Posts by Point Editor

Creative Innovator Award 2023 Queen Of The Ashes

Queen of the Ashes award winning design “Kwaidan.” Picture by @connorfornow


At this year’s APP Conference, Queen of the Ashes won the Creative Innovators Award for their design “Kwaidan.” We had the opportunity to talk to Hika K, the owner of Queen of the Ashes, to discuss her award winning design and her company.

The Point Blog: Congratulations on your Innovative Award win, Hika! Your company, Queen of the Ashes, has been gaining a lot of popularity lately and your newest earring design was a hit at this years APP Conference. We also saw quite a few folks wearing other pieces from your company during this year’s Conference. How are you feeling?

Queen of the Ashes: Thank you so much! Honestly, I am still quite overwhelmed. Last years APP Conference went already well, but this years positive feedback, especially after winning the Innovators Award, still feels quite surreal. I am incredibly happy that people love my designs and it still makes me giddy every time I see somebody wearing my jewelry.

The Point Blog: Tell us more about your company and when you started designing such interesting pieces.

Queen of the Ashes: I started Queen of the Ashes in 2019, but the first design – The Scavenger Queen – had been on my mind since 2016, as well as a few other pieces. I found it quite hard to find any reputable jewelry company making ear weights representing my more crust-punky taste. The main push I needed was my significant other convincing me to just dive in and bring the punk aesthetics back into the piercing industry.

The Point Blog: Have you had to face many challenges in the industry with your new company right before the pandemic? Did you face other challenges being based in Germany?

Queen of the Ashes: Somewhat yes, somewhat no. I would say, the greatest challenge was starting off right before Covid hit and the world slowed down, so our customer base could not grow as fast as I would have wished. On the other hand, this gave me the opportunity to slow down and carefully perfect the designs I had in my mind. Of course, being located in Europe has been tricky, especially when travel was not an option, which made it impossible to show off my designs besides when being at a guest piercing guest spot; most German studios would not invest in a small, nearly unknown German brand for ear weights, as the top studios we have usually tend to rather invest into gold. And even after the world opened again, having a booth at APP for the first time was probably far more organizational work than it would be for a company from the States or from Canada. But of course I can’t compare how things would have been if I would have started my company in another country.

The Point Blog: Do you find your pieces to be more popular at home than in other parts of the world?

Queen of the Ashes: I definitely noticed that my designs tend to fare better on the US market, not only when it comes to wholesale clients, but also when it comes to orders on the retail side. This seems to be usual with ear weights in general though, as I hear often that ear weights don’t move much in German studios for example – so the pieces my wholesale customers prefer in Germany are those for traditional earrings.

The Point Blog: We’ve noticed that many of your pieces are limited and those limited pieces seem to be in high demand! Do you plan on continuing to keep things exclusive?

Queen of the Ashes: Yes, definitely! I love the idea of exclusivity and the collectability of jewelry, but since I prefer to keep an accessible price point I decided on achieving the first point through the limitation of designs. While I regularly make limited designs like the Hunters and the Aliens, with the former being sold out since this year’s APP Conference, I plan on keeping the amount of designs I offer small, so some pieces from the first year will eventually have to go too. At the same time we have a few one off pieces, as most of the stone combinations for the Feral Children for example will not be repeated.

The Point Blog: Tell us a bit about what gave you the idea to create your winning design.

Queen of the Ashes: I am honestly not sure. I had a loose idea of this design already 10 years ago, but I am pretty sure that the main inspiration had been the J-Horror-Movies I watched as a young teenager, as well as many other Japanese ghost stories I read over the years (and still am reading). I remember staying in a house in Japan years back, and on the ceiling of the closet a board was slid open so we got a glimpse into the attic. I couldn’t shake the idea of waking up in the night and the moonlight shining in, to illuminate hair hanging down through this opening. As I said, watching too many of those movies, and then that image lead to hair hanging on earrings. And of course traditional tatami flooring belonged into every Japanese ghost story in my eyes, which is why I chose that pattern for the brass part of our “Kwaidan” ear weights.

“Kwaidan” designed by Queen of the Ashes. Picture by @connorfornow


The Point Blog: Who knew that one moment in time would inspire the creation such a beautiful earring design! Do you feel that how you find inspiration for your pieces is what separates Queen of the Ashes from other competitors who may be offering comparable designs?

Queen of the Ashes: I would say the main difference would be that many of my designs are quite niche, with many of them being wearable art than designs which fit into a wider audience. I consider Queen of the Ashes my playground, so I don’t always think about what may be selling in big quantities but rather what I think may be cool. I don’t think of other jewelry designers as competitors though; I rather consider us all as fellow artists, many of whom I look up to and whose work I adore.

