Point 87: The Many Faces of Conference 2018
Photos by Shanna Hutchins
Point 87: All About Planet Hollywood
by Kendra Jane B.
Located in the heart of the Las Vegas Strip, Planet Hollywood Resort and Casino features over 2,600 luxurious rooms and boasts movie-themed rooms and suites, each one with its own unique piece of Hollywood memorabilia.
Planet Hollywood Resort and Casino is an outlet for shopping and dining. It is also a gaming destination of choice for a city that celebrates celebrities.
In April 2007, the world famous Aladdin Hotel officially became Planet Hollywood Resort and Casino. The completely redesigned venue is located adjacent to Paris Las Vegas and opposite the Bellagio Hotel.
There is easy access to McCarran Airport and major roadways, as well as easy pedestrian access directly from the Vegas Strip.
STAY IN THE SWEETEST OF SUITES
Every single room in Planet Hollywood just went through a major makeover — $120 million in renovations, to be exact. We love the one with the suspended sofa inside the Ultra Boulevard Suite, and many of these new rooms also have gorgeous, sweeping views of the Strip. Plus, each room has its own refrigerator and a safe, which are amenities not found in all hotels.
Please note that special requests such as non-smoking rooms, connecting or adjoining rooms, room location, king or double-double bed type, etc. are subject to availability at the time of check-in.
Every year I hear from Attendees/Vendors who book elsewhere that the savings weren’t worth the hassle. Also, staying outside the host hotel can lead to feelings of isolation, like they weren’t a part of the group after classes let out. After a long day and night of socializing and learning, being able to take the elevator back to your room is way better than taking a bus, taxi, or walking numerous blocks back to another hotel.
Although not required, we encourage that you book with the host hotel, filling the room block has real impact on the organization’s ability to negotiate Conference spaces and the rates we are given both for the conference spaces and hotel rooms. The APP is able to retain its meeting spaces only when the room block is filled. Staying in the host hotel fosters a greater sense of community at the event and keeps you close to your “home base” for the week!
AT PLANET HOLLYWOOD, MILKSHAKES ARE THE STARS
If milkshakes held celebrity status, then these Supernova shakes at Café Hollywood are the royalty of milkshakes. This is one milkshake you’ll want to serenade before diving into its sweet tasty goodness. If Kelis’ milkshake brings all the boys to the yard, this one at Planet Hollywood is ready for a whole damn army. If you’re coming with a group, Café Hollywood has private dining rooms available. Then you can have one huge milkshake party.
If you need more than just milkshakes to sustain yourself for the week, you will also find the following places to get your eat on.
Quick Bites:
- Starbucks At Planet Hollywood Las Vegas
- Earl of Sandwich
- Buffet Spice Market Buffet
Upscale:
- Strip House Steakhouse
- Koi
Casual:
- Gordon Ramsay Burger Las Vegas
- YOLÖS Mexican Grill
- P.F. Chang’s Las Vegas
- Pin-Up Pizza
- Ringer Wings, Pizza and Sliders Sports Book
OR SHOP ‘TIL YOU DROP (AND THEN SOME)
With most Las Vegas Strip malls, you have to walk through a big casino to finally get there. By then, you’re either tired already or this close to borrowing grandma’s motor scooter. At Planet Hollywood, you are just steps from the Miracle Mile Shops. Anything that makes shopping more convenient is a plus in our book. Besides having popular shops like H&M and Sephora, you can catch a show at this mile-long shopping space. See the family-friendly Popovich Comedy Pet Theater, or bring your pals to Aussie Heat. You can also score good eats at Nacho Daddy or Blondie’s.
Point 87: The President’s Corner
by Jef Saunders
To you readers of The Point, it has been a humbling experience being the President of the Association of Professional Piercers. What I’ve learned in the past three years is that there is an enormous team of committed piercers, jewelry manufacturers, Sponsors, employees, Volunteers, Officers, committee members and Board members who make the effort every day to make piercing safer and spread the word about this wonderful organization.
We are on the precipice of the 24th annual APP Conference & Exposition, and I couldn’t be more excited. I’ve spoken with instructors, vendors, volunteers and attendees, and we all share a renewed enthusiasm for the learning that takes place at our Conference. One of the most exciting parts of teaching and attending classes is the zeal with which our attendees participate. Make no mistake, even if you are not a volunteer, instructor, vendor, or conference worker, you are a crucial part of this Conference if you are attending classes, asking questions, and coming home a better educated piercer than you left.
So much is new about this 24th annual Conference: our venue is the spectacular Planet Hollywood Resort Casino! We have a revamped and exciting Golden Ticket raffle. We also have a completely new Silent Auction! We even completely overhauled the Banquet into a new Closing Party! Considering our new venue, this year was a great opportunity to innovate, and the Conference Committee and Board have done just that.
