One of the things I looked forward to most when I first took my leadership position with the organization was that I would have the pleasure of presenting the President’s Award. As a prior recipient (in 2006), I knew what a great honor it was to receive this recognition. I began to consider a deserving candidate. One name stuck with me: Steve Joyner, my esteemed colleague and friend. Mr. Joyner is a long-time, major contributor to the APP mission of disseminating safe piercing information. He has served admirably as an advocate and representative of our industry for many years and in numerous situations. He’s been a body piercer for a quarter century, and a member of the APP for sixteen of those years. Steve has been a mentor to many and often has worked behind the scenes. His presence and expertise has proved instrumental in many situations. As an instructor, he’s taught classes about suspension and body piercing at APP Conferences, BMXnet (in Germany), and other conferences throughout the world. He’s also founder, director, and executive producer of the suspension performance troupe, Constructs of Ritual Evolution (CoRE). I had the pleasure of serving with him for a three-year term on the Board of Directors when he was vice president of the organization. He founded the Legislation Committee during that term. He has continued to serve on that committee, and on both the Membership Committee and the Executive Committee. In working with legislation, he has helped with body art regulations for at least twenty-five states and five different countries. More recently, he’s been involved in assisting the legislators and Health Departments in California on the regulations for that state. Congratulations to the 2012 recipient of the President’s Award, Mr. Steve Joyner, and thank you for your dedicated service!
Category Awards & Recognition
Point #60: Al D Scholars
Ken Seyler
I have been a professional body piercer for almost 20 years, and have been attempting to attend the APP Conference for approximately the last 10 years. Due to one thing or another, I have never been able to attend. I had heard of the Al D. Scholarship, but I never believed that I might be able to receive it. This year, due to some prodding from friends in the industry, and a stern “you must!” from someone I dearly love and respect. I threw my hat in the ring.
The application process was fairly simple and straightforward; the most nerve wracking part was the telephone interview process. I’m confident in my speaking skills and my ability to express myself clearly. Knowing that I was being interviewed by some of the people that I look up to could be a little disconcerting. However, I managed to make my way through it relatively unscathed, and so the waiting began.
As I waited to hear whether I had been chosen or not, I found myself believing that I wouldn’t be selected. I thought I would be passed over for someone more deserving, or who was younger or newer in the industry. I fully expected not to be chosen. When I did get the phone call saying that I had been accepted, I was in a state of shock. My boss said that my face went white and my jaw dropped open. I was completely astounded that I had gotten it, and I could have wept because I was so thankful and grateful. Truth be told, I still feel that way.
I had been accepted and there began my nerves. I had to deal with all of the new, important information about what was expected of me as an Al D. Scholar. I was also going to be doing my very first guest spot in a studio two provinces away while my home was in the process of being sold, while looking for a new place to live. Needless to say I was pretty stressed, but I was also super excited to be going to Vegas.
Time flew by and the next thing I knew I was on my way: nervous, exhilarated,tired, and a little bit frightened. After I got myself settled I was off to find Caitlin and the other volunteers; I expected to be put straight to work. Before I knew it my day of work was finished, my fears eased, and the nervousness began to melt away. Finally came the chance to meet and talk with people I had only ever met over the internet. I was taken aback by how friendly and personable everyone was, a sign of a great week to come.
The following day was a blur of meetings and introductions as we prepared for the of Conference. Although I was kept very busy I just could not shake the surreal feeling I had, this was a dream come true. In fact, I found it difficult to fully absorb the fact that I was finally involved in something that I had wanted to do for years. The absolute clincher was when I was introduced to Jim and Drew Ward. I truly had a surreal moment when I shook Jim’s hand. I can remember thinking, “Oh my God, I’m shaking hands with Jim Ward…JIM WARD!!!” That moment will live with me forever.
The rest of the week was just one fabulous experience after another. From getting to meet and talk with piercers that I have looked up to for ages to taking the courses offered, absorbing so much new knowledge, or in a few cases, and also having the confirmation that I had been doing things correctly all along. The sense of camaraderie among the volunteers, the laughs— oh the laughs—the tears, being exhausted, everything was so much more than I had ever imagined.
