years.  I see now that they helped shape who we are (and who we are not), and demanded that we up our game. Most of all, as I reflect on the history of Tawapa, I thank our loyal customers who have supported us all these years and I thank my colleagues, the ones who have carved their own niche in this industry, through beautiful jewelry and a sense of integrity.  They have challenged me to continue to excel. Because of them, I have not had the luxury of being lazy. I have learned humility in the most honorable way.  I am constantly inspired and motivated to create and to continue to evolve Tawapa on all levels.

This year has brought a lot of change for us as a company, with a move to Los Angeles, a new look, new logo, and more jewelry than ever before.  In this industry, as in life, change is the only constant. Embracing change is the gift that comes with age.  We, at Tawapa, feel that we are at the dawning of another new era in jewelry, and in life, and we cannot wait to share it with you.

Point #68: Raffle Thank You

Each year at Conference, lives are changed; one of the ways this happens is winning one of the big raffle prizes. (Anyone who attended the Banquet, or who viewed the video of Javier’s—and Mauricio’s—win (below), knows this to be true.)  By providing these large prizes, sponsors Industrial Strength Body Jewelry and Anatometal, Inc. change our attendees lives and generate funds which help sustain the APP and its programs all year long. But remember it isn’t just our big donors, every vendor that donates helps the APP, and every attendee that purchases raffle tickets also helps the organization.

The APP would like to offer its thanks to Industrial Strength Body Jewelry and Anatometal, Inc. for their continued support on a grand scale!

  • Industrial Strength: $15,000.00 Grand Prize; $10,000 in smaller prizes
  • Anatometal, Inc.: $12,000.00

We want to also recognize our other top donors: BVLA; H2Ocean; LeRoi, Inc.; Glasswear Studios; Omerica Organic; NeoMetal, Inc.; and Industrial Strength, LLC (Needles).

Thank you to all of our donating vendors and our attendees who made this a record year for the raffle!

Point #68: Sponsor Thank You

Every year the APP relies heavily on vendor sponsorships to assist us with the expenses incurred for our special events, services, and for our scholarships. If it wasn’t for these companies the APP Conference would be less than what it is every year. Please support those who support the APP!

LEVEL ONE: Banquet Dinner

  • Industrial Strength Body Jewelry
  • Anatometal, Inc.
  • LeRoi, Inc.
  • The Safe Piercing App
  • Kaos Softwear, LLC

LEVEL TWO: Opening Party

  • NeoMetal, Inc.

EXCLUSIVE SPONSORSHIP: The Volunteer Dinner

  • Body Vision Los Angeles

LEVEL THREE: Exposition Coffee & Refreshments

  • Professional Program Insurance Brokerage
  • Omerica Organic
  • Oracle Body Jewelry

LEVEL FOUR: Al D. Scholarship

  • Buddha Jewelry
  • Gorilla Glass
  • Quetzalli Jewelry
  • Intrinsic Body, Inc.

Industrial Strength Body Jewelry also donated two complete packages for two additional Scholars (in their company’s and Shannon Larratt’s name).

In 2015 the APP will have new programs, new ideas, and new sponsorship opportunities!  Sponsorship isn’t just for vendors, and it’s a great way to give back to your professional organization.  If your studio is interested in sponsorship, please contact the APP office.

Point #68: Josh A. Prentice Award Winner – Ryan Ouellette

Caitlin McDiarmid headshotCaitlin McDiarmid

While at Conference this year,  Bethra Szumski came and found me. She had spoken with Josh’s mom that day. During the course of relaying the story to me, she was overcome with emotion.  She told me that Josh’s mom is so very grateful that we are keeping Josh’s memory alive with this award.

At Conference I asked everyone: those who knew Josh and miss him and those who didn’t know Josh, but should have—raise a glass, whether water or wine—and toast Josh, a very fine young man who left this place too early, and leaves us both richer and poorer with his departure.

The recipient of this year’s Josh A. Prentice Award is Ryan Ouellette.

Ryan is a good friend of mine.  Somewhere in my head I worried about giving him this award.  He’s more than deserving, but sometimes our community can’t see that service—and what it means to volunteer can be extremely diverse.