Perhaps the conference event dearest to my heart is the celebration of the life and work of Fakir Musafar. Fakir was a mentor, boss, spiritual guru, and friend of mine, and I am looking forward to sharing memories and hearing new stories in the classes devoted to Fakir. The Body Piercing Archive has been working for well over a year to present the largest exposition of Fakir’s work ever. This exhibit will be like nothing we’ve ever seen before, and I cannot wait for our conference attendees to experience it.
As I leave the office of President, I want to say thank you to everyone who has helped me throughout my term; there are not enough pages in The Point to list everyone. Thank you to our Members, Corporate Sponsors, Volunteers, Board Members past and present, and our conference attendees. Thank you Marina. Thank you Caitlin. Thank you to the staff of The Point, who do an exemplary job (and deal with my penchant for missing deadlines). Thanks to everyone who puts work into promoting safe piercing, and supports sharing and education in our community. You inspire us all. Excelsior!
Point 87: From the Editor
by Marina Pecorino, The Point Editor
Well, this is my first issue as a solo Managing Editor. Thankfully, I work with a wonderful Art Director, Jim Ward, and together we have created another stunning issue brimming with pre-Conference content. If you have expertise in grammar, syntax, and the written word, and spare time on your hands, we may have a place for you on The Point Committee.
Deeper within this issue, you’ll find some important updates regarding the 2019 APP Conference & Exposition. Not only have we moved to a fresh, modern venue inside Planet Hollywood, we’ve also updated some of our Conference procedures and events.
This year, your odds of taking home a grand prize from Vegas have gotten even better; check out a quick summary and the official rules for the new Golden Ticket Raffle and Silent Auction.
We’ve also refreshed the process of certificates. Conference attendees can now receive Recognition of Attendance onsite, and travel home with tangible proof of their amazing week in the desert. Transcripts with course titles (similar to what a college graduate would receive) will be digitally available shortly after the event as further proof of an attendee’s dedication to continuing education.
The 2019 Body Piercing Archive is devoted to the extraordinary Fakir Musafar. Visit this unique exhibit with art and Body Play artifacts never before publicly displayed. Don’t forget to schedule time to view the exhibit with the guidance of a docent or four; visiting this rare presentation is one thing, but attending a guided tour lead by a personal acquaintance with firsthand accounts is another thing entirely.
This year, our Banquet has also been reinvigorated. Come join us at the Gallery Nightclub in your best Moulin Rouge themed attire for our Closing Party. Make sure to wear your dancing shoes and bring your appetite for socializing.
Details about these new programs and events are available on the Conference website and in the subsequent pages of this issue. This is an exciting year and I can’t wait to see you all. Let’s get to work!
Point 86: Faces of the Future
Photos by Shanna Hutchins
Point 86: Biomaterials & Trustworthy Sources
Why materials from countries without strict quality control requirements are unacceptable for jewelry
by Brian W. Skellie, APP Medical Director
Does it matter where a biomaterial we use comes from?
Biomaterials made in the USA and in a short list of countries who maintain reciprocal quality control agreements can currently be verified as ASTM or ISO compliant. Those materials made outside of these qualifying countries cannot due to a lack of quality control protocols and lack of consequences for substandard and falsified products. The provenance of the material should be listed on the certificate of tests.
Is knowing the chemistry enough?
Learning what the ingredients are, as well as the proportions of a material, is a minimum step in the right direction to indicate that it does contain what we need, and does not contain harmful impurities over a certain threshold. Chemical tests are not confirmation of quality by themselves. The only way to be sure about the quality of the material is to have reliable chemical and microstructure tests performed under strictly regulated controls during the final purification melt and on the ingot (block of metal) produced, prior to forming it into bar, wire, sheet, etc. We must be assured that the correct ingredients have been mixed and cooked together in the correct way, and that the material has been treated and handled correctly during the process according to the ASTM and ISO specifications. There is more to the ASTM and ISO standards than chemistry. So if a certificate says “chemistry only” the material has not been fully tested to fulfill the material properties required by the standard, and may break or include foreign matter among other disadvantages. Basically, we want the raw materials to fully meet the standards for surgical implant, and we want documented proof that it was tested and completely fulfills all the requirements during the melting of the alloy. No misleading shortcuts. No half-steps. Add a proper surface finish, cleaning, passivation, and sterilization and then we can wear it with a clear conscience.
