Posts by Kendra Jane Berndt - Managing Editor of Content & Archives

Point 76: Banquet Dinner – Kendra Jane B

The banquet dinner is a highlight of the week in Vegas for many people. In fact, it has sold out the last few years in a row. Every year we get to see our colleagues dress up in their fanciest duds, from stunning gowns to costumes that fit the theme for the year. This year we saw some of our favorite science fiction characters, including Barf and Leeloo.

2016 APP Banquet portraitsAs we enjoyed a great dinner we were entertained by the familiarity of a sideshow. From there we moved on to the evening’s formalities: speeches, awards, and the much anticipated grand prize raffle draws.

The evening’s formalities got started when Cody Vaughn and I had the opportunity to say thank you and welcome to our new Members for the year.

“This century has seen the advent of technologies and procedures those before us never thought possible, not to mention an exponential growth in the numbers of body modification enthusiasts, and in turn the number of piercers looking to be their best. Every year we gain new Members and grow as an organization but this last year saw us gain an amazing 86 new Members. Congratulations to all our new Members.”

New Members:
Andie Saunders
Ashley Reeves
William Barron
Matt Bressmer
Kyla Scrivener
Olivia Theriault
Kara Dee
Lara “Barkley” Barkley
Laura Davis
Michael Bernhardt
Megan Feeley
Robert Wilson
Kelli Zeien
Edward (Richie) Bibee
Hannah Phykitt
Mona Lisa A. Escalante
Whitney Chase
Joshua W. Spriggs
Chris “Plaid” Weyer
Emily Woods
Jarred Mantia
Lani Soleil Gillespie
Ricky Andrew Minor
Anthony Merritt
Joey Hayden
Nick Lanehardt
Rivka McCormack
Courtney-Logan Rose Cangelosi
Sebastian Wolfe Pickersgill
Ana Paula Escalante
Lola Slider
Jay Zogg
Tim Gerdes
Janessa McKissack
Leo Ziebol
Melinda Hupy
Dominick Arduino
Giselle Rose Arduino
Inaveronica Ausland Pedersen
Amy Willmore
Jacob Spjut
Matthew Buonantuono
Kevin Allison
Crystal Vozzella
Ryan Terrillion
Doug Poisson
John Robberson
Rosemary Willicome
Justin Ellis
Hali Stimis
Amanda Thompson
Chris A Taylor
John Osborne
Hall Boyer
Paul Rainer
Jason “Jay” Zukas
Dustin Schoelier
Phoebe Dowling
Ryan Tantay
Britt Riggs
Samantha Minh (Robles)
Brittney Lola Lebbano
Thomas Gottschalk
Scott Self
Derek Ian
Robert Chambers
Kolby Cain
Kaylyn Suellentrop
John Alonzo
Dustin Jackson
Michael Kabbeko-Johnson
Chelsie Ross
Bernard P. Ellis II
Eric Schuh
Michael Kaspa
Amy McNichol
Dorian McCarron
Nicolas Fox
Thomas Mocek
Westin M. Fryar
Rich Hartwick
Maddie Akers
Matt Ronin
Charles Charlie Wheeler
Deidra Saville Evans
Bilal “Cozmo” Whitest

Miro Hernadez then had the distinguished pleasure of announcing this year’s birth announcements:
– Shortly after conference last year, Brian and Sandrine Skellie’s daughter Serena was brought into this world
– Ahri Elise Wilson was born on April 11th to Robert and Carissa Wilson
– Hazel Grey Hemmingsen was born on May 6h to Tyler and Laura Hemmingsen
– Patience J. Hope McInnes was born on July 9th to Mike and Michelle McInnes
– Tamarah and Wednesday Henryson brought a female “puppy” into this world on September 24th. When Tamarah was pregnant, the baby’s gender couldn’t be identified, so after people kept asking and asking, they finally just said, “a puppy” and that has stuck since.
– Julie Green of Westcoast Piercing and Ink first grandchild, Daya, was born on June 21
– Simon Patrick Saunders was born on September 8, 2015 to 2 of our APP members, Jef Saunders and Laura Leonard
– Troubador Rocco Grosvenor was born on September 29, 2015 to Nathan and Chelsea Grosvenor
– Mark and Nikole Montgomery are now grandparents with the birth of their beautiful grandson Lach- lan (Lock Ian)
– Lyric Mason Dinsmore was born on November 22, 2015 to Desiree ́ Dinsmore and Dustin Merryman

This past year was also filled with loss and sorrow and we mourn the passing of several members of our community:
– Hugh Mattay from Australia passed on Jan 28 at the age of 37.
– Leah Lovell from New York passed at the age of 28
– Peter Pina, 33, of Electric Chair Tattoo and Body Piercing in Houston.
– Jerome “JJ” Moiso passed away on February 26th after a long battle with cancer. He was one of Al D.’s last apprentices and had worked for a handful of Seattle studios as well as owning his own studio for a couple years. He was also involved with the original body art regulations in Washington State.
– Charles Gatewood and his iconic photography that brought the weird and macabre to pop culture and his larger than life personality.
– In 2014, Mark Siekierski joked about having this quote read as a memorial if he should ever pass, and sadly this year that wish will be made a reality.