Ryan isn’t a traditional boots-on-the ground volunteer or an in-the-trenches volunteer.

He has, however, contributed hours and hours of work and some of the major ideas that have shaped our Conference into what it is today.

Back on December 5, 2008 I received an email from Ryan, whom I didn’t know well. He wrote that some of our most trusted Board Members had been impressed with his teaching at BMX and that they suggested he reach out and possibly teach at the APP Conference.  He wrote. “maybe I sucked, and they just felt bad.” He was a bit self-deprecating, and didn’t seem to think that we would be interested.

By February of 2009, a mere two months later, he had submitted two fully fleshed-out proposals to the Conference Committee: one was for a workshop-based class that changed up the lecture format (that all classes were being taught in at that time) and one was for the Mentor Program.

In 2009 he wasn’t an APP member and therefore wasn’t asked to take on the lead role in either of the programs. However, due to certain circumstances, he wound up taking the lead on the Mentor Program that year and playing a key role teaching some of the workshop sessions. By the following year, while he still wasn’t a member, he was lead instructor on the workshop session(s) as was Jesse Villemaire. (At that time, the APP allowed non-members to teach only if they were “experts” on a topic and they were more qualified to teach the class than an available member.)

Ryan has consistently provided ideas and thoughts on ways to improve Conference since he got involved in 2008. These two programs alone have reshaped our Conference, infused new excitement into classes, and were instrumental, I believe, in changing how our seasoned attendees treat and perceive new attendees.

How else has he volunteered? For the past three years he has participated in processing, interviewing, and choosing the Al D. scholars—which, this year, also included 26 phone interviews.

He has worked countless hours as part of the APP team for Tumblr. (The estimation of hours is  seven to ten hours per a week; that’s somewhere between 726 hours and 1040 hours over the last two years.) And we know these social media efforts have been key to the growth that our membership and our Conference has experienced recently.

He is always available for me—offering to help in any way throughout the year—and I hand him small projects where I can.

He is also the first person at Conference who took great pains to arrange for me to leave the hotel a few years back and go out to dinner with him and his friends. While it seems like a simple thing, for me this was a monumental task. By doing this, however, it became clear to me that if I put my trust in my volunteer team that everything would be ok, whether I was there or not.

Instructor, mentor, inspiration, social media mogul, and finally an APP member, Ryan became a member in 2011. I had many conversations with him before he became a member—about the Association and membership. Through his experience and service with the Association, Ryan changed his views of the APP and become one of our staunchest advocates.

Ryan is a special kind of leader. He is special kind of volunteer.

He’s provided emotional support and friendship for years, especially during Conference crunch time. I am so glad to have him as my friend, and it was a joy to present this award to him.

Ryan Ouellette

Point #68: In the Office – Volunteer Thank You

Caitlin McDiarmid headshotCaitlin McDiarmid

I think if I had to identify my favorite part of my job it would be the work I do with the volunteers at Conference and throughout the year. It wasn’t always that way, and I have to credit them for making me grow as a manager, and become a better person over the last ten plus years. I never thought I would be a good mentor, but now I feel like I am one.

In the months leading up to Conference we had a record number of “love” volunteers come forward and, strangely enough, they all wanted a schedule to commit to volunteering. We have always had a good group of helpers, those who volunteer for the sake of volunteering and giving back with nothing in return, but usually it’s for limited hours or on a drop-by basis. A lot of times they are unable to commit in advance of  Conference, so they are a help in the trenches but I can’t schedule them for shifts. This year, it was different.

We also had a rough year, especially our SUPERS. Many of them were not able to make it due to emergencies, family issues, medical concerns, and financial considerations. Our team missed them horribly, and we hope they return. But when all was said and done, we made it—and this year every single volunteer was critical to that success, and everyone performed extremely well.

We had even our “love” volunteers go through online training in advance of Conference, which was new this year. Our SUPERS went through even more extensive training online and, in some cases, one-on-one. We have hit critical mass with the workload, and I am delegating as fast as I can, this means  many of the SUPER volunteers took on training responsibilities.