I could ramble on and on and on about everything that I experienced during my first APP Conference. Instead, I will sum it up by saying applying for the Al D. Scholarship was the best thing I have ever done. It kicked my passion for body piercing into overdrive, allowed me to make some fantastic new friends, and it made me a part of a family bigger than I could have imagined. I cannot thank the committee that chose me enough. I am still humbled and grateful for the opportunity that I was given. I would certainly love to come back next year not only as a volunteer but as an APP member.
Monica Sabin
Never has a single week impacted me as much as attending the APP Conference as an Al D. Scholarship recipient. It was an almost unreal experience that was over before I knew it. This was my second year attending conference, and it was substantially better than my previous year, in which I was not a volunteer.
I believe Caitlin (who you will get to know very well while volunteering, if you don’t know her already) put it best when she said that I was now part of a family. It is very much that way. It was a lot of work, at times having to choose sleep over partying, learning to think on my feet, and adapt to the circumstances at hand. However, If you can handle that, then you will reap the many benefits. One such benefit is the amount of love and support that people put out during the week in Las Vegas. My volunteer position this year allowed me to meet so many more people and form even deeper connections than I anticipated. These connections showed me that Conference will be what you make of it. By paying attention and asking the right questions at the right times, you’ll learn great tips, tricks, and what quality shops may be hiring. In this process you will make friends around the world, building a great network for your future career.
Being at Conference was such a high of amazing nonstop feelings, that coming home doesn’t compare. Yes, I missed my bed and I missed my friends, but arriving home was such a haze for me. I missed everyone at Conference and the energy of it all. Now it is time to take that intensity and energy and apply it to my piercing career. I cannot be thankful enough for those who helped me get to where I am in my career, and those who put faith in me by awarding me the AL D. Scholarship. One thing is for certain, I will be back next year, and I hope that I can join my piercing family again in volunteering and contributing to helping others have an amazing conference experience.
Andru Rogge
Conference is a lot like summer camp. You’re nervous and afraid to go, but once you get there you never want it to end. This was my third year attending Conference. I have been lucky enough to have the opportunity to see Conference through three different lenses. I have been as a fresh-faced and new apprentice, as a piercer, and this year as a volunteer and scholar.
It was an honor to be chosen as an Al D. scholar, and I had an utterly amazing experience, which pushed me out of my “turtle shell” as Caitlin put it. I came home with a fire in my belly to make positive changes, big and small, as well as a desire to share the things I had learned with my shop family.
It was a great comfort knowing that there are still so many people out there like myself who have total love and passion for our industry and what we do. I also felt a deep sadness knowing that APP always comes to an end and we all have to head back to our respective corners of the world. There was so much laughter and enough memories to last a lifetime. It was a whirlwind of fun, work, and sleep deprivation all adding up to pure raw exhaustion. However, it was worth it every minute; I feel like I grew in many ways and for that I am truly thankful.
I now have a better understanding of all the hard work, sweat, tears, and endless amounts of time that Caitlin, the Board members, and volunteers put into making every year the best it can be. I just want to say thank you from the bottom of my heart for letting me be a part of this experience. I can’t wait for next year.
Bree Grant
From the moment I set foot into the hotel at the APP 2012 Conference, there was an electricity in the air. I must admit, since this was my first APP Conference, that it was a bit overwhelming (not to mention somewhat intimidating being in the same place as so many talented, like-minded, and beautiful people).
Receiving the Al D. scholarship definitely changed my life for the better, it was a dream come true. I had the chance to meet so many people whom I respect and could not wait to learn from. Just being able to talk shop with the other attendees was an eye-opening experience. Before I became an Al D. scholar, I never knew that working so hard could be so much fun.
If I had to give advice to anyone coming to Conference for the first time, it would be to come out of your shell and take advantage of all the knowledge people have to share. It may be intimidating seeing people who you may have admired from afar, but I urge you, take a deep breath, and go introduce yourself. You never know who you may meet or what you may learn.