Earth from the far reaches of space“Look again at that dot. That’s here. That’s home. That’s us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every “superstar,” every “supreme leader,” every saint and sinner in the history of our species lived there-on a mote of dust suspended in a sunbeam.”

With the completion of that paragraph there was not a dry eye in the place and we all knew that we had honored a great man and all those that we had lost last year.

Last year’s banquet gave me the opportunity to thank someone very special to me, Caitlin McDiarmid. This year the tables were turned and she awarded me the Josh Prentice Volunteer award. This definitely brought me to tears. I was stunned and left speechless to say the least. I am so honored to have been recognized for something that brings me joy and fills my bucket until it runs over.

Brian Skellie also had the privilege of presenting this year’s President’s award to Ana Paula. This woman is a powerhouse in our industry and has brought safe piercing education to Latin America. When she is not teaching worldwide or starving to build LBP and the education seminars available to Latin American piercers, she creates stunning jewelry. A mother, wife, educator, and creator she is the most deserved recipient of this award.

From there the evening progressed to the presentation of the Expo awards. This year, there was a tie for the Creative Innovator’s Award, being presented to both Tether and Onetribe. We also saw Tether win the Single Booth Award. It is so wonderful to see a first time exhibitor and new company hit the ground running. At the other end of the spectrum, two long standing pillars of the industry took home the evening’s other awards. Tawapa won the Multiple Booth Award and Diablo Organic won the Technical Innovator’s Award.

Now that the formalities had been taken care of it was time to get onto the top raffle prize drawings (we all know this is what everyone was really waiting for).

As the evening drew to a close, lives had been changed forever, and we knew the week was drawing to a close. This is always a bittersweet moment for many of us. So until next year I leave you with this. . .

Alvin Toffler said, “The illiterate 21st century will not be those who cannot read and write. But those who cannot learn, unlearn, and relearn.” It is in this vein that we gather in the desert; to learn with the best; to unlearn some of our preconceived notions; and relearn things we thought we already knew. From our classrooms and workshops to our exposition floor it has been evident that the APP, our Members, Sponsors, and conference Attendees ensure that they take every opportunity to learn and grow both personally and professionally. We are so very excited to see what the future holds, when we boldly go where no piercer has gone before.

point-76-banquet-2016-app-conference

Point 76: Thank You, Ash Misako – Kendra Jane B

Kendra Jane headshotKendra Jane Berndt
Managing Editor of Content & Archives

I am fortunate to work in an industry that surrounds me with beautiful things, special occasions, and brilliantly talented people. One such person I feel lucky to not only call a colleague but a friend is Ash Misako, the wandering piercer. Ash has a no nonsense attitude and will always tell you where you stand, but at the same time she wants you to stand as tall as you can and be the best you can. I am absolutely honored to be able to say thank you to Ash, from the bottom of my heart. I am so proud that I have the opportunity to join the Board of Directors as you step down, and it would not have been possible without your support.

As a fellow piercer I admire her commitment to the highest standards, the fact that she never settles, she strives to stay at the forefront of education and knowledge, and willingly helps many new piercers better themselves. As a client I admire these exact same attributes, but I also know that I am in safe hands, and that she would never compromise my health or the experience that I was looking for by rushing the process or just to make the sale. Ash is a special combination of everything a piercer should be.

headshot of Ash Misako
Ash Misako
photo credit: Autumn Swisher

A perfect testament to Ash’s commitment to our industry can be seen in the beautiful gold end from Anatometal named after her, the “Kira Kira”. However, the respect that accompanies something such as this was not earned overnight. Before owning her own shop, Kira Kira, Ash spent many years honing her piercing skills at Hearts of Fire. In fact she has been piercing since 2001 and an APP Member since 2008. Since she joined the APP, her invaluable commitment to helping and bettering our industry has become even more evident; piercing is not just a career for Ashley, but truly a passion. She has volunteered countless hours for this passion, all to ensure young piercers are steered in the right direction. She helps those piercers wanting to become Members alongside her, providing answers to their questions as they move through the steps to membership.

She has spearheaded the mentor program at Conference for the past 3 years and has set it up for success. Now, she steps down from the Board and away from these responsibilities to focus on other areas of piercing for awhile.

I hope she knows what an invaluable mentor and role model she has been to, not only myself and fellow Members, but to piercers worldwide. Ash Misako, thank you for all you’ve done.

Point 76: From the Editor – Kendra Jane B

Kendra Jane headshotKendra Jane Berndt
Managing Editor of Content & Archives

With a blink of an eye it is over; another Conference has come and gone. The 21st annual Association of Professional Piercers Conference was my sixth, and these six years have been quite the journey. I have gone from apprentice and Al D. Scholar to Board Member. This year’s Conference had me wearing more hats and running more steps than ever, but it also came with the chance for me to share what I do with my two daughters (and show them off a bit). Being able to share the one week of the year that makes me feel the most alive and like myself with the two people that I love more than words; I have to say it was the most rewarding experience. It was an honor to introduce them to a wonderful group of people, my community, my family, the most beautiful people I know. After all they say it takes a village to raise a child, and I belong to a great village.

