Posts by Kendra Jane Berndt - Managing Editor of Content & Archives

Point #68: 2014 Banquet Dinner

Kendra JaneKendra Jane

The buzz around this year’s banquet dinner began days before the event, with tickets selling out the night that registration opened! We knew it would be a packed house, everyone dressed in their finest or sideshow attire, but what we didn’t know was the extra special entertainment that awaited us from Chris Glunt, your incoming Medical Liaison. From push ups to burpees and even a few lap dances, Chris put his back into it to ensure as many raffle tickets as possible were sold. When enough tickets were on the line he even puckered up for a kiss with the very handsome Paul King. It was a highlight for everyone in attendance in an evening filled with laughter and a heightened sense of community.

Photo by Autumn Swisher
Photo by Autumn Swisher.

From there the entertainment got into the swing of it with a great sideshow act from Swing Shift Entertainment. (They have been long-time attendees of Conference so for many, they were watching not only performers but friends.)

As the entertainment wound down the doors were opened to non-tickets holders, our board members, both old and new, took the stage to either say goodbye or introduce themselves. Announcements were made, and awards were handed out. Joshua Benjamin and Diablo Organics took home the awards for both technical and creative innovations. Best individual booth went to Blessings to You, and best multiple booth went to Tawapa. After a long list of thank yous, which brings tears to her eyes each year, Caitlin McDiarmid had the honor of announcing the 2014 Josh Prentice Volunteer award. This year’s recipient has dedicated countless hours to bettering the industry and currently spends many an hour answering Tumblr emails, reblogging piercing after piercing, and giving his time to many of the APP’s committees, Ryan Ouellette. Rounding out the awards portion of the evening was Elayne Angel, who presented the President’s Award to Brian Skellie, who over the past many years has served to educate piercers around the world and keep knowledge at the forefront of our industry. (Brian is also the APP’s incoming President.)

Chris Glunt and Paul King's epic kiss. Photo by Autumn Swisher.
Chris Glunt and Paul King’s epic kiss. Photo by Autumn Swisher.

Bethra also had the distinct privilege of presenting Steve Joyner with a Recognition Award from Arkansas body artists to thank him for his support and work on their state’s legislation over the past years.

As always, the evening was brought to a close with the drawing of the final top ten raffle prizes. Some of this year’s prizes were:

  • $15,000 worth of Industrial Strength Jewelry
  • $12,000 in credit from Anatometal
  • $5,000 from Body Vision Los Angeles (BVLA)
  • H2Ocean prize pack valuing almost $1500

The grand prize (from Industrial Strength Jewelry) was won by Javier, owner and piercer at Amour Real Tattoo Banquedano in Chile. This prize will be a real game changer for Javier and his studio. There could not have been a better winner, and his excitement was uncontainable, which got the whole room buzzing. No one could have asked for a better end to the evening.

A special thank you to those who sponsored our banquet dinner: Industrial Strength Body Jewelry; Anatometal, Inc.; LeRoi Fine Body Jewelry; The Safe Piercing App; and Kaos Softwear.

Next year the APP Conference will be celebrating our 20th anniversary and we know that the banquet will be one to remember! Ensure you get your banquet tickets when you complete your early registration so you don’t miss any of the fun!

Point #67: Cultural Appropriation

Kendra JaneAlicia CardenasBy Kendra Jane and Alicia Cardenas

Thanks to technology, innovations and information find their way around the world instantaneously via the Internet. Access to this knowledge has allowed worldwide connections to be made and open dialogues to be held on a vast array of topics, pertinent to our industry and not. One such topic has recently been brought to the forefront in our industry: cultural appropriation. A recent Tumblr post, “Cultural Appropriation and Body Modification,” has gotten a lot of people talking. (For those of you unfamiliar with the idea of cultural appropriation and white privilege read on for some background information, albeit very basic and simplified.) Talking is good, no matter where you stand or what your opinion—and after reading the original piece most piercers have an opinion. What we would like to propose is an open and ongoing dialogue on this subject, and to start this dialogue we offer one opinion, that of Sol Tribes’ Alicia Cardenas. We invite our readership to offer their insights and opinions for future issues. (Submit here!)