Currently, our requirements for gold, niobium, and platinum are measured based on chemistry alone. We have a strong theoretical rationale to use them based on the fact that they are three of the most biocompatible elements and have a longstanding history of acceptable level of response in the body. Unfortunately, they are not as strong when compared to other biomaterials, and do not have the same sort of detailed specifications for use in the body. For gold and platinum, because of proprietary alloys and strict legal regulation for the karat content, the chemical analysis is all we have access to if we don’t use gold or platinum group metal alloys that have already been through ISO 10993 testing for biocompatibility. Gold and platinum group metals are frequently mentioned in biomaterials and dental implant science texts as inert substances with low potential for allergy
“CORROSION AND CORROSION CONTROL IN THE BIOLOGICAL ENVIRONMENT
“The need to ensure minimal corrosion has been the major determining factor in the selection of metals and alloys for use in the body. Two broad approaches have been adopted. The first has involved the use of noble metals, that is, those metals and their alloys for which the electrochemical series indicates excellent corrosion resistance. Examples are gold, silver, and the platinum group of metals. Because of cost and relatively poor mechanical properties, these are not used for major structural applications, although it should be noted that gold and its alloys are extensively used in dentistry; silver is sometimes used for its antibacterial activity; and platinum-group metals (Pt, Pd, Ir, Rh) are used in electrodes.”
1 Biomaterials science: an introduction to materials in medicine, Buddy D. Ratner https://books.google.com/books?id=Uzmrq7LO7loC page 434
For this reason, and historical antecedents we feel comfortable with some gold alloys for initial piercing jewelry. Most of our evidence related to gold for use in jewelry is based upon historical, that is to say experiential and anecdotal sources. Gold has been used in jewelry fabrication since prehistoric times, and has had a similar length of history in surgical and dental applications.
Gold implants are used in various medical procedures, including reconstructive surgery of the middle ear, upper lid closure in facial nerve paresis-induced lagophthalmos, drug delivery microchips, antitumor treatment, treatment of rheumatoid arthritis, use on the surface of voice prostheses, and endovascular stents, with sound clinical results.
2 Demann, Eric TK, Pamela S. Stein, and James E. Haubenreich. “Gold as an implant in medicine and dentistry.” Journal of long-term effects of medical implants 15.6 (2005). https://www.ncbi.nlm.nih.gov/pubmed/16393135
Who should understand our jewelry standards?
Our standards are necessary for jewelers and regulators as well as piercers, healthcare professionals, and the public. APP publications have previously addressed the general public as the primary audience for our jewelry standards. Our simplified explanation of the rationale for our jewelry standards is helpful for clients, but not specific enough for regulators, and missing information for jewelers. We have chosen to rely firmly upon specifications that have been pulled from medical and dental implant sciences, and voted to allow to permit the use of certain traditional jewelry materials that are composed of biocompatible elements which seem to demonstrate an acceptable response in the body. This represents two categories of materials: specified and agreed upon.
The specified biomaterials are exact standards for materials that can be purchased ready to use for making body jewelry based on evidence that meets CDC recommendation Category IA: Strongly recommended for implementation and strongly supported by well-designed experimental, clinical, or epidemiologic studies.
This would include all biomaterials which have been developed using ASTM and ISO standard specifications for implantation.
The agreed upon materials of gold and platinum alloys, niobium, and fused quartz, soda lime, and borosilicate glass are within the ideal of CDC recommendation Category II: Suggested for implementation and supported by suggestive clinical or epidemiologic studies or by a theoretical rationale. For example, there is strong evidence that the pure elemental form of each of these materials are well accepted by the body, and they should retain that quality when alloyed until a threshold level of sensitizing or toxic elements are added to the mix. ASTM F2999 and F2923 limit the harmful levels of toxins based on California Prop 65.
Why are material standards important to understand?
Our standards are based on utility rather than our own invention. We use existing medical and dental expertise for materials that are currently being used in human implants and prosthesis. We rely upon a body of evidence and experimentation that we as an industry have not yet become capable of doing ourselves. For this reason, it is important for us to find and understand reliable information from other fields that can be applied to our own.
Why is the language we use important to describe standards to the public, jewelers, and regulatory authorities?
Simple descriptions should be clear for the biomaterials we choose for body jewelry. Existing materials which are made to ASTM and ISO implant specifications are tested according to consensus based scientific standards to ensure long term safety in the body. We choose these material specifications to avoid reinventing the wheel, and the ISO 10993 series of tests for those new wheels can be prohibitively expensive. We use the specifications F67, F136, F138, F1295 etc as a summation of what we need for safe materials, before they are formed into jewelry. We should not have to elaborate the minutiae of these specifications to know that they are applicable and achievable for our purposes. Can get away with less precision? Not without introducing high levels of risk.
Understanding biomaterials is one of my goals as both an experienced professional piercer and long time member of ASTM Committee F04 on Medical and Surgical Materials and Devices. I hope that some of the information we have to share is helpful to you.
Footnotes:
1 Biomaterials Science: an Introduction to Materials in Medicine, Buddy D. Ratner http://books.google.com/books?id=Uzmrq7LO7loC page 434
2 Demann, Eric TK, Pamela S. Stein, and James E. Haubenreich. “Gold as an implant in medicine and dentistry.” Journal of long-term effects of medical implants 15.6 (2005). https://www.ncbi.nlm.nih.gov/pubmed/16393135
Point 86: Studio Building & Renovation Basics
by Gene Gowen
Cold River Piercing & Fine Jewelry, Albany NY
It is a privilege to contribute to the first issue of The Point for 2019, and to lend my experience to the theme of “Our Future” as an industry.