The Point Blog: Where else does your inspiration come from? Who inspires you?

Queen of the Ashes: I sometimes wonder that myself. Many of my ideas just visualize in front of me, as I tend to think in pictures. So some pieces just seem to have existed in me; some are homages to literature or movies which I love. Some pieces have been requested by customers, with me mainly giving them the shape to make the idea wearable. There is also a small handful of designs either developed by friends or my significant other which are even more fun to work with than the ones I develop alone, since we all share the creative input, we are sticking our heads together to perfect those ones.

The Point Blog: What can we expect to see next from Queen of the Ashes?

Queen of the Ashes: First of all, a new website bringing together the retail and wholesale shop with an easier user surface that hopefully we will launch in late autumn or winter. There are also a lot of new designs in production, most of them going more into the direction of mythology, obviously many more pieces with popcultural references, but, what I am mostly excited for, are new alternatives for wearing surfaces to combine with hanging designs. Similar to our Ties that Bind, I am playing around with fun new ways for my customers to make their own individual jewelry combinations.

Find Queen of the Ashes online!
Website: http://queenoftheashesjewelry.de
Instagram: @queenoftheashes_jewelry
Email: queenofashesjewelry@gmail.com

Hika, owner of Queen of the Ashes

Innovator Award 2023 Regalia Jewelry

Regalia’s Innovative Award winning design “Pin Crimp.”

At this year’s APP Conference, Regalia won the Innovator’s Award for their “Pin Crimp” design. We were fortunate enough to have a chat with the owner of Regalia, Derrick Edward R. and asked him about his latest invention and his beginnings in the industry.

The Point: Congratulations on your win in the Innovators Award. You also won the Best Single Booth award at the APP Conference this year. You all must be very excited!

Regalia: Thank you! It was a bit of a surprise when I got a text message saying we won both awards (we didn’t attend the closing party). To be honest, I think we should have won the best booth award last year; Some people might remember the reliquary that the Regalia crew spent weeks working on with “Sadima” the mummy empress. It was a bit of an upset, so this year, we’d intentionally planned a much simpler approach and wanted to focus on sales and operation. We all kind of joked to ourselves because we thought we were thrown a bone this year because whoever felt bad we didn’t win last year. In any case, it feels good to have hard work acknowledged.

The Point: What inspired you to create this concept and how does it set itself apart from similar concepts?

Regalia: We’d always had the thought of, “Ya know it’d be really cool if there was a specific tool that bent our threadless pins in a way that didn’t sacrifice the integrity of the pin itself so there would be less breakage” Then that turned into… “Imagine if we could get customers to be able to change their jewelry out on their own so they can focus on building their jewelry wardrobe without having to wait in line at their local piercing studio just to get something changed out.”

When the pandemic happened, it became, “All these people with threadless jewelry sitting at home that can’t go into their local piercings studios.” During normal times, we can definitely appreciate the human to human interaction and experience of going into a piercing studio to ogle and jewelry, purchase, and have it put in… But we also have found value in turning the ‘necessity’ of piercer assistance vs. ‘convenience’ of piercer assistance when it comes to having jewelry changed out. While we always recommend clients visit their piercers to make sure their piercings have healed correctly and are healthy, there’s something to be said about giving the power and confidence to the client to work with their own accessories. It also helps facilitate the move toward eCommerce as studios become more open to selling threadless jewelry in their online stores.

The design itself is meant to provide a consistent and desired result. We understood that the pliers could be used by an extremely WIDE range of people, whether piercers or “end-wearers” as we like to call them. The brilliance of our first prototype was that no matter how hard you squeezed the pliers, they would bend the pin in same exact way, the same exact amount. There’s only one other pair of pliers that are currently sold as dedicated threadless pin pliers, but we haven’t seen too much success in our industry with the use of them. Ultimately our goal is to make them so easy to use, that they become a no-brainer in needing to have them if preserving threadless jewelry is important! Many people have used other pliers in non-intended ways to bend pins with success, but we want people not to have to figure anything out. We’ll do that for you. ;D

The Point: We think this design is really neat! Is this tool a one-off creation or do you have plans to create more tools in the future?

Regalia: That’s a really good question. I suppose it depends on the success of this tool. I imagine that there will different versions of the final product of our Pin Crimp. Anyone else have any ideas?

The Point: Regalia has been around for some time and is widely known as a body jewelry company. Tell us more about yourself and the history of your company.