Understanding White Privilege

White privilege refers to the set of societal privileges that white people benefit from beyond those commonly experienced by people of color in the same social, political, or economic spaces (nation, community, workplace, income, etc.). It is used to explain the advantages that white individuals experience, and also implies the right to assume the universality of one’s own experiences, marking others as different or exceptional while perceiving oneself as normal.

White privilege functions differently in different places, and a person’s white skin will not be an asset to them in every conceivable place or situation (though it is assumed to be an asset in most of the Western world). White people are a global minority, and this fact affects the experiences they have outside of their homes. Nevertheless, some people who use the term “white privilege” describe it as a worldwide phenomenon, resulting from the history of colonialism by white Europeans. (One author goes so far as to argue that American white men are privileged almost everywhere in the world, even though many countries have never been colonized by Europeans.)

One example of white privilege that can be found in the body modification community is when white Westerners obtain extensive black and grey tattoos “borrowed” heavily from the iconography of non-Western cultures. What does it mean for a middle-class white woman to appropriate the symbols of ancient Tibetan monks? Does the self-empowerment that body modification provides come at the cost of indigenous cultural forms?

Pitts (2003) advocates for body politics informed by history and critical of power. She sees the rise of tattooing and body modification amongst white Westerners as “identity tourism,” where cyberpunks, neo-tribalists, Goths, and others appropriate the cultural practices and corporeal rituals of non-Western others (Pitts 2003). Although these individuals may be well intentioned in their desire to frame “traitorous identities” in solidarity with non-western cultures, they nonetheless reify the very modern-primitive divide they seek to displace. Rather than an act of subversion, the tattooed body (and other modifications like stretched lobes, scarifications, brandings, etc.) represent the privilege of white Westerners to name and claim the cultural other as their own.

So, while those in the body modification industry debate what I consider a pretty cut-and-dry case of white privilege (whether or not white dudes should be walking around wearing swastikas) can we now open the dialogue* on cultural appropriation in the body modification industry/subculture?

Cultural Appropriation in the Body Modification Industry: A Response by Alicia  Cardenas

Editor’s Note: You will find the complete and unedited response here.

I appreciate you [Alan]  initiating a conversation like this…it is also my hope that you read this with an open mind and heart….

I am speaking to you from the perspective of a woman, a native to north and Central America, a body piercer and essentially a “hipster white kid” believer.

Although I appreciate what you think is an attempt to magnify the “injustices” taking place in the body modification industry or rather “disrespect to indigenous people of the planet ” you have, in fact, done quite the opposite. In my opinion you have done more damage than good in the quest for higher conscientiousness and unity.

In this melting pot of a culture you live in, you have put your perspective or opinion in a place above others in an attempt to right some wrongs that you believe are occurring. Don’t you think it’s time that privileged people stop telling all the other people what to do? Isn’t that the premise of all colonization on this planet…[s]omeone with presumed privilege telling the crazy natives to act and behave in a certain way? Let me tell you something…really something about what it’s like to not belong anywhere and find a connection with anything that keeps you feeling like a human…[b]ecause that’s what tattoos, stretched lobes, body modifications, jewelry, ritual, and other earthly things do for some people…and most certainly for me.

If you want to know how a native person feels about using ancient symbols or ceremonies in a modern way for tattoos or otherwise maybe you should ask one. Instead of instituting what you think upon the situation, just pick up a stone and throw it, you will no doubt hit a person who is native to some place who uses these symbols and ceremonies. White, black, red, yellow…all the people of the earth. What you find is a person who lives connected to these symbols and is happy to share, even with the most oblivious. Symbols don’t belong to anyone–that’s what make them symbols…they can symbolize anything you want them to….

The Cutting Scene, Mandan-O-kee-pa Ceremony, 1832. Painting by George Catlin.
The Cutting Scene, Mandan-O-kee-pa Ceremony,
1832. Painting by George Catlin.

Lets talk details:



“Using culturally significant names for westernized piercings” How presumpt[ous] and white privileged of you to call these piercings western, or to identify them with modern usage before their cultural roots. A sadhu piercing is called a sadhu piercing because the first people to have large conch piercings where in fact sadhus so that means we stole it not the other way around…

“Wearing culturally significant jewelry with no regard to the culture it came from.” Wearing jewelry from another culture, without knowing the significance, are you kidding me? If you studied [the] jewelry of the world and tribal cultures you would know that one thing all the cultures of the world have in common is that many times, if not most times, jewelry is worn for adornment…to look beautiful and to express a beautification process.

