Posts by Jimmy Buddha

Point #68: Dual Innovator Award-Winner – Jimmy Buddha and Diablo Organics

Jimmy Buddha headshotJimmy Buddha

To win both innovator’s awards this APP was both a wonderful surprise and an honor. In an industry where so much is changing and evolving, it feels good to know we might be doing something right. I have never really been good at following the rules; pushing limits has always been my natural reaction to the world around me. But if it wasn’t for my team at Diablo Organics and my peer group, I would not have the freedom, support, and inspiration to produce award-winning jewelry.

Only a handful of years ago, many of the designs and concepts I utilize today would not have been well received. I have learned the hard way that the key to creating successful designs is not just innovation, but timing and perseverance. It is a testament to our industry and diversified clientele that we are capable of creating new concepts, and utilizing old (and even ancient) ideas to move out of niche markets on the fringe of society, and into the larger fashion industry as a whole. This is helping our businesses to flourish and provide professional services to the general public. So, to those of us “old timers,” I hope we can embrace the evolution of our industry, and bring positive influence and wisdom to help guide our paths. To the “fresh blood,” I enjoy the new perspectives and energy you bring to the table, challenging us to stay relevant in this ultra-fast-paced world.

Diablo_jewelry
Photo courtesy of Diablo Organics

We entered and won with the saddle spreader hooks in the Technical Innovation category. It’s a variation on our original spreader hook. I designed it to accommodate our ever-growing line of “dangles.”  It is a simple and basic concept all piercers use whether they’re conscious of it or not. Spreading pressure over a wider surface area creates a more comfortable and wearable piece of jewelry. This design allows people of all different sizes to rock progressively heavier “dangles”. It also allows me, as a designer, to create pieces that would otherwise be too heavy to wear.

For the Creative Innovator Award, I used a design I’ve had on the books for a few years but have never had the right materials to make happen. Then I came across an amazing section of “grade A” fossilized mammoth tusk allowing us to make these beautiful, three-inch swastikas a reality. The swastika is a hot topic in the Western world, especially in the cyber reality that currently exists, causing much debate. Mention it to people in Asia and they will shrug their shoulders and ask, “What’s the big deal?” It’s a symbol they see daily. I am aware of the negative connotations this image carries for many, the positive ones for others, the recent historical context, the ancient context, and even all the misinformation out there on the “interwebs,” the list goes on and on.

jimmy buddhaWhy does Diablo Organics use it? Why do I use it in my jewelry and even in my logo? For me it is about freedom. It’s freedom from dogma, preconceived ideas, rules, opinions, religion, hate or whatever box “they” try to put me in. I’m here to smash the limits and keep kicking ass. That being said: a big THANK YOU to all of you who support us. Through your support we will continue to do what we do and bring you unique, quality jewelry made from extraordinary materials.

 

Point #60: Award Winner for Technical Innovation – Jason Pfohl – Gorilla Glass

By Jimmy Buddha

JIMMY: How did you ever come up with an original idea like o-ring grooves on the back of a single flare plug?
JASON: Most of my best ideas come from my customers. Piercers have been asking for this particular design for quite some time; I just had to get off my ass and start making them!

JIMMY: When you change designs from a functional or technical standpoint, is this usually based on feedback you get from piercers and customers?
JASON: Dude, I already answered that question. Pay attention.

JIMMY: How does your personal experience in body modification influence your work?
JASON: I had my flats punched by Zak Zito at 10mm and healed them with glass in under a month. That helped me to better understand the healing process and also in designing jewelry for conches, flats, and septums. Lobes are so much more flexible than cartilage, and the flares and wearing lengths are completely different.

JIMMY: Do you think there is much more room for “technical innovation” when it comes to jewelry, or are things tapped out? Where do we go from here?
JASON: I think there will always be room for technical innovation. Major breakthroughs such as internally threaded jewelry and surface anchors are landmark events in the modern piercing industry, but there are more subtle technical innovations in jewelry design happening all the time. Check out Morton Manley’s hoop variations, or Quetzalli’s soulful experiments. The jewelry companies and designers are more sophisticated now than at any time in our history.

JIMMY: Now that you are over 40, really old in other words, maybe you could take a minute to reflect…do you feel you have gained some wisdom and insight into why we are all in this industry?
JASON: I can’t speak for you, but I love making jewelry and working with glass…plus there are some great perks like getting to travel all over the world and hang out with my awesome friends.

JIMMY: Since you are in Oaxaca, Mexico full time, do you find it difficult to stay up to date and in touch with how the piercing scene changes and progresses? What do you do to stay current and relevant?
JASON: Luckily for the rest of the planet, Texas has never been the center of the universe. Plus the Internet has really transformed the piercing scene and created an amazing international on-line community that continues to grow. You should check it out! When I design jewelry I don’t follow existing trends, but make technical experiments with glass production techniques.

JIMMY: What other challenges do being set up in Mexico pose for you when it comes to manufacturing your jewelry?
JASON: My main challenges are importing raw materials and exporting finished goods.

JIMMY: I was lucky enough to have visited your new glass facility in Oaxaca recently and was very impressed. Will this allow Gorilla Glass to expand?
JASON: Gorilla Glass has been growing steadily every year since we started in 2002. We won’t slow down as long as there is more and more demand for our jewelry. Owning my own land and production studio is incredible. Thanks to all my customers for helping make that dream real! My newest project is a downtown art gallery to promote glass art in Mexico.

JIMMY: Should we expect to see a lot of new and exciting things from you?
JASON: Stop asking dumb questions.

JIMMY: You have put together an amazing team of workers in Mexico in your office and manufacturing. What are some of the challenges you face managing such a diverse group of individuals?
JASON: The diversity of people working with me has never presented a problem. Generally I try to find what an individual is good at and enjoys doing, and then give them responsibilities that match their strengths and background.

JIMMY: How did you get into glass?
JASON: In 1992 I was living in my van in California and made friends with a group of stoner surfer kids who introduced me to my first glass bong. That inspired me to enroll in a glass-blowing class at Santa Barbara City College. I was attracted to the heat and physicality of working with the material. Later on I met Dale Chihuly and he invited me to study at his famous glass school, Pilchuck. I ended up getting a job there and that’s when things got interesting.

JIMMY: Did you ever imagine that you would be making body jewelry in Mexico?
JASON: Gorilla Glass was born in Mexico City. I don’t think I imagined it. I focus on doing things.

JIMMY: As Gorilla Glass faces more competition from “cheap foreign-made glass,” specifically Indian and Chinese, what is your game plan to stay competitive?
JASON: There has been “cheap foreign-made glass” on the market for at least five years and I have never seen them as competition. My customer base is the best-of-the-best piercing shops that are proud to carry brand name jewelry. Plus we are constantly innovating with new designs and custom work, so we always have something fresh and different for our customers.

JIMMY: How does your company and its products differ from the “cheap foreign made” glass?
JASON: We are a quality company that has been around for ten years; we are passionate about what we do and we take care of our customers.

JIMMY: Knowing that I blazed the glass body jewelry trail in the mid 90s for you with Jimmy Buddha’s Glassware, do you think you would have been as successful as you have been with your jewelry had I not been there to open the door up for you, so to speak?
JASON: I never heard of Jimmy Buddha’s Glassware before…it must not have been very successful. That’s understandable; glass is a difficult material to work with and takes a lot of patience and skill. I’m glad you had better luck with organics, Jimmy!