Regalia: Haa! I actually started out as a replacement counter-hire. This was in 2014 and at the time I was working in management at a large cosmetics company. No experience in jewelry whatsoever, other than wearing it, of course. One of my regular customers was Lysa Taylor, who at the time was the main piercer at Industrial Tattoo & Piercing in Berkeley. At this point, I’d already gone up and down and plateaued in the company I was with, so one day when Lysa came in to stock up on some facial moisturizer, I said, “Hey, you guy hiring over there?”… I suppose the timing of everything worked out. I am and have always believed that things happen for a reason. To make a long story short… I went from the top of the totem pole at this corporate company to scrubbing toilets, taking out the garbage, and cleaning up after bums outside of this piercing studio off of Dwight and Telegraph in Berkeley. Albeit, one that I’d frequented for years. I’d learned a lot about the industry in those first couple of years. Safe practices, jewelry types, sizes, materials. It was a HUGE growing point for everyone and everything and the studio and the industry in general. Social media wasn’t even a thing, yet. Nobody was taking good photos of jewelry and regularly posting to platforms like Instagram. Shortly after starting, I took over their social media and started experimenting with composition of how to post jewelry to look good and fun. I became fascinated with how light bounced off certain facets and textures of some of the designs. Having a knack for picking up and learning computer software, it wasn’t long before I’d downloaded CAD freeware to begin playing with 3D shapes and realizing my own designs.

One of the biggest bottle necks in A to Z shop operation was the amount of time it took to get jewelry from our manufacturers. We were selling jewelry faster than we could get it in our displays. I told Todd, co-owner of Industrial Tattoo & Piercing, “Dude, why don’t we just MAKE OUR OWN JEWELRY”… So we did. And literally, not knowing anything about production or manufacturing, we knew what we needed for our clients, we knew we wanted to work with gold, and we knew we had the energy to figure out the rest. I incorporated in 2015, and it’s been a huge creative endeavor since then. And definitely the most challenging experience of my life. I’ve worked alongside very talented and industrious people in this industry and have done my best to absorb as much as I possibly can. When people say they put their blood, sweat, and tears into something… I quite literally know exactly what that means. I tell people all the time that the main reason why I started Regalia was because I just wanted to make things… What people don’t see or understand is just how difficult it is to start, run, and maintain a gold body jewelry company that doesn’t outsource production to other countries, in the state of California. Proud to say we’re about 99.9% in-house production at the cost of sleepless nights and sound mind. I’ve gotta say, it does make it worth it when people see, appreciate, and share those values with others and go on to wear our designs.

Pin Crimp tool by Regalia Jewelry.

The Point: Regalia has some very interesting and unique pieces. How do you stay ahead of the game when there are so many similar types of companies?

Regalia: I’ve heard we’ve got a distinct ‘look’ from some of our clients. This is a fun compliment for us, for sure. In my mind, staying “ahead” of the game is a little bit of a trap. It’s a type of hamster wheel that we’ve got one foot on and one foot off. Something that I think Regalia has started to achieve, kind of accidentally, is creating a type of new-classic? If I could say that as cliche as it sounds. When I design something, part of me is concerned that it’ll look cheap or that it may in the future “look like its trying too hard”. Timelessness, in my opinion, is hugely important and probably comes from my own rebellion against a system that feeds off of “Oooh whats the next new thing?”, but how do you create something or a brand that isn’t typecast into someone else’s trash box? I actually think about this a lot and realize I’m overthinking it, I shake it off, and just keep moving forward. What you see in our production line is the result of that thought process. Another thing that I consider is what something will look like at different distances and how different textures break up and distribute light. Many designs don’t translate that well depending on where the observer is observing from. Many don’t know realize this, but the designs we have for sale are literally JUST A FRACTION of the designs that most of which haven’t made it to our production line. I have folders and folders and folders of literally hundreds of design files that are unfinished, or have been finished, but that never made it to cast. 

And while yes, there are a lot of smaller gold body jewelry companies popping up every single year, a part of me naturally experiences concern, but then I remember how we started, our principles, how we make things, where we make them, and why we make them comprises the unique fingerprint that is Regalia. Design-led jewelry purchasing is a big hook, but people need to know that they aren’t just buying something that shines a specific way. They’re buying a brand, they’re buying our crew, and they’re buying our values. When I talk about Regalia I notice that I get very passionate about these things as I believe it’s up to us as manufacturers to enrich our industry and educate our clients and their clients to retain the values of what they adorn themselves with. And while it’s very possible to get washed up in these fickle trends, I’ve never wanted for Regalia to outgrow our principles; This has proven to be one of our biggest challenges, but one that is at the core of who we are. These other companies will experience their own hardships like we have and still do and if they’re still around after all is said and done, and they’ve added value to the industry instead of just profited off of it, what more can be said than, “Welcome to the players circle”. I still feel like we’re outsiders achieving our stripes. Not sure if or when that feeling will ever go away, but whenever I see a beautiful photo taken of someone wearing our jewelry in a different part of the world, those stripes feel tiny.