“Stealing culturally significant tattoo imagery, jewelry designs, etc. ” Stealing really? Stealing is a word that doesn’t belong in this equation…to steal something means it at some point belonged to someone and was then stolen.  Symbols like the swastika don’t belong to anyone or any one culture, just like the cross…or spiral, or hundreds of other imagery items that are now used for tattoos…if they don’t belong to anyone , you cannot steal them…in fact I would go so far as to say they belong to everyone.

“Stealing the names of rituals, mimicking them, and/or taking elements from and using them outside of their cultural history. (“Kavadi” and “Sundance” rituals.)” Stealing the names of rituals? Really? Mimicking them? Taking elements? Blood rituals go back as far as humanity…they don’t have names until we gave them names and therefor[e] stealing their names is a moot point. Spiritual ceremonies belong to the people who participate in them. The ceremonies from Africa using scarification aren’t stolen from Meso Americans that also practice the same art. And mimicking? The modern day Sundance ritual is a mimick of itself at best as the ceremony has changed many times…[t[he Druids have a type of Sundance, the Lakota, the Mexicah, Mayas, Dine…about a million visions of the same intention who is to say a backyard suspension hold any less importance. These rituals are resurfacing in different manifestations all over the world, none more important than the other. Should people be respectful of ceremony in general? Absolutely. Should they feel like they don’t belong doing those ceremonies because they are white or not able to make it to the land of their origin to participate in the original mimic of their roots? Absolutely not. Any truly spiritual person will honor each individual and the movement that is needed to accomplish their spiritual quest….add these words to the list of names that don’t belong to any one tribe therefore are not needing you to defend their usage. Vision quest, Sweatlodge, Moondance, Ball dance, Spear dance, Blessing Way, Birthrites, Death dance, etc…. These ceremonies belong to the people of this earth, they are not a privilege but a birthright, at anytime any human or any cultural background can claim these rights and don’t deserve to have anyone judge them for that.

“Wearing cultural people as tattoos or on clothing, often a bastardized and racist stereotype of the culture. (“Indian girl” tattoos with headdresses and face paint, “Gypsy” tattoos, etc.)” Regardless of what you might think both the examples given here are part of a subculture here in the United States that wears these Tattoos not for the content but because of the original artist who made them popular. Both the Indian head and gypsy head tattoos come from a body of work originated by artists like Sailor Jerry who serve as a godfather of modern tattooing in North America. People get them more for the traditional style than for the content, so while trying to amplify the offensive nature you are also trying to rip apart a culturally significant design to THIS culture.

“Wearing other cultures’ clothing as costumes for events” 
This might be the only one I agree with you on but I also feel like this has been taken too far. Black face is not funny, no doubt…but does a person dressed as a Mexican Vato for Halloween offend me? No not really…and men dressed in drag for Halloween also doesn’t offend me. What offends me is how offended everyone gets for no reason.

I realize your original  post was to heighten awareness of these subjects but what it sounds like you are saying is “you should stick with your tribe and not borrow from others” or “don’t do it unless it’s from your cultural background” and what that says to me is you are more comfortable keeping cultures segregated. Expressing disgust or dislike to “white hipster” kids for learning about cultural symbols and tattooing them is so ironic since you are in fact a “white hipster” but alas refer to my initial statement that says I am a “white hipster” believer…what I mean by that is the middle American white male that has “stolen” these cultural markings has in fact given birth to the generation of piercers that I identify with. If it wasn’t for a certain few white males in western culture (Fakir, Blake, Cliff Cadaver, etc)  “reclaiming” these practices and then being published in magazines and books (Modern Primitive, Savage Magazine, PFIQ etc.) I would have never found modification and connected in the way I have to my culture and the rich cultures of the world that have been my inspiration for the last 20 years in the industry.  I believe in the movement of young westerners and their innocent quest to connect with the culture of the world. I believe it has been monumental in the resurfacing of ancient practices that in so many ways are saving lives, mending broken hearts and closing in the boundaries that separate us.

“Those of us with privileges should be using that to elevate the voices of others in our community and reaching out to those who may feel initially left out rather than asserting opinions and alienating them.” In your attempt to not alienate people you have done so. Take your own advice. In my fight to connect with other humans, to belong to the tribes of the world and to educate about compassion and awareness…I encourage you to step back, look at what has been said and realize that you are most certainly part of the problem in our industry, not the kid who unknowingly is wearing some jewelry from India , but a person who judges and presumes to know what is best for others based off [of] limited knowledge of the subject. If you would like I would love to have this conversation in person and invite others to chime in.