Once on-site, they stepped up even further and honed their management and supervisory skills. I am forever grateful to my ducklings who DID manage to find their way home this year:

Our Booth & Classroom SUPERS:

  • Aaron Foster
  • Casey Hosch
  • Chadwick Jackson
  • Dannielle Greenwood
  • Jovi Croes
  • Ken Seyler
  • KennyHughes
  • KristinYoung
  • MarahKelso
  • Mark Montgomery
  • Monica Sabin
  • Seven Wolfe
  • William Spencer

Our Registration SUPERS

  • Anna York
  • Badur Ramji
  • David Kelso
  • Jezebel Voule
  • Kirsten Eblin
  • Kendra Berndt
  • Sarah Wooten
  • Luna Duran
  • Theo Sheffler

Our AV Supers:

  • Gus Diamond, Allen Falkner, Brian Moeller, and Shana Gyurə

Will Spencer and the amazing Sarah Wooten have to be recognized for their continued dedication to the APP and the Conference. Without these two doing what they do each year, and supporting the other Supers and myself, Conference would not be the success it is today.

Our Al D. Scholars came from far and wide; including four from Norway, Germany, and Mexico:

  • Ryan Clark
  • Dae Jedic
  • Ismael VargasGuerrero
  • Eugenia Vazquez
  • Andre Berg
  • Zach Fitzgerald
  • KennyHayden
  • John Robberson
  • Marita Wikstroem
  • Logan Wright

They all performed their work well, but I was even more impressed at how they bonded as a team straight away and integrated into the volunteer group at large.

Once again I want to thank J.D. Lorenz and the crew at Industrial Strength Body Jewelry for donating two complete scholarships, and Buddha Jewelry; Gorilla Glass; Quetzalli Jewelry; and Intrinsic Body, Inc. for contributing to the Scholarship fund.

We had some private scholarships and some piercer-sponsored scholarships. The recipients (Hika Kierkenupp, Adrian Sanchez, Trist’n Peterson, Molly Bennett, Aaron Pounds, and Heather Weber) worked alongside the rest of our volunteers. And while the “no excuse” scholars weren’t required to work many hours, some of them took it upon themselves to work additional ones (don’t think I didn’t notice).

This year we invited back all of the Al D.’s from last year, but not everyone could be present.

ShortyCalma, Frankie Pistone, Ryan Feagin, MikeMcInnes, and Dianna Brown all returned to show they could work just as hard, even without a full scholarship.

Our LOVE volunteers exploded in numbers and we found new friends and hard workers in this group: Amanda Badger, Arik Johnson, Chance Sledge, Christina  Blossey, Corey Hobe, Damian Lynch, Eric Grippe, Solo Paige-Turner, Hugo Hernandez, Jess Ekdahl, Justin Naffziger, Krystal  Slager (Klos), KT Wallick, Lani Soleil, Leah-Jean Jett, Megan Naito, Melissa Scogin, Omar Toxqui, Robyn Johnson, Vivi Eye, and Stephanie Segal.

We had non-industry folks, health inspectors, partners, return “love” volunteers, members and non-members.

I’d also like to thank Ash Misako and the Mentor Team. This is a critical program for our event and I think it’s implementation in 2009 has set the course for the APP in a great direction.

I struggled this year, both before Conference and during Conference, to complete the tasks that must be done in order for this event to happen. Yet this Conference was another brilliant one and I can tell that all of the growth and expansion has affected me in a very significant way. With that said a couple of people made a significant contribution of time, which went well above expectations: Jezebel Voule, Kristin Young, and Theo Sheffler all traveled to Lawrence, Kansas, stayed for a few days, worked a full day (Conference hours, not this nine-to-five stuff), and got the 786 pre-Con badge packets completed and in the mail along with the equipment. Frankly, they saved my sanity and really made Conference possible this year.

As always, to the men in my life, Thaddeous Love and Paul King; thank you. Thank you for knowing me better than I know myself. For putting up with my bad days and celebrating my good ones. For being there, always. For loving me, and always knowing I can get it done. I am forever grateful that T has been able to join me these last two years and experience all the joy and love that Conference is—thank you all for welcoming him.