This is an industry of small businesses and entrepreneurs, and with small business and the entrepreneurial spirit comes the possibility of ownership and the hope of deciding one’s own fate. For many, that means building or renovating your own work space, sometimes needing to meet specific building codes, or perhaps to meet APP environmental criteria for membership.
Whatever small business experience you’re coming from or going to as a piercer—opening your own free-standing studio or developing space in a tattoo shop—hopefully this article serves as a useful guide. You will learn what can be expected, as well as some things to remember in building out a commercial space. Opening and closing tattoo and piercing studios is nothing new, and I’m sure there are those currently with multiple locations who could speak on this. In this article, I will be focused more on speaking to those who are branching out on their own, whether it is renovating their own piercing room or attempting their first studio space.
I have renovated and built out tattoo and piercing businesses of all shapes and sizes in both Connecticut and New York. My background was in building trades. I worked as a builder full time for more than 12 years before taking up piercing. I am trained and have worked in all forms of residential and commercial roofing, asbestos and lead abatement, custom high end deck and patio construction, residential and commercial building/additions/renovations, restorations, and residential/commercial property management and maintenance. These experiences served to help me as I prepared to build my own studio space. I am confident that they will also help you.
PLAN AHEAD:
Even if you end up throwing out your plan the night before you start building, plan ahead anyway. Plan for every single thing as much as you can. No detail is too small to include in your plan.
• Plan your budget
Building costs, inventory budgets, licenses, fees, insurance, cash for your register, living expenses during start-up time are just a few of the things to think about. While these are some of the financial concerns you’ll want to plan for, sticking to them is the hard part. Building costs will likely require an experienced contractor to estimate. Your build-out budge will vary based on the amount of work you want/need to do.
• Plan your time of year
The time of year you renovate or build your business can affect a lot of other factors. Are you building during your slow time? Is it going to cut short your cash resources? Are you scheduled to open during your slow time? Will it hamper initial success? Are you attempting major exterior work with winter approaching?
• Plan your work
Projects can run-away from you fast. Get accurate estimates on an accurate amount of work. Stick to the work you’ve planned. Don’t just plan what work you will do, but also your timeline and order of work. Don’t have people sheetrock and cover walls before you have your electrical done. Keeping to a planned timeline, when possible, will help prevent doing the same jobs over again.
• Plan for success
Whether it’s planning your budget, your inventory, or your build out, leave room for success. Jewelry inventories can be modest when first starting; make sure you have room to accommodate the natural increase in inventory selection that will occur as you are open longer. Having all the jewelry will matter little if you have no place to put it. You can use your initial budget to help you increase your inventory selection over time, simply by being judicious with your initial inventory orders.
LOCATION:
Choose your location carefully; you’ll likely be there for awhile. There are a number of factors you should consider when picking a good potential location, whether for your own shop, or inside an existing business. Population and demographics for the area1, amount of foot traffic, and access to parking are important for both situations. Leasing costs will be necessary whether you lease your own space or sublet. Bear in mind most commercial real estate is not a simple monthly rental fee. There are often NET2 costs and CAM charges3. These fees may exist in addition to your monthly lease.
BUILDING/ZONING CODES & PERMITS:
Zoning codes will dictate whether or not your business can even exist in the location you’ve chosen, so it is best to look into this during the beginning of your process. Building codes will dictate what changes you can and can’t make, and the manner you are allowed to do them in. Codes will vary depending on area and building type. For example, a studio opening in a residential building might be able to use wood framing lumber, while something in a strip mall will likely require steel framing. The cost difference between these materials is substantial and can drastically change your build out capital requirements. These building codes not only stipulate material types and uses, but also govern handicap accessibility, historical restrictions, and acceptable and unacceptable mechanical4 conditions. A large portion of all of this work will require permits. Generally speaking only licensed contractors can pull a permit, if the work you need requires one. Permits and the subsequent inspections to verify the work are lengthy processes. In my experience, required permits and inspections can be the things that most commonly cause delays in a project.
AVOID SURPRISES:
Surprises will always arise with any building project. The goal is to eliminate as many surprises as possible beforehand. The story of building your own business changes rapidly when you unexpectedly find termite damage, asbestos wrapped pipes, or some other hidden detriment that will cost thousands of dollars and weeks of time to mitigate. A thorough property assessment by a qualified contractor including a hazardous materials survey and a EUL Report (Expected Useful Life) on mechanicals can save time and money! Even after you’ve checked for surprises, and eliminated as many variables as possible, plan a little extra time for your project as a precaution!