The Point: Where does your inspiration come from when creating your designs? Is there someone or something that inspires you?

Regalia: My inspirations come from really everywhere… pictures, paintings, architecture, the occasional *cough* video game, nature, and of course suggestions from the Regalia crew and colleagues in or out of the industry… there have even been times that the NAME of the design inspired and came before the finished piece. Imagine that. Philosophy is also a huge inspiration to me. There have been moments where the meaning of words have inspired the look of certain designs. There’s literally no shortage of inspiration or creative energy that can be found in this industry, so a bigger challenge is finding the time to dedicate to bring things to fruition. As far as WHO inspires me? The industrious inspires me. There isn’t even one specific person, but more so the TYPE of person that inspires me is the ‘doer’. Anyone can have the next brilliant idea. Those are all a dime a dozen. The type of person that inspires me is the person that can execute their idea and see it through to its completion with intentional focus and vigor. Focus and dedication are two qualities that I consistently find in the people that I’m inspired by. These kinds of people are rare. I’m sure if you’re reading this, you can think of someone in your life that is like this. Keep them close, learn from them, and if you want to help those around you, BE THAT PERSON.

The Point: Do you have any fresh ideas that we might see around the innovators booth at next year’s APP conference?

Regalia: Currently, I’m focused on getting our Pin Crimp re-designed and manufactured. That said, we might try for the creative innovator’s award if that’s being run again. We’ve got some designs up our sleeves.

The Point: Do you have any other plans for the future? What can we expect to see from Regalia next?

Regalia: We do have plans of more limited drops and one-off designs. So keep an eye open for those!

Find Regalia Jewelry on the web!
Website: https://regalia.jewelry/
Instagram: @regalia.jewelry

What I wish I knew
about opening a
piercing shop.


By Lola Slider, Forest Piercing, Glasgow

They say sixty percent of new business fail in the first 3 years. As my
studio approaches it’s 3 year anniversary, I wanted to look back over this
time and compare it to the 9 years prior I spent working in someone
else’s business, and share some of what I’ve learned about that transition from
independent piercing contractor to business owner.

Going it Alone…

Are we ever really alone in our endeavours? Are we ever truly without help and
support? Opening your own business it can feel like nobody understands what
you’re trying to do but each year I look back at that time, I better appreciate
the support I did have. When I quit my old job, my colleagues from Blue Lotus
Body Piercing, Nici and Adam, were right there at my house the next day,
having made the 2 and a half hour drive from Newcastle to offer me a job while
I found my feet.

When licensing delays at my local council created a black hole in my finances,
another local business (that’s no longer operational) let me use their studio
space for a couple of weeks having literally never met me, but taking it on
good faith that I was “OK”. And in the absence of physical help, I had a few
colleagues around the world telling me not to give up. I appreciate now in a
way that I couldn’t back then that when I felt most isolated I wasn’t actually
alone.

First of all you don’t know shit…

For a lot of piercers who held roles like I did in my previous job, managing the
piercing side of a tattoo business, you think you know it all. Trust me because I
say this with love: you don’t know shit. Oh, we know piercing, inside and out.
We know stock management, we know how to work a budget, for those of us
who import stock we understand that process, we understand shipping and
delivery issues and we understand client care.

None of that can prepare you for what’s it’s like to deal with gas, water,
electric, internet, phone lines, council, landlord, surrounding neighbourhood
business issues, insurance and the list goes on.

The administrative side of running a business is massively downplayed,
particularly in a country as tied up in red tape as the UK, and it’s not
something most of us are trained to do, with many of us having no formal
education in business management. So we learn as we go, and learning as you
go is an expensive process.

One of the hardest lessons I learned after opening Forest was that you can’t
work harder than someone else’s incompetence. Business to business
providers are going to perform their services poorly and as a result your
business will suffer. Today alone I dealt with two separate shipping companies
and a clinical waste company, all three of whom have failed to meet their
contractual obligations to my business, none of whom could provide speedy
resolution…and it’s just an average Wednesday.

This is an unavoidable truth and one that’s tough to swallow, because as
piercers we hold ourselves to such a high standard. Our studios are the
biggest manifestations of who we are as professional piercers so when there
are elements we aren’t happy with, that we can’t control, it’s tough for us to
accept it and not see it as a deep personal failing.