I consider myself very fortunate to have grown up in a household with a mother that is not only educated, but owned her own business, travelled the world, and can change a tire or build a deck. She set me up for success without even realizing it. She allowed me to learn from my own mistakes while still showing me compassion. She may not have agreed with all of my life choices, but she always supported me. As a female leader in our community, I feel that I have a responsibility to be supportive, compassionate, and to encourage the growth of those around me.

I am so fortunate to be one of just a handful of women to have served the APP as a member of the Board of Directors. My way has been paved by powerhouses like Bethrah Szumski, Alicia Cardenas, Elayne Angel, and Ash Misako. This gives me some very big shoes to fill. These amazing ladies have shown that intelligence, hard work, determination, and perseverance will succeed. So I want to take this opportunity to say how fortunate I feel to have had the support of these fierce ladies in my career. It is no secret that our industry has been a male dominated industry since its inception (as with the majority of industries). Now that I have the opportunity to set an example for generations of young ladies, it is difficult to find words to express my appreciation. Thank you for allowing me the opportunity to be my best, both personally and professionally.

Point 74: Charles Gatewood Remembered – Kendra Jane B

Kendra Jane headshotKendra Jane Berndt
Managing Editor of Content & Archives

Charles Gatewood, 73, had an indisputable impact on our industry, although he was never a piercer. On Thursday, April 29, 2016 Charles passed away due to complications from a fall on April 8, 2016. According to Betty Gatewood, Charles’s sister, the earlier fall from the third floor balcony of his apartment was a “suicide attempt as he had left several notes behind.”1 No matter the cause of his death, the burden of grief is not eased.

Charles Gatewood black and white photographIn addition to numerous private collections, Charles Gatewood’s images have been archived in over a dozen libraries and universities across the United States. The Gatewood Archive is currently curated at the Bancroft Library at University of California, Berkeley, which is now the steward of the lion’s share of the Gatewood Archive. Before his death, Charles Gatewood donated his video archive to the Body Piercing Archive. We digitized the first ⅓ of the collection last year, with the remaining ⅔ to be digitally preserved this year.

The Gatewood Archive contains several thousand vintage and modern silver prints, 250,000 slides and negatives, plus contact sheets, proof prints, personal papers, correspondence, over a thousand books, and special collections. The archive also contains three films (including a copy of Dances Sacred and Profane) and a selection of prints by other fine art photographers.2

In our winter issue, we’ll thoroughly explore the incredible impact Charles had on our industry.Charles Gatewood Photographs - Badlands

“Charles Gatewood, the man known as ‘the anthropologist of the forbidden’, has been documenting America’s sexual underground and alternative subcultures since the 1960s,”

“And though his name may not be that familiar to some younger pervs whose knowledge of fetish history is not that broad, the chances are that even these people will instantly recognize some of his best known images… Gatewood’s work can be traced back to photographs that appeared in the late ’80s ReSearch publication “Modern Primitives,” the seminal work on body modification cults and characters, which introduced the original Modern Primitive, San Francisco’s Fakir Musafar, to a much wider audience.”

“Much of the activity that Gatewood documented on the margins of society in the ’70s, ’80s and early ’90s is now part of contemporary youth culture, today, tattooing is commonplace, and pop stars regularly appear in SM-influenced attire. As sexual and body modification practices once seen as radical and taboo become increasingly accepted by the mainstream consciousness, Gatewood’s photography can be seen as showing the way.”

—Fetish newsletter, TheFetishistas

1 New York Times, May 4, 2016 “Charles Gatewood, Photographer of Extremes, Dies at 73,” by William Grimes http://www.nytimes.com/movie/review?res=9B0DEEDF1E31F930A25755C0A961948260
2 Wikipedia
– Gatewood, Charles (1999). Badlands. Goliath. ISBN 3980587649.
– Gatewood, Charles (1999). Badlands. Goliath. p. 17. ISBN 3980587649.
– Donohoe, Joe; Lynn Rubenzer (October 2012). “Charles Gatewood: Story of the Eye”. Specious Species (Six): 19–30.
– Gatewood, Charles (1975). Sidetripping. Strawberry Hill Books. ISBN 0891550011

Point 75: From the Editor – Kendra Jane B

Kendra Jane headshotKendra Jane Berndt
Managing Editor of Content & Archives

On May 1, 2016 the province I live in was struck with the largest disaster in my country’s history. What I have also seen come out of this tragedy is a special intimacy, and openness to help and to share with those in need. Although I do not live in Fort McMurray, where this tragedy occurred, it is a city that has supported my family for decades and is home to many of my friends. As this tragedy and the recovery efforts unfold, we are all coping in different ways, as is the case when struck with grief, sorrow, or any other very intense emotion. When I am sad or happy or anywhere inbetween I work through my feelings in the kitchen.

I have also been reading a book that has struck a chord in me. It is is both about life and cooking and I would like to share a little of it with you, our readers.

When we cook, we are expressing ourselves completely, for we always cook within the context of our lives. If we are feeling lonely, stressed, generous, too busy, happy—whatever is happening in that moment—when we step up to the stove, we cook with these circumstances as much as any ingredient or recipe. This kind of attention to the particulars of the moment won’t be found in the recipe we are using, yet it will have an enormous influence on the final product and how much enjoyment we will receive from both the doing and the consuming of it.