If you are lucky, your new studio space will require very little work. Hopefully all you need to do is some minor upgrades and a few coats of paint. Regardless of the size of your studio project, do thorough research and thoughtful planning on everything, not just your jewelry inventory and piercing supplies. I hope this article helps you on your journey, and that you are able to successfully build your own studio space. Plan carefully and thoroughly. Look for a location as objectively and as informed as you can. Follow through with the appropriate civic departments. Expect the unexpected. These are just some of the basic fundamentals of commercial building projects. Keep them in mind and it will make every step of the process easier.
Footnotes:
1 Population & Demographics: Population numbers, median age, median income, population density, education data, average debt, common professions. All of this is easily accessible information that can be found online. All of which can help inform your decisions about the area you are considering opening in. The US Census Bureau is a great place to start.
2 NET Lease: In a NET Lease, the landlord charges a lower base rent for commercial space, plus some or all of their “usual costs”, which are expenses associated with operations.
In a single net lease, renters are required to pay the base rent plus a portion of the property taxes for the building. Double net leases require the renter to pay the base rent plus taxes and property insurance costs; this is beyond your own business insurance. Triple net leases require the renter to pay base rent plus taxes, insurance, and CAM (Common Area Maintenance ) charges.
3 CAM Charges: Common Area Maintenance are expenses incurred in shared, common area, such as utilities, sidewalk maintenance, snow removal, etc.
4 Mechanicals: Plumbing, Electrical, and HVAC (Heating/Venting/Air Conditioning) would be your mechanical systems. Each system has specialty contractors who works solely within their discipline and area of expertise.
Point 86: Building an Empire
by Georgina Schiavelli
Black Diamond Body Piercing
People often ask me what the secret of my success is. In an industry as multifaceted as professional piercing, that’s a very difficult question to answer, but I’m going to do my best to boil it down to some key points. Like everything else in life, hindsight is 20/20. Looking back is when many valuable lessons are learned. Over my 22 years in this industry I’ve learned things that have helped me find success and things that hindered my growth, both professionally and personally. I hope to share some of those lessons.
When I started my apprenticeship in 1997, piercing was barely considered its own industry. We were more of an addition to another industry, and because of this, there were a lot of tattoo artists who offered piercing; my old bosses being two of them. Fortunately for everyone, they got “too busy tattooing to deal with doing piercings” and hired an actual piercer. I became that piercers’ apprentice and that is where my story begins. Planning a career path in piercing wasn’t really on my mind at the time because I didn’t know if piercing would be there as a career down the road. The industry was so young, and we were all so hopeful, but also quite unsure of our futures and basically flying by the seat of our pants. Thankfully, I followed my heart, stuck with it, and built up a great clientele. I became known for my high standards, ethics, and a true passion for the job. I treated every client with respect and professionalism and like every piercing was the most important one I’d ever done. I did outreach at local colleges to promote safe standards and educate my peers. If the shop was open, I was working, and I did everything that I could to further the reputation of the shop that I worked in.
Even though I had always been a team player, and went above and beyond my job description daily, my bosses still had very little respect for me or for piercing. “They come here for us and stay for you, not the other way around, and don’t you forget it” was said to me so many times that I lost count. I knew in my heart that wasn’t true and that I was creating my own success. I could also see that the industry was changing and going amazing places. I knew that I wanted to be a part of that, so after almost 11 years at the same shop, I left. The running mental list of “if this was my place” I had made over the years made me realize immediately that it needed to be a piercing-only studio. I knew it was risky, but it just felt right. So, I cashed out the sad little retirement account that my dad made me start at 20, got a line of credit at the bank, got a small loan from my accountant who is a venture capitalist, and opened a new credit card with the highest limit they’d give me. It was the scariest thing I’ve ever done in my life. I had no idea how much harder it would get before it got better, but it was the right decision, and I knew with all of my heart that this was where I belonged. I found a great location, scraped together enough money for a security deposit, a few month’s rent, the renovations needed to build my shop to APP standards and a small stock of implant grade basics and simple gems to get me through a couple of months of piercing.
It took a total of four months to build my shop. On top of my 50 hours a week piercing at the tattoo shop, I worked every morning, every night, and every Sunday doing anything I could do to get my shop ready for the opening. I had planned to open Labor Day weekend, but was found out by my old bosses (who were less than supportive) in early August, so my deadline became as soon as possible. Those last two weeks were an all-day, all-night marathon of painting and finishing touches. I opened my doors on August 19, 2008. I had made it, and thought I had it all figured out. Now I just needed to wait for the money to roll in, right? HA! I hope you laughed at that too.