There are so many reasons why Conference is worth the time and money to attend. The classes and workshops are exceptional, and full of useful knowledge. Even for those who are seasoned veterans in the industry, there is always something to be learned. The exposition speaks for itself, which is good as it may leave you speechless. There is more gorgeous jewelry than you could shake a stick at. At APP you will find the people are amazing, the learning is world class, and the fun, well it never stops. Volunteering for Conference was definitely an exceptional experience and I would do it all again in a second.
Edward “Ned” McCarthy
If I had to describe my first Conference experience, I would have to say it was quite possibly the most influential week of my life. It was a rollercoaster of a week full of ups, downs, and surprises. I had the incredible opportunity to meet and bond with some of the most amazing friends that I will be able to grow and learn with for a lifetime. It was not necessary to stand with groups of people or be involved in conversation, I felt love even just standing in the middle of the conference hall. Being able to watch every person in attendance smiling, loving life, made this whole opportunity worthwhile to me.
I also had the opportunity to learn some amazing techniques from some of the most talented practitioners in our industry and to learn directly from my role models. I came away from this weeklong conference not only with thoughts of applying the techniques but how I work within this industry, as well as how to be a better person. I feel more level headed, confident and an all around happier since I have returned home. I will be back again every single year that it is physically possible for me to attend. It is an experience that I will look forward to every single year. I would not trade that week for anything in the world.
Point #60: Award Winner for Technical Innovation – Jason Pfohl – Gorilla Glass
JIMMY: How did you ever come up with an original idea like o-ring grooves on the back of a single flare plug?
JASON: Most of my best ideas come from my customers. Piercers have been asking for this particular design for quite some time; I just had to get off my ass and start making them!
JIMMY: When you change designs from a functional or technical standpoint, is this usually based on feedback you get from piercers and customers?
JASON: Dude, I already answered that question. Pay attention.
JIMMY: How does your personal experience in body modification influence your work?
JASON: I had my flats punched by Zak Zito at 10mm and healed them with glass in under a month. That helped me to better understand the healing process and also in designing jewelry for conches, flats, and septums. Lobes are so much more flexible than cartilage, and the flares and wearing lengths are completely different.
JIMMY: Do you think there is much more room for “technical innovation” when it comes to jewelry, or are things tapped out? Where do we go from here?
JASON: I think there will always be room for technical innovation. Major breakthroughs such as internally threaded jewelry and surface anchors are landmark events in the modern piercing industry, but there are more subtle technical innovations in jewelry design happening all the time. Check out Morton Manley’s hoop variations, or Quetzalli’s soulful experiments. The jewelry companies and designers are more sophisticated now than at any time in our history.
JIMMY: Now that you are over 40, really old in other words, maybe you could take a minute to reflect…do you feel you have gained some wisdom and insight into why we are all in this industry?
JASON: I can’t speak for you, but I love making jewelry and working with glass…plus there are some great perks like getting to travel all over the world and hang out with my awesome friends.
JIMMY: Since you are in Oaxaca, Mexico full time, do you find it difficult to stay up to date and in touch with how the piercing scene changes and progresses? What do you do to stay current and relevant?
JASON: Luckily for the rest of the planet, Texas has never been the center of the universe. Plus the Internet has really transformed the piercing scene and created an amazing international on-line community that continues to grow. You should check it out! When I design jewelry I don’t follow existing trends, but make technical experiments with glass production techniques.
JIMMY: What other challenges do being set up in Mexico pose for you when it comes to manufacturing your jewelry?
JASON: My main challenges are importing raw materials and exporting finished goods.
JIMMY: I was lucky enough to have visited your new glass facility in Oaxaca recently and was very impressed. Will this allow Gorilla Glass to expand?
JASON: Gorilla Glass has been growing steadily every year since we started in 2002. We won’t slow down as long as there is more and more demand for our jewelry. Owning my own land and production studio is incredible. Thanks to all my customers for helping make that dream real! My newest project is a downtown art gallery to promote glass art in Mexico.
JIMMY: Should we expect to see a lot of new and exciting things from you?
JASON: Stop asking dumb questions.