I want to encourage and support us to look more deeply and experience more deeply, in our everyday lives. There is a hunger for a more considered life, one where our everyday circumstances are not a series of inconveniences to get through (or around) as quickly as possible, but rather a source of awakening and pleasure. We don’t have to go looking for it, we don’t have to purchase it, because it’s right here. 1

I think I have already read the above passage a hundred times and the contents of its message makes me look more forward to our Conference than ever before. This is the one week a year I soak in every minute, every $6.00 bottle of water, every smoke filled casino, and every tired morning. There are absolutely no inconveniences, and everything is a pure source of genuine happiness and awakening.

As you read our pre-conference issue I urge you to change your mindset as you pack and prepare. In this issue you will find excellent tips from our mentor team to lessen the stress before you even leave home, setting yourself up for a successful week. If your worry is about leaving your shop while at Conference, April Thomas and Julie Taylor have put together some advice on ensuring your studio will be more than prepared for your absence.

As I wrote, edited, and compiled this issue I felt the butterflies start in my stomach, but this year I will be approaching Conference from a different perspective, one that will allow me to see my conference family in a whole new light. I urge you to do the same; open your hearts and minds, let down your guard (as hard as it may seem) and experience the week, really experience it. Amazing things can happen when you do. I look forward very much to hugging my family, my friends, and the best colleagues on the planet. So whether this is your first or your twenty-first Conference, I hope you will allow yourself to find the extraordinary in the mundane, the irreplaceable in what others dismiss as irrelevant; to have a deeper life experience.

1 Velden, Dana. Finding Yourself in the Kitchen. Rodale. New York. 2015.

Point 74: The Eye of the Needle – A Book Review – Kendra Jane B

The Eye of the NeedleThe Eye of the Needle by Pauline Clarke
Second edition 1984
ISBN 0952117509
Published in 1992 by PAUK,
153 Tomkinson Rd, Nuneaton, Warwickshire, CV10 8DP England

KendraJaneA Book Review by Kendra Jane B
Body Piercing Archive

It is important to keep in mind the time frame this was published and how its purpose in a library or collection will have changed since its original publication. If this review had been written 20 years ago – when this book was one of the few available on body modification – it would have been an important and excellent educational tool for both the enthusiast as well as those considered professional piercers. Keep in mind that at this time there were very few piercing establishments that offered individuals who pierced as a profession.

Fast forward to now, when the educational body of literature for the body modification industry has grown significantly; this text now serves much better as a historical account as opposed to an educational reference. I also see it as a very important piece of the history of our industry, helping to bring piercing from the kink and fetish world (which you can tell influence this book quite heavily) to the more mainstream.

“Press about piercing at that time [the early ‘90s] was written by us for us: PFIQ. Body Play. Body Art and Piercing World out of the UK. For many of us—myself included—these publications opened our eyes to a completely new world. My aspirations to be as a piercer and body modification artist were directly shaped by what I read in these publications.

And now there is the internet. Piercers today are introduced to the world of piercing and body modification with a flood of information that was not readily available in years past. Sites like rec.arts.bodyart and BMEzine.com shaped body modification for the new generation. The problem in years past was too little information was available; now it’s too much information to sort through” – James Weber The Point: Issue 41

It is interesting to note that the above comment by James Weber was 33 issues ago; it has been over eight years since that statement. Many of those websites are no longer what they were in readership or participation and others have simply been replaced all together. Our industry is experiencing unprecedented and exponential growth. This makes books such as Eye of the Needle so much more important to preserve and archive as they are the written history of our industry. This book is an indispensable addition to any collector’s library.

Image of woman with numerous ear and nostril piercingsAs a historical text this book offers a look at what it was like for the body modification enthusiast in its infancy, not just in North America, but worldwide. It is a unique combination of instructional text containing brief descriptions of healing times and proper jewelry used to perform certain piercings, including septum, navel, and nipples. Male and female genital piercings are also discussed later in the book. These small written tutorials – complete with hand drawn diagrams by Alan Oversby (aka Mr. Sebastian)—are a key part to our history.

At the time this was written, few piercings in North America were done for fashion reasons; most body modification was rooted in sexuality or due to the love of physical adornment. The author mentions that at the time of publication, “Sleepers” were the most common, comfortable style of jewelry. She mentions repeatedly that the dominant styles of jewelry at the time were ball closure rings (BCR). This is what UK and English speaking Europeans have always referred to this style of jewelry as, continuing to this day. Whereas North American English speakers call this style of jewelry captive bead rings (or CBR). Most jewelry available was made from gold, silver, or surgical steel. This is also the time that men’s ear piercings went from having very strong political ties to fashion statements. However nostril piercings were still rare and piercings like the septum were only seen at home or at private functions. Clarke explains that piercing went from the enthusiast to the public for fashion.