Since Alicia’s initial response she has also added the following afterword. We hope that, as you read this and form your own opinions on the subject, our industry can only benefit and grow from open discussion on topics that can affect all of us.

AFTERWORD (from Alicia)

We live in a culture…where suicide is the third leading cause of death in young people between 15-25, where depression is the #1 disability in the world, where 160,000 children miss school everyday because of fear of attack or intimidation. Being different and adhering to your own set of rules is not celebrated but condemned and even physically dangerous. And if that isn’t hard enough to endure we then turn our anger on ourselves. There are many things that frustrate me about our culture here in the States. What comes to mind now is the way in which we are so hard on ourselves almost to the point of self-loathing…[w]e hate how fat we are, how skinny we are, that we are too white, black or brown…we grew up with too much privilege or not enough but either way we carry these things with us everywhere and it results in making us feel more isolated instead of less. When I wrote the response to Alan’s post it was to bring a level of awareness to some of the harshness we have for ourselves and highlight the idea that maybe our approach to these subjects is flawed, that we are looking at things through eyes that have been programed poorly. That maybe the way things had been taught to us, never acknowledged us for who we are in our hearts and only acknowledged us for who we are based off ancestral background.

Do I believe that we all need to be aware and compassionate to other cultures and their way of life? Yes of course. Do I believe that being respectful and willing to educate is a part of our obligations? Absolutely. But do I believe we should apologize for “borrowing” elements from other cultures in a quest to find our own voice or path: No I do not.  In my response I said a few things that really sum up my feelings about it all.  Maybe people will say I am idealistic and have too broad a view, or maybe even to[o] inclusive, but the time has come within our community to recognize what brings us together rather than what sets us apart. We all aspire to connect, be it with people, symbols or ideas. At this point, if anyone connects with anything IN or outside of their own ancestry they should be celebrated and respected because without those connections they certainly could become a statistic or get lost in the abyss of self hate.

It always occurs to me after the fact that I should learn to be more loving in my communication, but for some reason this particular subject brings out a certain frustration in me. Maybe it’s the years and years of abuse from this culture, telling me what and who I should be, or maybe it’s th[e] fact that I didn’t feel like I belonged anywhere for most of my life and certainly didn’t realize I belonged to a historically relevant subculture. I am very protective and defensive of the people in my community and I see the importance in the work we have done in the last 20 years. Some may think it means nothing but to me it means everything. A lot has changed in 20 years: transgender was not even in our vocabulary, facial tattoos were not socially acceptable, “piercing” or “piercing studios” were basically not legitimate forms of work. Now, because of all of you and the fight that you have fought to be different, to wear your symbols and to be the best version of yourself, you have paved the way for the youngsters who will be on the same quest now as they are coming of age.

Point #63: Can Piercings Create Nickel Allergies?

Kendra JaneBy Kendra Jane

Nickel allergies and metal sensitivities are one of the most common allergies.  We, as piercers,  see the effects of this allergy on a regular basis.  It is an allergy that greatly affects one’s ability to properly heal body piercings, as well as to maintain them in a healthy manner.  A study was recently released at the annual of the American Contact Dermatitis Society which found that the risk of nickel and cobalt sensitivity increases in tandem with the number of body piercings. In other words, the more piercings you have, the more likely you are to develop nickel or cobalt sensitivities as a whole.

The study involved nearly 9,400 patch tested patients.  From the data collected, they found that younger patients were more affected than older patients, and females were more likely to be affected than males. With that said, it was surprisingly found that when looking directly at body piercing as a cause of the allergy, even in ear lobes, the allergy was more common in males.

Since nickel is one of the most common allergens for patch tested patients, and—as stated above—body piercing has been directly correlated with the development of said allergy, it only makes sense that piercers should be very aware of the quality of metal they are putting into the piercings they deal with. Nickel is tightly bound up in many forms of stainless steel, especially those simply labeled surgical stainless steel, and once the allergy has developed one will see a marked sensitivity to the metal and need to avoid it. This means using jewelry that is nickel or cobalt free. However, there are many suitable nickel free options.