2014 Conference Volunteers. Photo by Autumn Swisher.
2014 Conference Volunteers. Photo by Autumn Swisher.

Point #67: 2014 APP Scholarship Recipients

The APP would like to welcome this year’s Al D. Scholars:

  • Atih Grada Hada (Eugenia Vazquez)
  • Logan James Wright
  • John Robberson
  • Ryan Clark
  • Ismael Vargas Guerrero
  • Zach Fitzgerald
  • Kenny Hayden
  • Marita Wikstroem

We would also like to welcome to Dae Jedic, who received the Shannon Larratt scholarship, and Andre Berg, who received the Industrial Strength scholarship (both sponsored by Industrial Strength).

Congratulations, and best of luck at Conference!

Point #67: From Vendors to Hours – The 2014 Exposition at a Glance

The 19th Annual Association of Professional Piercers Conference and Exposition is just days away. (Heck, by time you read this, it may already be here!) Here’s a sneak peek at what the exposition floor—the largest gathering of piercing related vendors in the world—has in store for you.

2014 Vendor List

  • Industrial Strength Body Jewelry
  • Anatometal, Inc.
  • LeRoi, Inc
  • Quetzalli Jewelry
  • Desert Palms Emu Ranch, LLC
  • H2Ocean
  • Intrinsic Body, Inc.
  • Maya Jewelry
  • Dangerous Things, LLC
  • Eleven44
  • Omerica Organic
  • The Safe Piercing App**
  • Gorilla Glass
  • Diablo Organics International
  • Tawapa/Deer Hart
  • Body Vision, Inc.
  • Abaraka
  • Oracle Body Jewelry
  • Buddha Jewelry
  • Heart on Sleeve
  • One Tribe**
  • Korbar Jewelry
  • Body Gems
  • Blessings to You
  • NeoMetal, Inc.
  • No-Pull Piercing, Inc.**
  • Stretch Logic, LLC
  • Morton Manley Collection
  • Dermal Source
  • Steve Haworth Modified, llc
  • Kaos Softwear
  • Bishop Organics
  • Piercing Experience
  • Generation Punk Jewelry NEW!
  • Elysium Bio Matrix NEW! 
  • Shell Software NEW!
  • Glasswear Studios
  • Evolve Body Jewelry
  • Scylla Body Jewelry
  • Datura Modified Designs**
  • Sacred Symbols**
  • Namaste**
  • Nakastly**
  • Skin Mechanics
  • Omega Red Handmade
  • Metal Mafia
  • Glass Heart Studio, llc.
  • Body Vibe
  • Author’s Table with JIM WARD, FAKIR, and ELAYNE ANGEL
    • **new this year (2014)

Exposition Hours

Tuesday, June 10 Noon – 1:00p.m. (members only), 1:00 – 8:00p.m. (all)
Wednesday, June 11 Noon – 7:00p.m. (open to all)
Thursday, June 12 Noon – 6:00p.m. (open to all)
Friday, June 13 10:00a.m. – 2:00p.m. (open to all)

If you haven’t registered already for Conference don’t worry; it’s not to late. Full Conference packages (the cost covers admission to the Expo for all four days) Expo passes will be available onsite at Bally’s starting June 8, 2014. For more information about Conference fees, classes, and other Conference events, check out our Conference homepage.

Point #67: In the Office

Caitlin McDiarmid headshotBy Caitlin McDiarmid

Even though it’s been quite a while since I wrote for The Point, I haven’t gone anywhere; I am still right here in the office. It’s my 12th year with the APP, and I feel a bit like the mom of a graduating teenager. Our organization has grown and matured so much during this period, and this growth is reflected in our fiscal health, our expanded Conference offerings, and our exploding membership.

Fiscally, the organization is healthier than it’s ever been. The APP has weathered difficult financial periods over the last 12 years. (When I first started, Board Members were paying for their own travel, food, hotel bills, and office supplies, etc.) The economy has had fluctuations that have affected our entire industry, and the Association tightened its belt when prudent. As a team, the Board, Officers, and myself have critically evaluated every expense and program over the years—even during flush times—and I pride myself on doing effective and comprehensive cost comparisons (whether shopping for supplies, a provider of exhibitor services, or a new laptop).