The Eye of the NeedleClarke begins the list of piercings in this text with facial piercings, such as the lip and ear. Healing times are subjective and outdated, being quite a bit shorter than what we may suggest now. She sites the piercing gun as the most common method of performing an ear piercing. However, she does state that if you want to wear a ring immediately the piercing will need to be done with a hollow needle, but states that this method is slower and more painful. This is important, indicating that even decades ago people realized there were differences between piercings performed with piercing guns and hollow needles.

From here she moves on to talk about the navel piercing. Much of the information included for this piercing still holds true. Nipple piercings are the next to be covered and receive more attention than any other piercing at this point in the book. This, again, indicates a direct link between the roots of the piercing movement and the kink and fetishists of the time. This latter section for the book includes several excellent photos highlighting nipple piercings and their accompanying jewelry in both color and black and white. These collections of photos are an excellent window into the rise in popularity of piercing in the ‘80s and ‘90s. However the anatomy of a nipple piercing that is covered in this literature would now be considered outdated; as an industry standard, it is now agreed upon that it is not necessary to pierce into the areole no matter what the anatomy of the nipple.

From here, Clarke goes on to give answers to the most commonly asked questions about body piercing, such as “does it hurt?” Trying to address the ideas of pain versus pleasure, and how one can become the other, again ties the roots of piercing to the S/M and kink cultures. She also offers other examples, stating that the simple act of adorning the body is able to affect the physiological aspect of a person’s well being. She supplements these ideas with several first hand accounts or testimonials from people and why they have chosen to seek out body piercings and their motivations in becoming modified.

From what would have been modern accounts of body modification, Clarke goes further into what she feels are the different aspects of body piercing. She refers first to personal expression, such as dressing for pleasure, and then moves on to discuss the idea of collectors – those who had a true passion for piercing and modification. As with previous sections of the book, Clarke includes several pages of both color and black and white photographs as examples.

Moving onto the next section of the book, Clarke talks about the pioneers – those people we look to as the founders of the modern body piercing movement as a whole. From Doug Malloy to Alan Oversby, she offers their accounts and written dialogue and as well as her stories of their meetings and visits. She starts with a reprinting of the Adventures of Body Piercing by Doug Malloy. This is followed by a story by England’s pioneer in the modification world, Mr. Sebastian. She rounds out this collection of history with letters and stories from Will and Ethel Granger.

The remainder of the book is largely dedicated to genital piercings accompanied with personal testimonials, great photographic examples, and more illustrations from Alan Oversby. These illustrations are much like the earlier examples, going over the technical aspects of these piercings (accurate and citing best practices for the time of publication). The focus on text and images related to genital piercings acts as another great indicator of the connection between sexuality and the roots of the piercing industry, not only in North America, but in other parts of the world as well.

To round out her book Clarke briefly touches on stretching, the tribal roots of our industry, and nipple training. She closes the book by offering her own account of her modification journey, including her thumb web piercings and her labia piercings done by Mr. Sebastian. As a historical piece of literature this personal account really gets demonstrates how far our industry has come in the past 40 years, from bedrooms and basements to board rooms and run ways. Although Clarke’s book no longer serves as an educational reference, it would have when first published. It offers a colourful and intimate account of body piercing as it was in the beginning. It is the perfect example of how kinks, lovers, and BDSM practitioners helped to bring piercing from the closet to what has become common day practice.

One important thing to note is that the very last page of this publication is a set of standards that were set forth for UK piercers by PAUK (Piercing Association of the United Kingdom) and the Director of Public Health; this would have been one of the first sets of standards for the professional piercer, dictating what and how they may do parts of their job.

About the Author Pauline Clarke
Clarke married in 1959. It was through her husband’s interest in body piercing that led her to put compose this book. After having two kids and writing children’s novels, her aspirations had always been to become a journalist.

It was after her first tattoo in 1965 that the door was really opened for what was to become her future and the focus of her journalistic career. By 1981 she had become much more involved in the tattoo community and in 1983 she was named Miss Tattoo, Great Britain. This led to many magazine features and interviews, and eventually to the creation of PAUK (Piercing Association of the United Kingdom). She then followed up with a quarterly publication called Piercing World.

The Eye of the Needle References

Point 74: From the Editor – Kendra Jane B

Kendra Jane headshotKendra Jane Berndt
Managing Editor of Content & Archives

We are in a world where we double tap dozens of times a day, use our smart devices to track the most minute details of our days, and start to sweat at the thought of no wifi. In a relatively short amount of time our industry has embraced technology. We as piercers know what an important role social media and technological advances have on our jobs. As someone that has been given the good fortune of being able to reach many of my peers on a regular basis; I want to take this opportunity to hopefully provide you all with for some food for thought. A few “rules” if you will to navigate the waters of the tech ocean we are all trying to stay afloat in.

To be engaged in ones work, ones passion to apply oneself fully and wholly is an amazing thing. This used to mean spending hours pouring over books, old letters, even microfiche, or (yikes) actually talking to people. The art of the spoken word is no longer what it was. The internet has made so much possible. With information a click away, one can fulfill every need and want for knowledge in seconds enabling our passions to ignite and take off. The flip side to this 24/7 access to internet anonymity (you can become someone you are not, omit the parts of your person at will, or remain completely anonymous) is that the rules of social engagement seem to be faltering; no tone or body language to accompany it. In this issue, you’ll find an article by Miro Hernandez explaining how to put your best foot forward while communicating online.