There’s a saying that if you’d like to make the universe laugh, just tell it your plans. The universe apparently had some hard lessons for me to learn, because on September 29, 2008, just six weeks after I opened my doors, the stock market crashed. I had originally expected to get back to a decent salary within a couple of years, but between everyone being scared to spend money and worried about the future, and my naivete in the reali ties of owning a business, I really had no money to pay myself, especially if I wanted to still grow the business, so I basically lived on my tips. Fortunately, I was married, and my husband was supportive enough to agree to cover the bills while I built back up to real paychecks. I worked at the shop completely by myself for two years, and every cent that came in went right back into Black Diamond. It was the hardest two years of my adult life. I remember choosing groceries by what coupons I had and ate meals at friends and families houses whenever I could. I was 31 years old and living like I was 18 again, except now I was married and previously knew what it was like to not be broke all the time. That was a hard pill to swallow after making fairly-good money for so long, but I would do anything to make the shop succeed and I knew this was the only way to make that happen.
By 2010, I took on an apprentice. Thankfully, the time went by quickly and Brooke Bittens was a natural, so by 2011, I didn’t have to do every single piercing that came in and even got a day off a week! Since I was trying to grow our jewelry selection, I still needed to be very careful, but at that point I was finally able to get a steady, albeit tiny, paycheck! Thanks to living on as little money as possible, I paid off the last of my loans by Christmas 2013, just 5 years and a few months after I opened my doors. Unfortunately, I also ended my marriage during that year due to a few factors, but largely because of how much time I dedicated to my shop. It was always a cause for fights, and ultimately the love I have for my career and my determination to succeed very much overshadowed my relationship, so one of them had to give.
From 2010-2015, I had hired quite a few front-end people with the hopes of turning them into jewelry experts. I always favored having front end jewelry experts and not just “counter people”. It was clear to me that they were both very specific skills and if I wanted the shop to be able to handle more clients, it was a necessity. Thankfully, I found a couple of people that worked out well! Andie Saunders became my second apprentice and Melissa Willette became my shop manager. Around then, the physical reality of full-time, medium to high volume piercing was also starting to really emerge. By the end of 2015, when Andie was finishing up her apprenticeship, I had a full blown non-traumatic labral tear from 18 years of constant piercing. Overuse syndromes are sneaky because you deal with the symptoms for so long that they become normal. Suddenly, my hand started to go numb, I would wake up crying from the shooting pains in my shoulder and chest, and no matter how many massages I got, it never let up. I saw a few Doctors, and the consensus was, either get surgery (which may or may not actually fix the problem; cartilage is a funny thing) or work less, since it mostly was only unbearable when I pierced a lot. That Christmas, I also took my first real vacation of my entire adult life. While I was away, I did a lot of thinking and decided this was it, time to change roles. I had put in my time piercing, and my body was telling me to take a step back from it. I still loved to pierce, I just couldn’t handle the volume anymore, so I started working by appointment and spent the rest of my time either filling in up front showing jewelry when my manager was off or sitting in my office ordering jewelry/supplies and brainstorming my next move.
It was becoming obvious that two full-time piercers and one part time, by appointment, piercer just wasn’t going to be enough. Everyone was getting so burned out, we were getting busier by the day, and I couldn’t physically handle any more piercings than I was doing. Thankfully, I was still accustomed to my inexpensive life, so my paychecks stayed low throughout the years, and largely because of that the business finally had a pretty decent savings. That is when I asked my landlord if I could expand into a part of the other side of the building for an additional piercing room. The expansion only took a few months, and before I knew it, we were hosting guest piercers almost monthly. For a year and a half, we hosted guest piercers during our busiest months, sometimes for weeks at a time. From the guest spots, I was able to hire a great piercer to round out the crew, Rob Gold, who officially joined the team in March 2017. I also recently hired another jewelry expert, Lilly Young, as well as a part time jewelry-expert-in-training to help with front-end overflow. This has allowed us to grow into the potential that was already there and finally catch up to the needs of our clientele. In October 2018, just over 10 years after I opened, I was able to buy the building that my business is in, so now not only can I take over the rest of the first floor to allow for a larger waiting room and a new office for me, I also inherited 3 tenants for more income, thereby starting a whole new business, Black Sapphire Properties.
So, that brings us to 2019: my 22nd year as a piercer, my 11th year as a business owner, and my first year as a landlord. Now that I finally have a full staff that I trust, my main role at the shop is all the background stuff like finances, jewelry orders, and website updates, and I can still take appointments here and there. I now have plans to buy an apartment building down the street, hopefully within the next year, and plan to buy more investment properties over time. When I look back on everything, it now seems so obvious how I got here, but as I said in the beginning, hindsight is a great teacher. My journey has taught me some of the vital components to success:
- Standards—As a Member of the Professional Piercers whose primary goal is promoting safe piercing, this one should be obvious, but it’s also worth mentioning. It is important to stay on top of what’s happening in the industry as far as jewelry standards, sterility practices, and aftercare. It’s easy to sell yourself to clients when you know you’re doing everything you can to give them the best experience and the safest piercing possible. Do not sell any jewelry you wouldn’t wear yourself and educate yourself on every aspect of the jewelry companies that you carry and their products.