Treasurer Paul King keeps us on track and knows when the Association can spend more on outreach efforts and perks at Conference, and when the budget does not allow it. The rewards of these efforts are being felt now, and will continue to be felt in the future. While those responsible for the Association’s financial well-being will continue to watch pennies, we are pleased to say that we have arrived at a place where we can stretch our reach a bit and offer a few of the programs and projects that have been in the wings—waiting until we had the economic resources.

Our annual Conference is bigger and better than ever! Attendance grew by 18% last year.  (Eighteen percent!) For years our numbers grew by 1% or 2%, but last year we jumped by 18%. Individual class attendance also grew by 26%. And this year seems to be panning out much like last. We are are offering over 100 hours of classes, roundtable discussions, and workshops. (To put that in perspective, in 2003—my first year—we offered 43 hours of classes.) We will have 70 people volunteering at Conference. (My first year we had 9.) Our growth will continue. As such, we are already working hard to figure out new ways to structure scheduling, attendee classification, and badging for 2015, and we will continue to push ourselves and our systems to keep Conference exciting and cutting edge.

Membership is exploding. A number of years ago I remember reading in The Tipping Point (by Malcolm Gladwell) about the number 150 in the context of social/work groups. He discussed the research and findings that support the idea that functional social groups should and do remain in the 150 – 200 range. I paid attention because, at that time, I had noticed this pattern occurring with our Business Membership (our piercers). We would grow each year with new members, but then over the year we would lose members—negating significant growth. We always seemed to hover just under 200 business members. One year ago (June 2013) we were over 200, but just slightly. Right now we have 247 business members; we’ve added 39 new business members (June 2013 to May 2014). (Last year we added 32 new business members; the year prior we only added 16.) Better yet: There’s a good chance that by Conference we will have over 55 new business members. That would be an increase of 26%!

There are a lot of reasons all of this growth is happening. Many people are giving their time to help make this change, and there are a lot of piercers, both members and not, who are doing what is necessary to change what the public sees as professional, safe, and important when they get a piercing. I have never been so proud of our organization and our Association as I am these days, and I have never been so proud to be a part of this industry.

This kid isn’t a kid anymore; this kid has grown up and is graduating to the next level. Yes, we have—and still will—suffer growing pains, and those of us who have been around the longest (and around longer than I)—the Mommas and the Poppas of our industry—may have a hard time letting go during this transition. It doesn’t mean we aren’t proud, or excited. It doesn’t mean we don’t want it to grow and change, develop and find new ways to do things and new possibilities. It just means we care deeply about its success, and know how far we’ve come—and how hard it was—to get here.

 

Point #66: The Dangers of What We Do

By now, many—if not all—of you have heard about the Birmingham, UK woman who reportedly lost four pints of blood and almost passed away after a botched pair of cheek piercings. (If you haven’t, the full details of this story can be read here.) The Association of Professional Piercers has released the following statement on the incident:

The Association of Professional Piercers (APP) is aware of a piercing incident reported on February 24, 2014 in the lifestyle/health section of the Birminghammail.co.uk website. A Birmingham, UK resident visited a local tattoo and piercing studio for a pair of cheek piercings and reportedly lost four pints of blood in about five days. The article states an artery was ruptured and required surgeons to cauterize the wound. It is important to know bleeding and swelling are among the most common symptoms of a fresh piercing, and some piercings may take several months to appear healed.

A small amount of bleeding is normal with any piercing and not usually considered life-threatening or a cause for alarm. Some health conditions and medications may influence the amount of bleeding a piercee may have. This particular client’s situation required medical attention and we hope she recovers quickly. Cheek piercings have special anatomical considerations and elevated risk which is evident in this client’s experience. Further, the use of a light is not always effective for mapping blood vessels in such thick tissue.

The APP encourages piercees to educate themselves with what to look for when choosing a studio to ensure the piercer is properly trained and experienced for the piercing they desire, offers jewelry made of an appropriate material and finish, and performs piercings in a safe and aseptic manner. To learn more about picking a piercer and appropriate jewelry standards for initial piercings please visit the APP’s website.

The Association of Professional Piercers is an international non-profit organization dedicated to the dissemination of vital health and safety information about body piercing to piercers, health care professionals, legislators, and the general public.