When I was younger my mom often told me if I had nothing nice to say I was to say nothing at all. As much as it may pain me, I have to admit my mom was right. This statement has saved feelings from being hurt, friendships from being ruined, and embarrassing things from happening. Inevitably, we all face some form of negative online criticism in our professional lives. Courtney Jane Maxwell has shared some tips to help you stay cool and collected when dealing with a bad review on a social media platform.

We live in a world where we are force fed the idea that more is better. I firmly and truly believe moderation is the key, not just when it comes to the donuts I eat or the coffee I drink, but very importantly in the social media I use. I choose to be choosey which means I do not use every type of new and fancy social media that pops up. I do not snap, tweet, and in fact I do not spend the same amount of time tumbling or booking that I used to. I have chosen the types of technology that work best for me and I make them work as effectively and efficiently as possible. This means that as much as technology has become part of every facet of my day to day life, it is not my life from day to day.

Read on to see how technological advances have helped to make our industry safer for clients and piercers alike; how the etiquette of more formal times in the past still have a place in our conversations on the internet today, and don’t forget to double tap and share this publication.

Point 73: A Parent’s Guide to Safe Piercing for Children’s Ears

Child's ear piercing performed by Becky Dill at Cold Steel Piercing Photo by Danielle Greenwood
Child’s ear piercing performed by Becky Dill at Cold Steel Piercing
Photo by Danielle Greenwood

Proper technique, sterility, piercing placement, aftercare, jewelry material, and style are among the many important factors that go into a successful piercing. First, let’s look at the technique itself. Piercing guns use pressure to force a pointed object, the jewelry, through the skin. While these mechanisms may seem like a quick, easy, and convenient way of creating holes, they can have major drawbacks in terms of tissue damage, inappropriate jewelry designs, and sterility. These concerns have been documented in medical literature over the years and provide proof of these concerns.

Due to the dull nature of the jewelry used in piercing guns, more damage is caused to the tissue when compared to piercings done with quality piercing needles. The effects are similar to a blunt force trauma including significant pain, swelling, scarring, and an increased potential for complications. The gun then pinches the back of the jewelry in place snugly against the skin, allowing no way for the new wound to breathe and heal properly. The customer is often told to turn the jewelry, which only further pushes growing bacteria into the wound, increasing the risk of infection and delaying the healing process considerably.

Additionally, it has not been documented how often piercing guns malfunction. Some operators report that the earring adapter that holds the jewelry often will not release the earring, requiring its removal with pliers. These pliers, which contact contaminated jewelry immediately after it has passed through the client’s tissue, may be reused on multiple customers without full sterilization. Few, if any, gun piercing establishments possess the expensive sterilization equipment necessary for such a process. Occasionally the intense pressure and speed of the gun’s spring-loaded mechanism is not sufficient to force the blunt jewelry through the flesh. In these cases, the earring stud may become lodged part way through the client’s ear. The gun operator, who may not be trained to deal with this possibility, has two options. S/he can remove the jewelry and repierce the ear, risking contamination of the gun and surrounding environment by blood flow from the original wound. Alternately, the operator can attempt to manually force the stud through the client’s flesh, causing excessive trauma to the client and risking a needlestick-type injury for the operator.

Diagram showing the differences in the "cutting edge" of ear piercing studs used in piercing guns. The bottom silhouette is a single use hollow needle.
Diagram showing the differences in the “cutting edge” of ear piercing studs used in piercing guns. The bottom silhouette is a single use hollow needle. Reference: Ear piercing techniques and their effect on cartilage, a histologic study

There may also be a greater likelihood of more serious complications when cartilage or structural tissue such as noses are pierced using a piercing gun. This type of tissue (cartilage) has less blood supply than earlobe tissue and therefore a correspondingly longer healing time; this means that infection in this area can be more likely and more destructive.

Another common concern is sterilization and asepsis. Any kind of procedure which involves contact with blood or bodily fluids requires strict adherence to crosscontamination prevention.

As is now well known, the hepatitis virus can live for extended periods of time on inanimate surfaces, and could be harbored within a reusable piercing gun for several weeks or more. Hepatitis and common staph infections, which could be found on such surfaces, constitute a serious public health threat if they are introduced into even one reusable piercing gun. Considering the dozens of clients whose initial piercings may have direct contact with a single gun in one day, this is a cause for serious concern. Babies, young children, and others with immature or compromised immune systems may be at a higher risk.

Some will argue that the piercing gun never comes in contact directly with a customer’s skin, or is sterilized or disposed of after a single use. This might be true, but the gun operator’s hands do—if they touch the customer’s skin and then touch the gun, the gun is now contaminated. When the gun drives the stud through the flesh— whether or not the skin starts to bleed – there is no way of knowing whether or not tiny particles of blood have been dispersed into the air contaminating everything around it. Piercing guns are usually made with plastic and cannot be adequately cleaned and sterilized for reuse. A quick wipe with an antiseptic pad is not effective in removing disease-carrying blood. Although many manufacturers now make disposable options, these do not negate concerns regarding possible damage to tissue, jewlery quality, or inadequate staff training.