The only quality recommended for use by the APP for steel is that it is certified to meet ASTM or ISO standards for surgical implant application, specifically ASTM F138 or ISO 5832-1. Surgical steel can be made of a variety of alloys many of which are present in lower quality body jewelry and only a few specific grades are proven biocompatible   (The Association of Professional Piercers has developed these standards based on the most up-to-date studies, such as that above as well as the historical data available.) An alternative to steel is titanium, and while it is an excellent alternative, one must still look for surgical implant grade specifically (Ti6Al4V ELI)—that is ASTM F136 or ISO 5832-2 compliant or commercially pure titanium at ASTM F67 compliant. There are also other options such as glass available for both new and healed piercings as well. For more information about APP approved body jewelry, please see the Jewelry for Initial Piercings or Jewelry for Healed Piercings brochures.

For more information about the study, click here.

 

Point #62: What age are body modifications appropriate?

Kendra JaneBy Kendra Jane

In most areas of the world, the body modification industry remains highly unregulated. This means tattoos and piercings are available to the masses regardless of sex, gender, or—in many places—age. In the past, societal pressures on conformity and reserved appearances were strong enough to sway most minors away from body modification.  However, the more popular and mainstream tattoos and piercings become, the more teenagers want them and believe that they are completely socially acceptable. Take a recent example that hit North American media like a wild fire:

Will and Jada Pinkett Smith’s 11-year-old daughter, Willow, was recently given a tongue-lashing on social media after posting a picture of herself sporting a tongue piercing on Instagram. Though she later revealed that it was in fact a fake, magnetic tongue ring, people were already whipping their opinions back and forth about whether young people are too vulnerable to make permanent (or potentially scarring) decisions about their bodies. The issue: What is classified as “too young”? (CNN, 2013 Jul 6)

For us as body modification artists the larger issue at hand is who is going to decide these things for us and our clients. Whether we like it or not regulations for our industry are either a reality for you already or may be in the near future.

Although the battle over modifications for teenagers is typically fought between parents and children (Hudson, 2012), with many examples such as Willow Smith and Instagram, this debate has now entered legislative bodies around the globe.  One of the latest examples comes from Australia, where legislation just went into place (November 2012) affecting when and what modifications minors can receive. An Australian newspaper (Adelaide Now) reported that The Summary Offences (Tattooing, Body Piercing and Body Modification) Amendment Act of 2011 included redefining body modification and its related terms. (These amendments were made to  the original Summary Offences Act 1953 as well as accompanying amendments to the Criminal Law Consolidation Act 1935.) The amendments covered everything from body branding and body implantation to tattooing, piercing, splitting and stretching—and even the sale of body modification devices to minors. (Check out our Legislation Update – South Australia article for more information about this new legislation, and all of the provisions of the new Summary Offences Amendment Act.)

Closer to home (for many of us) are the examples of Health Canada: although they provide guidelines to prevent the spread of infections, communicable diseases, they do not have a legally established age requirement for body piercing. Instead, professional body piercers and health authorities agree that these requirements are regulated at a provincial or municipal level, and where no requirements exist, it is left up to the individual operator’s judgement. (In British Columbia, for example, provincial recommendations on ear and body piercings call for parental consent on anyone under the age of 19.)

It is no surprise that, stateside, there are regulations being put into place everyday to ensure that modifications are happening in proper, hygienic environments  and on clients of consenting ages, but we are starting to see such legislation being implemented—or updated—around the world. As many recent articles in The Point have discussed, the internet and social media is a driving force for our industry. (For more on “Making Safe Piercing Viral,” click here.) Countless hours are spent by hundreds of thousands  of people every day, tweeting, blogging, reposting and pinning the next piercing we are going to do. This as a call to action; let us do our part to shift the balance from YouFail videos and botched piercings to perfectly placed, well-angled piercings with beautiful jewelry. As APP member April Berardi believes: we should share and share alike. Post your own knowledge, and share what other good piercers are doing. This will do just as much to boost your own clientele, and if you’re too busy to dedicate time to editing and posting your own work, then share, share, share.  Before we are told what we can’t do, let’s show them what we can. Where there are no regulations, we need to police ourselves and promote the change we want to see. Be proactive; we must be the catalyst to drive the changes we want to see.