JIMMY: You have put together an amazing team of workers in Mexico in your office and manufacturing. What are some of the challenges you face managing such a diverse group of individuals?
JASON: The diversity of people working with me has never presented a problem. Generally I try to find what an individual is good at and enjoys doing, and then give them responsibilities that match their strengths and background.
JIMMY: How did you get into glass?
JASON: In 1992 I was living in my van in California and made friends with a group of stoner surfer kids who introduced me to my first glass bong. That inspired me to enroll in a glass-blowing class at Santa Barbara City College. I was attracted to the heat and physicality of working with the material. Later on I met Dale Chihuly and he invited me to study at his famous glass school, Pilchuck. I ended up getting a job there and that’s when things got interesting.
JIMMY: Did you ever imagine that you would be making body jewelry in Mexico?
JASON: Gorilla Glass was born in Mexico City. I don’t think I imagined it. I focus on doing things.
JIMMY: As Gorilla Glass faces more competition from “cheap foreign-made glass,” specifically Indian and Chinese, what is your game plan to stay competitive?
JASON: There has been “cheap foreign-made glass” on the market for at least five years and I have never seen them as competition. My customer base is the best-of-the-best piercing shops that are proud to carry brand name jewelry. Plus we are constantly innovating with new designs and custom work, so we always have something fresh and different for our customers.
JIMMY: How does your company and its products differ from the “cheap foreign made” glass?
JASON: We are a quality company that has been around for ten years; we are passionate about what we do and we take care of our customers.
JIMMY: Knowing that I blazed the glass body jewelry trail in the mid 90s for you with Jimmy Buddha’s Glassware, do you think you would have been as successful as you have been with your jewelry had I not been there to open the door up for you, so to speak?
JASON: I never heard of Jimmy Buddha’s Glassware before…it must not have been very successful. That’s understandable; glass is a difficult material to work with and takes a lot of patience and skill. I’m glad you had better luck with organics, Jimmy!
Point #60: Award Winner for Creative Innovation – Jimmy Buddha-Diablo Organics
JASON: What makes your jewelry innovative?
JIMMY: I like to take risks with my designs…. I like people to be able to look at my stuff and say “That is a Jimmy Buddha piece.” So I guess by default I come up with some stuff that is innovative!
JASON: Do you do preliminary sketches, drawings, or models before making the final jewelry?
JIMMY: All of my pieces are fairly well developed concepts before the process starts. Most of the materials I use are too expensive to just shoot from the hip. I do, however, believe in changing things up or or even scrapping projects and starting all over if things just aren’t coming together. I’ve learned that translating an idea or drawing into a 3D reality can be very challenging.
JASON: Do you design the jewelry with a particular individual in mind?
JIMMY: Not usually, but in this case most certainly. Pineapple needed something epic to complement his amazing tattoos and mods, so it was my goal to create something special for him.
JASON: Do you generally imagine jewelry to be worn in matching sets (plugs, septum, and labret)?
JIMMY: Now I do. I feel it’s only been in the last few years that there is a demand for such things when it comes to jewelry for large holes. Seeing this change is one of the things that makes me feel good about the direction of body piercing and the ability of the jewelry to play a role in that.
JASON: How would do you describe the aesthetic of your jewelry?
JIMMY: I am all over the place when it comes to jewelry design…having pierced for fifteen years I know there are all types of people wanting all types of jewelry. But with the Jimmy Buddha Design line, I am trying to go for a higher-end more refined look that complements the individual’s piercings and reflects the value of them to the world.
JASON: Is there any symbolism or significance in these pieces?
JIMMY: I very rarely attach symbolic meaning to things. These pieces have an impact onpeople, and that is a personal experience.
JASON: Are you a hippie Buddhist or what?
JIMMY: Nah…I think we are all fucked.
JASON: What is your philosophy working with traditional carvers to make contemporary piercing jewelry?
JIMMY: I feel that making jewelry for large gauge piercings was a lost art/skill, just as some of the skills of the traditional carvers I work with once were at risk of becoming. I have a passion for both of these and have dedicated myself to keeping them alive and viable in the twenty-first century.