- Integrity—Be impeccable with your word: with clients, other piercers, other industry people— with absolutely everyone. Honestly, I believe this is true in every part of your life, but it’s essential in business and is the key to building a business that will stand the test of time. On the same note, be wary of people who belittle you and your vision. Walk away from toxic people and those that lack integrity, they will only bring you down.
- Passion—Your clients can sense if you’re genuine or not and this industry is only truly rewarding if you love it more than anything. If you are in this industry for any other reason than your love of piercing and jewelry, do yourself a favor and don’t open a shop.
- Image—To put it simply, be professional. Speak with confidence and be able to back it up with knowledge. Be careful who you represent yourself as, in person and especially online. No one wants to give their money to a jerk, no matter how well you pierce or how nice your jewelry is. Period. There’s a saying in retail that applies well to piercers, “A happy client tells a few friends. An unhappy client tells EVERYONE.” Whether you are opening a shop in a year or ten years, the internet never forgets and neither do salty clients. Also, be sure your shop physically reflects what you’re trying to project to the world. It’s hard to sell a $500 piece of jewelry if you look like you just rolled out of bed or your shop doesn’t look like a fine jewelry store.
- Consistency—Be sure your staff is all on the same page and your front end is well trained. Have frequent meetings to quickly address problems or inconsistencies that arise. Having an employee handbook is also essential. You want all the things that are important to you in writing so that there’s never a question what should be done in any situation, whether you’re there or not. You want any client to walk in on any given day and have just as good of an experience as any other, no matter who is working. Part of this is also treating your employees well and paying them well to create an environment that encourages long term employment. When you have a staff that you trust, you have a lot of freedom too.
- Sacrifice—When you own a business, you may be the most important person as far as image and decisions, but you’re the least important person when it comes to paychecks. It will pay off in the end, but building a shop from the ground up is not for the faint-of-heart or the weak-willed. The shop HAS TO come first, and your staff isn’t going to work for free. This will impact your life in every facet, and it may mean you make the least amount out of your whole staff at times, but if you stick to it and go all-in you will be rewarded in every way down the road. As far as start-up capital, however much you think you need to open a shop and make it successful, at least double it. You have no idea what can/will happen during your building years and you should be prepared for anything. Insurance may cover lost wages if your shop collapses or burns down, but it certainly won’t cover things like being slow because the economy tanked. If your plan is to open a shop someday, start putting away money now and don’t be frivolous. Make yourself a budget and stick to it; get used to being frugal. Think in years and decades, not weeks or months.
- Limits—Remember, you are only human and just one person. You cannot do it all and still be healthy, either mentally or physically. Know when it’s time to take on other/more employees! And know when it’s time to take a step back too. On the same note, do not tolerate employees that do not share your vision. It’s very easy to be held hostage by talent and/or circumstance, but remember that it is your shop in the end and stick to your guns.
- Preparation—The banks do not just hand out loans. Do your research and know the market in the area you want to open. Write a few practice business plans until you get it right and feel confident enough in your facts for a meeting with a loan officer. There’s plenty of information on the internet to lead you in the right direction. You can also look for a venture capitalist! The loan interest can be a little higher, but if a bank can’t help you, or can’t give you enough money, they are a great option. They are typically more adventurous than banks with what types of businesses they are willing to work with.
- Confidence—Know your worth! Don’t compromise on pricing your services and/or jewelry thinking lower prices will bring people in, even in the beginning. It will come back to bite you and really limit your buying power when ordering new jewelry and growing your shop. If you do great work and sell great quality jewelry, the right people will happily pay you what you’re worth. Do not lower your prices, have piercing sales, or let people bully you into charging less. I promise, you don’t want those clients anyway; let the lesser shops have them. It will only make you look better in the end and win you more clients overall when those who were at first unwilling to pay your price come back to have you fix things. They’ll learn the difference first hand and you’ll now have a client for life who tells everyone they shouldn’t go anywhere else. Never apologize for having high standards.
- Autonomy—Taking inspirations from other great shops is wonderful, but don’t concern yourself too much with what the other shops around you are doing. Just do your thing and believe in your vision! If you believe in what you’re doing, and you put the time and effort in, you’ll be amazed at what you can accomplish.
Point 86: Learning to Love the Taste of Fire: Elitism in Body Piercing
by Jacob Spjut
“They’re so cold, these scholars! May lightning strike their food so that their mouths learn how to eat fire!”