Working with others…

Working with others and having someone work for you are very different
things. Possibly one of the hardest parts of that transition from co-worker to
employer is understanding that change. Socially, it’s incredibly difficult to
navigate, particularly seeing as so many of us come from less than perfect
beginnings in this minimally regulated industry.

We should all be working to shed the bad habits and unreasonable
expectations that where imposed on us. But despite our best efforts and
intentions, almost all of us will mess up. And that will be hard. Conversely,
there are times you need to set a standard for yourself that you’re not
prepared to move on. My advice is: give yourself some time to figure out the
direction you want to take. The first year I owned Forest, I felt like a stranger.
You have time.

You can’t compare your business to
other peoples.


Do you rent a room? Do you manage the property outright? Do you work with
other businesses in tow? Businesses face unique financial challenges and
what’s going on on the surface does not always reflect what’s going on in the
engine room. Being in a relationship with an American piercer who owns their
own business, something I’ve had to make peace with is that no matter how
hard I work, we will never be compensated in a comparable way. I will always
have to put in 150% to match their 100% not because of their superiority or
my inadequacy, but because of global economic differences that neither of us
can control.

Owning your own business, you are so much more exposed to sudden
economic hardship. In the 3 brief years I’ve owned Forest, there’s been a
global pandemic, PPE tripled in price, the prime minister tanked the value of
the pound (£) and the cost of living crisis has seen gas and electric bills
increase 400% (so far). When these things happen, business directors of
Limited Liability Companies take fewer dividends or if you’re a Sole Trader like
me, you go back to minimum wage. But at least you can’t get fired! So that’s
something.

You were wrong & You were right.

Owning your own business gives you the insight to appreciate the times in the
past that your demands couldn’t be met and why they couldn’t be met. You
also learn when they totally could have been met, but weren’t. Pulling back
that curtain opens up a world of opportunity but at a world of cost, and the
beauty of owning your own business is really getting the final say in where
money is spent, what precious little of it there is.
In the end though, you grow something that’s yours, and it might not be your
exact vision but it’s a version’s of that vision.

In summary, know this: you don’t have to do everything all at once. You don’t
have to offer everything all at once. Advice from others helps, but you’re the
only one walking in your shoes. There are far more people willing you to
succeed than wishing that you fail. Always pay your taxes, and lastly never
ever pick a fight with a jewellery company

2023 Legacy Scholarship

The APP is pleased to announce that the Legacy Scholarship Program is now taking applications to attend the 2023 APP Conference & Exposition in Las Vegas!

This is funding for approximately 8 piercers in need of financial assistance to attend this educational event and recipients are required to work more than 30 hours during the Conference. Accommodations and Conference registration are included in the Scholarship, but you must provide your own transportation to and from the Conference and cover your own meals.

So, do you qualify? Here’s a few things that are required for eligibility.

-You must be 21 years or old by the time Conference happens.
-You must have never attended Conference before (some excepts do apply).
-You must be working in a studio and have at least six months experience before Conference.

All applicants will be judged on the following by the Scholarship Committee.

-Financial Need: This scholarship is for piercers who cannot attend the conference without assistance.
-Participation in the industry outside of your own studio.
-Demonstrating interest in bettering your skills/circumstances.
-Enthusiasm for the opportunity.
-Spirit of volunteering / Demonstrating work ethic / Humility

Do you feel that this scholarship applies to you? Take a peek at the detailed information and the application right here through this link: 2023 Legacy Scholarship Information and Application.

You have until January 15, 2023 to apply.

Good luck everyone!

Volunteer Group and Scholars from the 2016 Conference. Photo by Fabricio Cardoso

For me, attending the conference was almost the best week in my life. I couldn’t believe that I’m in the place I always wanted to be although all the difficulties and everything. Everyone there was very helpful and trying to make it easy on scholars in work and also outside work. Imagine people from all over the world and they all meet in one place and there’s no piercer who feels alone or anything. When it was the last day and we were finalizing everything, I stopped for a minute wishing that this week could repeated again and the idea was in my mind mind until I returned to Dubai. I miss the people there, the work, the activities and classes. All the best to everyone who made this a thing for piercers to feel that they belong to a place.
Fatma Ahmed, United Arab Emirates ~ 2022 Scholarship Recipient

This was hands down one of the best decisions I have ever made to apply for the scholarship. The doors this will open, the people you’ll meet, and the things you’ll learn. This scholarship changed everything about my life and career and I’m eternally grateful for the opportunities it has presented to me. If you are thinking of applying for any of the scholarships please do, this is a life changing experience for me, in both career and learning opportunities.
Zakk Boyer, United States ~ 2018 Scholarship Recipient