In a 1970 article about Lyle Tuttle in Rolling Stone, journalist Amie Hill said this in regards to her visit to Tuttle’s studio:

Far from being the sinister, greasy hole that popular fiction associates with tattooing, Tuttle’s establishment is almost disappointingly clean and well-lighted.

That was almost forty years ago, when the concept of regulating and inspecting tattoo establishments was a new idea and not nearly as stringent as some are today. Those who recognized tattoos as an art form sought to protect the future of the career they held so dear (Hudson, 2012).

Those of you reading this are the next generation of piercers and modification artists; seek to protect the future of a career you hold dear. Does Paul Booth need someone telling him how to clean and sterilize his equipment? Does Bob Tyrell or Guy Aitchison need a written reminder not to smoke while tattooing or re-use ink? No – of course not! Even if no such laws were in place, artists of this calibre would continue to raise the bar of body art safety to ensure the continuation and reputation of their livelihood (Hudson, 2012). Although piercing may not garner the same attention that tattoo artists often gain, if the current state of growth and interest in body piercing continues, this will indeed be the case.  If all humans were mature and responsible enough to regulate themselves, we wouldn’t need laws of any sort, but that is not the case. The good news is that these rules should not pose any inconvenience to the true professionals, as they are probably already acting above and beyond these laws on their own.

Editor’s Note: Regardless of any local legislation being more lenient, the APP maintains that “for any piercing of a minor, a parent or legal guardian must be present to sign a consent form. Proof positive, state issued photo identification is required from the legal guardian, and a bona fide form of identification from the minor. In the event the parent has a different last name and/or address from the child, court documentation is needed to prove the relationship, i.e., divorce papers, or a remarriage certificate. Under no circumstances is it acceptable or appropriate for a piercer to perform piercing on the nipples or genitals of an individual under 18 years of age.”

 

Point #61: An Exploration of Pain

By Kendra Jane

“The secret of success is learning to use pain and pleasure, instead of having pain and pleasure use you. If you do that, you’re in control of your life. If you don’t, life controls you.”
– Tony Robbins

By all accounts, my own life has not been one that most would consider physically painful. I’ve suffered a single broken bone, a couple of surgeries, and a few car accidents, but all were fairly insignificant. On the other hand, my chosen body modifications stand out as having caused me far more pain, but they also offered me more healing than any prescription or medicine ever has.

Growing up watching National Geographic with my parents I would often find myself marveling at what I was seeing. So many lovely faces, so many modifications. All I could do was think about how beautiful these people were, and how different they were from anything else I had ever seen. The stretched lobes of the Dyak tribes of Borneo, the crocodile skin scarification of the Korogo People in the Sepik region of Papua New Guinea, and tattooed faces of the Ukit tribes from the Chin region of Borneo – each and everyone made a specific impression in my mind.

However,  and perhaps strangely enough, I only developed a superficial anthropological interest in anything other than the aesthetics of body modification. I believe that this is unfortunately where most North Americans’ interest in body modification stands: a vague curiosity of the unknown and the bizarre. Quotes such as the following only further support that idea:

“Bound feet, stretched necks, deformed skulls, flesh permanently marked and scarred, elongated ear-lobes- as suggested by the standard terminology of “mutilation” and “deformation” itself, these are practices that have long fascinated the West where they have been viewed as exotic distortions of the body.” (Mascia-Lees et. Al. 1992: 1).

Now with that being said, other than the concern about whether it will look nice, the majority of my clients all want to know, “Is this going to hurt?” or “Didn’t that hurt?”  My answer – always truthful – rings out in a single word, “Yes.”

One would think that the answer would be obvious. Pain is pain, right? What I cannot explain to them in one word is just how that pain, and the experience, will feel to them personally.

The International Association for The Study of Pain defines pain as “an unpleasant sensory and emotional experience associated with actual or potential tissue damage or described in terms of such damage.” However, pain is a symptom that cannot be objectively assessed. I cannot look at one of my clients and precisely know what hurts, how badly, and what that pain will feel like. Pain, therefore, is subjective; it is whatever the person experiencing it says it is. There will be no evidence – logical, empirical, theoretical, or even theological for that matter – that will be able to fully explain the multitudes of experiences pain can cause.

You see, pain is seen as an unpleasant sensation often caused by intense or damaging stimuli, such as stubbing a toe, burning a finger, or putting alcohol on a cut. This pain then motivates an individual to withdraw from damaging situations and to protect themselves while the wound heals.