JASON: How long have you been collaborating with Balinese carvers?
JIMMY: I started working with the family I am still with today ten years ago. It has been an amazing experience, helping me grow as an individual and a designer. Without them helping me along for the last ten years, I wouldn’t be where I am today.
JASON: What is your interaction with the carvers like? Is communication an issue?
JIMMY: Communication is an issue, of course; it is not usually strictly a language barrier, but a conceptual one. As a designer I find words inadequate for expressing my ideas. I rely heavily on detailed drawings and making three-dimensional prototypes personally. Then, of course, my crew of carvers has been doing this for a while now and they pick up on things quickly and make my job so much easier.
JASON: How many hours of carving were involved in making this jewelry?
JIMMY: This set was trial by fire. It was not so much the actual carving that took so long, but figuring out the order of the steps involved. This set took five craftsmen to complete, each with their own special expertise. So making sure that things were done in the right order was my main concern. Now that we have gone through the learning curve it will be much easier in the future.
JASON: Do you use child labor because only their small hands can carve such detailed pieces?
JIMMY: Many people have the same misinformation about the child labor. It’s not because of their small hands but because they can’t break the chains.
JASON: How much did you pay your carvers for these?
JIMMY: Watery gruel and a chunk of hard brown bread.
JASON: What appeals to you about fossilized ivory as a material?
JIMMY: Since I was a little kid I was always digging around in the dirt finding stuff… marbles, fossils, whatever. I guess I have never really grown up, it’s just the stuff I find is bigger and more expensive! When it comes to jewelry, ivory has a warmth and soft glow to it that other materials do not have, and the human body loves it. When it comes to workability it is unmatched as a medium…these pieces attest to the detail that can be attained.
JASON: Do you feel guilty for helping cause the extinction of the mastodon?
JIMMY: My only regret is that I was never able to shoot one myself and mount it on my wall.
JASON: Do you have any personal anecdotes about your experience designing this magnificent set?
JIMMY: There were a couple of redesigns midway through these. The most frustrating was me forgetting to erase some pencil lines that very quickly became carved lines, but in the end it actually made for a nicer pattern!
JASON: What is the most challenging aspect of designing custom jewelry?
JIMMY: It is very time consuming, and the details are the key to custom jewelry. When I make something custom for someone, I want it to be perfect. It needs to not only fit right but they need to love the piece for me to be happy with it.
JASON: Do you always resort to taking bath salts when you are getting your ass kicked by a gorilla?
JIMMY: The only thing that matters is the end result: the banana whipped some monkey ass! [Editor’s note: These are references to entertainment provided by Jason and Jimmy during the Conference banquet.]
Point #60: Josh A. Prentice Volunteer Award
This year, it was my honor to recognize Gus Diamond’s dedication to volunteering by giving him the Josh A. Prentice Volunteer Award.
Though I struggled a little bit with exactly what to say about Gus in my speech, I never doubted in the slightest that he was a perfect recipient for this award. He has been more committed to volunteering than perhaps any other volunteer. Gus continues to have insight about Conference that I (and others) will never have. Remaining calm in the face of pretty much everything, he has often provided the most simple and easy-to-implement solutions to difficult or overwhelming problems. I have relied on Gus to provide the volunteer group a foundation of humor and wisdom in almost every situation.
When I haven’t known how to inspire a volunteer to do better, he has always made sure they understand the importance of the work and the privilege of being a scholar or a volunteer.
I have yelled at Gus for many mistakes that he never made (and ultimately turned out to be mine). I have approached him in a panic, and he has always reassured me that everything was fine–because it was. It took me a while to trust in him, but once I did I was able to let go a bit and relax. It sounds funny, but with all the details of conference, it is a vast improvement even letting one section go and knowing that I don’t have to worry about it.
Gus has served this organization for years, has mentored many piercers, and is a long standing–and honored–member of the association. He is a friend to many, and has had my back at Conference for ten years. He is the man we all trust: “In GUS we trust,” and he was the perfect person to receive this award.