The Association of Professional Piercers does not support the use of piercing guns because the reusable versions can’t be sterilized using APP approved equipment, such as an autoclave. Without proper sterilization, the risk of spreading diseases such as Hepatitis and staph infections increase.

The Bottom Line: Professional piercers use a more modern approach to piercing that’s less traumatic, cleaner, and more likely to result in a smooth healing process.

The Point Issue 73 - Professionals dont use piercing guns

Point 73: Children’s Ear Piercing – Kendra Jane B

Kendra Jane BerndtThe Point Issue 73 - Professionals dont use piercing guns
April Thomas
Julie Taylor

Most of us receive at least one phone a week— sometimes even a day—from a concerned parent wanting to know the best option to pierce their child’s lobes. We are frequently seeing that the safe piercing message is reaching the masses. However, we are still seeing many piercings done with piercing guns. Whether it is because they are unable to find the information in the places they are visiting or because they are intimidated to visit their local tattoo or piercing studio to have their questions answered, parents are using less than favorable methods to pierce their children’s lobes. Perhaps they are leery of taking their six or seven year old daughter or son into said studio because of things that have nothing to do with piercing, such as the music, a worry of profanity or inappropriate behaviour, etc.

Within this article, we have presented similar information in two forms. The first is intended for an audience with a more complete understanding of piercing industry jargon and intricacies. The second presentation has been simplified with our clients in mind. Our intention was to provide something that you are able to print and send home. You can choose which presentation is most appropriate for your target audience. Either way, we encourage you to share the link to this article and repost on every site that questions the safest way to pierce children’s ears.

What is the APP’s position on ear piercing guns?
It is the position of the Association of Professional Piercers that only sterile disposable equipment is suitable for body piercing, and that only materials which are certified as safe for internal implant should be placed inside a fresh or unhealed piercing. We consider any procedure that places vulnerable tissue in contact with either non-sterile equipment or jewelry that is not considered medically safe for long-term internal wear to be unsafe. Such procedures place the health of recipients at an unacceptable risk. For this reason, APP Members may not use reusable ear piercing guns for any type of piercing procedure.

Reusable ear piercing guns can put clients in direct contact with the blood and bodily fluids of previous clients.
Although they can become contaminated with bloodborne pathogens dozens of times in one day, ear piercing guns are often not sanitized in a medically recognized way. Plastic ear piercing guns cannot be autoclave sterilized and may not be sufficiently cleaned between use on multiple clients. Even if the antiseptic wipes used were able to kill all pathogens on contact, simply wiping the external surfaces of the gun with isopropyl alcohol or other antiseptics does not kill pathogens within the working parts of the gun. Blood from one client can become aerosolized, becoming airborne in microscopic particles, and contaminate the inside components of the gun. The next client’s tissue and jewelry may come into contact with these contaminated surfaces. This creates the possibility of transmitting bloodborne disease-causing microorganisms through such ear piercing, as many medical studies report.

The Point Issue 73 - childrens ear piercing Frankie PistoneAs is now well known, the Hepatitis virus can live for extended periods of time on inanimate surfaces, and could be harbored within a piercing gun for several weeks or more. Hepatitis and common staph infections, which could be found on such surfaces, constitute a serious public health threat if they are introduced into even one reusable piercing gun. Considering the dozens of clients whose initial piercings may have direct contact with a single gun in one day, this is a cause for serious concern. Babies, young children, and others with immature or compromised immune systems may be at higher risk.

Additionally, it has not been documented how often piercing guns malfunction. Some operators report that the earring adapter that holds the jewelry will often not release the earring, requiring its removal with pliers. These pliers, which contact contaminated jewelry immediately after it has passed through the client’s tissue, may be reused on multiple customers without full sterilization. Few, if any, gun piercing establishments possess the expensive sterilization equipment (steam autoclave or chemclave) necessary for such a process.

Piercing guns can cause significant tissue damage.
Though slightly pointy in appearance, most ear piercing studs are quite dull. Therefore, these instruments use excessive pressure over a larger surface area in order to force the metal shaft through the skin. The effect on the body is more like a crush injury than a piercing and causes similar tissue damage. Medically, this is referred to as “blunt force trauma.” At the least, it can result in significant pain and swelling for the client, but it also has the potential to cause scarring and increased incidence of auricular chondritis, a severe tissue disfigurement.

Occasionally the intense pressure and speed of the gun’s spring-loaded mechanism is not sufficient to force the blunt jewelry through the flesh. In these cases, the earring stud may become lodged part way through the client’s ear. The gun operator, who may not be trained to deal with this possibility, has two options. S/he can remove the jewelry and repierce the ear, risking contamination of the gun and surrounding environment with blood flow from the original wound. Alternately, the operator can attempt to manually force the stud through the client’s flesh, causing excessive trauma to the client and risking a needlestick-type injury for the operator. How often such gun malfunction occurs has not been documented by manufacturers, but some gun operators report that it is frequent.