“We rarely see the gifts that pain can bring, as a doorway to awareness” (Ferlic, 2005). This means that, for most people, the fear of the pain itself will cause us to avoid any and all situations that may cause pain. Yet pain, undoubtedly, is a central aspect of the lived realities of human experience.

Like most North Americans, I grew up afraid of pain. The idea of being harmed intentionally or otherwise was horrible. In order to better understand the multitudes of experiences that my clients may have (or may be hoping to have), I decided to explore my own personal definitions and experiences with pain. This in-depth exploration began two years ago when I was approached with the idea of becoming a body piercer. My first response was, “No. No, definitely not.” The idea of causing other people (what I, then, perceived to be) pain was not something I could do. However, from that point on, my idea of pain has been evolving to its current definition. This is not to say that it will be the same definition that my clients, colleagues, or peers will share. However, as important as it may be to define pain for myself, it is my own interpretation of pain and how it serves me that will better allow me to understand the varied motivations and experiences of my clients.

By most standards in my industry I am still relatively unmodified. The majority of my modifications have occurred in the past two years. In the beginning, the first few piercings I got were based on my limited knowledge and interpretations at the time, and were chosen for aesthetic reasons. As my apprenticeship progressed and I began to develop a much greater appreciation and understanding of modifications for different motivations, the reasons for my own modifications began to change. I now find that I want to get pierced to be able to better relate to my clients.

The latest addition to my modification collection is a scarification piece on my ribcage. It is by far the most personal piece – as well as the most “painful” piece – I’ve ever had done. Halfway through the procedure I was asked if I was all right, as tears streamed down my face. I grinned, laughed, and just managed to say, “Yes.” Four hours later I was tired, sore, and bleeding, and still had no idea that the most difficult parts were still to come.

Like with any modification, scarification is done for aesthetic, religious, and social reasons. In biomedicine, pain and the body are reduced to biological phenomena. In theological or spiritual terms, they are understood through penance, on one hand, and visionary suffering and sainthood, on the other.

“Modern pain, of course, normally chains us down to the material world. It keeps us centered in the flesh. It places us within the secular circle of medical science. On the other hand visionary pain, or pain viewed from a more theological perspective, acts in providing release into pure communion with something divine, it becomes not something to be cured or even endured but rather as a means of knowledge, offering access to an otherwise inaccessible understanding. Visionary pain employs the body in order to free us from the body. It initiates or accompanies an experience that escapes the time-bound world of human suffering” (Morris 1993: 135).

In various contexts, the deliberate infliction of pain in the form of corporal punishment is used as retribution for an offense, or for the purpose of disciplining or reforming a wrongdoer. At times, it has been used to deter attitudes or behaviors deemed unacceptable. Yet in other cultures, extreme practices such as rites of passage are highly regarded.

Fakir Musafar points to the Kulavarna Tantra that, in speaking of “the left-hand way” in Hinduism, says that “spiritual advancement is best achieved by means of those very things which are the causes of man’s downfall” (Blake, cited in Vale & Juno 1989: 204, Musafar Body Play issue #13: 7). Through bodily pain we learn what the modern primitives argue; in a controlled context, it becomes possible to utilize pain for positive ends.

For many tribal cultures, the modern primitives argue that, when accompanied by some measure of self-control, ordeals of pain give insight and maturity to the sufferer. As we face our fear of pain we gain self-confidence and pride. “The experience of pain allows us to test our physical and mental endurance under safe, controlled conditions” (Body Play issue #9: 4). Whereas science sees pain as negative and avoidable, the modern primitives hold pain to be a positive and useful experience, ascribing its rich personal and spiritual meanings.

After the journey I have taken, I look not at what modification or pain have done to me, but what that pain has given me. Pain has given me my life back. I am no longer afraid to try or to fail, no matter how painful it may be. I now believe that it is so much worse to live in fear–fear of pain, mental, physical, or otherwise. To do nothing, to walk away, then to travel forward, endure the pain, and come away with a richer perspective.

EDITOR’S NOTE: While the APP does not have any official stance on scarifcation or the rituals associated with pain and piercing, we are aware that individuals embark on body modifications for a variety of reasons. Whatever the reason – or modification – we simply encourage  recipients to use discretion and seek out qualified, educated, and highly experienced piercers, tattoo or body modification artists.