When used on structural tissue such as cartilage, more serious complications such as auricular chondritis, shattered cartilage, and excessive scarring are common. Gun piercings can result in the separation of subcutaneous fascia from cartilage tissue, creating spaces in which fluids collect. This can lead to both temporary swelling and permanent lumps of tissue at or near the piercing site. These range from mildly annoying to grossly disfiguring, and some require surgery to correct. Incidence can be minimized by having the piercing performed with a sharp surgical needle, which slides smoothly through the tissue and causes less tissue separation. A trained piercer will also use a post-piercing pressure technique that minimizes hypertrophic scar formation.

Cartilage has less blood flow than lobe tissue and a correspondingly longer healing time. Therefore infections in this area are much more common and can be much more destructive. The use of non-sterile piercing equipment and insufficient aftercare has been associated with increased incidence of auricular chondritis, a severe and disfiguring infection in cartilage tissue. This can result in deformity and collapse of structural ear tissue, requiring antibiotic therapy and extensive reconstructive surgery to correct. Again, medical literature has documented many such cases and is available on request.

The Point Issue 73 - childrens ear piercing - Courtney MaxwellThe length and design of gun studs is inappropriate for healing piercings.
Ear piercing studs are too short for some earlobes and most cartilage. Initially, the pressure of the gun’s mechanism is sufficient to force the pieces to lock over the tissue. However, once they are locked on, the compressed tissue cannot return to its normal state. This constriction causes further irritation. At the least, the diminished air and blood circulation in the compressed tissue can lead to prolonged healing, minor complications, and scarring. More disturbingly, the pressure of such tight jewelry can result in additional swelling and impaction. Both piercers and medical personnel have seen stud gun jewelry completely embedded in ear lobes and cartilage (as well as navels, nostrils and lips), even when pierced “properly” with a gun. This may require the jewelry to be cut out surgically, particularly in cases where one or both sides of the gun stud have disappeared completely beneath the surface of the skin. Such risk is minimal when jewelry is custom fit to the anatomy of the client, and installed with a needle piercing technique which creates less trauma and swelling. Custom fit jewelry should allow sufficient room for swelling and can be downsized to fit snugly on healed tissue.

Jewelry that fits too closely also increases the risk of infection because it does not allow for thorough cleaning. During normal healing, body fluids containing cellular discharge and other products of the healing process are excreted from the piercing. But with inappropriate jewelry, they can become trapped around the fistula. The fluid coagulates, becoming sticky and trapping bacteria against the skin. Unless thoroughly and frequently removed, this becomes an invitation for secondary infection. The design of the “butterfly” clasp of most gun studs can exacerbate this problem. Again, these consequences can be avoided with implant-grade jewelry that is designed for ease of cleaning and long-term wear.

Not all piercing jewelry is safe for prolonged wear.
Most ear piercing studs are not made of materials certified by the FDA, ASTM, or ISO as safe for long term implant in the human body. Even when coated in nontoxic gold plating, materials from underlying alloys can leach into human tissue through corrosion, scratches and surface defects, causing cytotoxicity and allergic reaction. Since manufacturing a durable corrosionand defect-free coating for such studs is extremely difficult, medical literature considers only implant grade steel (ASTM F138) and titanium (ASTM F67 and ASTM F136) to be appropriate for piercing jewelry composition. Studs made of any other materials, including nonimplant grade steel (steel not batch certified as ASTM F138), should not be used, regardless of the presence of surface plating.

Misuse of ear piercing guns is extremely common.
Even though many manufacturers’ instructions and local regulations prohibit it, some gun operators do not stop at piercing only the lobes, and may pierce ear cartilage, nostrils, navels, eyebrows, tongues and other body parts with the ear stud guns. This is absolutely inappropriate and very dangerous.

Although gun piercing establishments usually train their operators, this training is not standardized and may amount to merely viewing a video, reading an instruction booklet, and/or practicing on cosmetic sponges or other employees. Allegations have been made that some establishments do not inform their employees of the serious risks involved in both performing and receiving gun piercings, and do not instruct staff on how to deal with situations such as client medical complications or gun malfunction. Indeed, surveys conducted in jewelry stores, beauty parlors, and mall kiosks in England and the US revealed that many employees had little knowledge of risks or risk management related to their procedure.

Considering that a large proportion of gun operators’ clientele are minors or young adults, it is not surprising that few gun piercing complications are reported to medical personnel. Many clients may have been pierced without the knowledge or consent of parents or guardians who provide healthcare access. Therefore, the majority of the infections, scarring and minor complications may go unreported and untreated. Furthermore, because of the ease of acquiring a gun piercing and the lack of awareness of risk, many consumers fail to associate their negative experiences with the piercing gun itself. They believe that, since it is quicker and easier to acquire a gun piercing than a manicure, gun piercing must be inherently risk-free. Often it is only when complications prove so severe as to require immediate medical attention that the connection is made and gun stud complications get reported to medical personnel.

Despite these pronounced risks associated with gun piercing, most areas allow gun operators to perform piercings without supervision. Recent legislation has begun to prohibit the use of guns on ear cartilage and other non-lobe locations, and the state of New Hampshire has made all non-sterile equipment illegal, but these changes are not yet nationwide. It is our hope that, with accurate and adequate information, consumers and the legislatures will understand and therefore reject the use of gun piercing in the interests of the public health.

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