—Friedrich Nietzsche
There can not be a discussion concerning the contemporary history of the piercing industry without elitism entering into it. Elitism is so ingrained—even when there is growing democratization of information and sharing of knowledge the world over—that the fear it will reveal its serpentine head has weakened the discussions required for the industry to continue to grow. Likely influenced by a culture crippled by the sentiment that it is reasonable to denounce expertise as superfluous, piercers are embracing the view that “my [anecdotal experience] is just as good as your knowledge.”1 Holding these particular beliefs and thinking they are somehow applicable to the entirety of the industry makes this wholesale denunciation unsurprising. Elitism, which elicits feelings of otherness and exclusion, should no longer be a term thrown carelessly at an individual or group who strives to establish themselves as experts or as elite piercers. Applying disparaging meaning to any word similar to elitism, elite, or expert, for example, has driven many piercers to reject taking principled stands or engaging in valuable dialogue concerning essential issues to avoid becoming branded as a charlatan or worse. The term elite, unfairly marred by its close association with elitism, can and should be used in the field to denote the positive positioning of individuals based on unique and qualifying attributes that can propel the industry forward. Overcoming the natural desire to reject an expert or elite piercer, as though they are an elitist piercer is paramount to the future of body piercing. Overcoming this desire, though, creates a unique challenge for piercers. Ego and a lack of consensus between piercers creates fissures that make the very idea of a group of experts seem intrinsically counterproductive to a growing and marketable industry. With focus, this problem is shown not to be insurmountable.
The existence of a top rung on this field’s ladder is a somewhat nebulous idea. There is little way to judge how “good” a piercer is or whether their ideas merit consideration. The inability to empirically discern what constitutes a qualified expert is true in almost any human intellectual endeavor, as subjectivity is a strong force against which to contend. This is especially true in fields that can reach the same result, like a well-healed piercing, through different means. This dilemma, however, does not make the act of examining and choosing this upper echelon of piercers superfluous.
Discerning who is qualified for the title is further made difficult by the historical justifications for the rejection of expertise. The Puritan “originators” of the United States upheld the idea that no group can preside over any individual; this was foundational to the oppressive nature of these “New World Settlers.” This rejection has carried forward for centuries, the result being expertise is no longer considered adequate; everyone feels entitled, even required, to have an opinion falsely regarded as equally valid as any other. “To reject the advice of experts is to assert autonomy, a way for Americans to insulate their increasingly fragile egos from ever being told they’re wrong about anything […] All things are knowable, and every opinion on any subject is as good as any other.”2
In the piercing field, this dismissal of expertise appears to have origins in hyperbolic discussions between some piercers attempting to absolve themselves of resentment. They likely felt that these other piercers were upholding “elitist” standards that contradicted policies they, the resentful, had practiced for years “without issue.” Many piercers remember this as a rebuff of the APP; the APP was used as a generalized term by many individuals to denote a piercer that maintained a set of standards deemed “unnecessary.” The myth of a group of elitist piercers likely has legitimate beginnings, but there is little reason to believe that for nearly two decades their existence has been the reality. Contrarily, an outpouring of information by a highly educated group of piercers has shown the benefit of learned leaders, as they have helped cultivate an environment of continuing education and progression. However, one can not overlook that history may have reduced the ability of many piercers to counteract the pressure to reject expertise. Regardless of its justification, this rejection continues to occur, though in smaller instances, leading to a distrust between professionals that hinders growth and can de-legitimize those involved.
The irony of this repudiation, whether of APP Members themselves, the Association as a whole, or of piercers dedicated to the highest standards attainable, is that many considered elitists ten years ago have helped to foster online communities that have seen the improvement of throngs of young piercers. The online communities that formed over the last decade are creating a circle of trusted piercers that are approached for their expertise when previously these experts were considered a pernicious influence over body piercing. When looking at the roster of consistently highly ranked teachers at the APP’s Annual Conference, or the moderators in the most notable active learning forums, it is evident that elite piercers exist within the field. It seems piercers have, with some hesitation, exited the cave of ignorance, from rejecting to elevating the rejected, but it is still imperative not to descend back into that cave of dismissal. Prevailing in the light requires admitting that there are more talented practitioners in the piercing room and that, after spending a great deal of time dedicated to garnering information pertaining to specific areas in the field, these piercers have increased the collective understanding of piercing. This is not necessarily accomplishable by all, but many with devotion can contribute significantly to the discourse. The challenge for the industry, however, is not necessarily how to create elite piercers, as they already exist. It is how they are recognized and used to further the industry.
Recognition begins by taking traits that hold universal appeal as being advantageous to intellectual growth and using these as a basis that will inform practitioners as to what separates expert and elite piercers from strictly experienced piercers. Addressing that this subject can invoke preconceived notions of what is meant when using vernacular that is similar is also necessary. “Elitism” is often suggestive of pedantic sterile field fanatics or of contemptible piercers using bully tactics to shame up-and-coming piercers into “hanging up their needles.” One is reminded of piercers using imaginary titles to denote their level of “mastery” in the craft, or those who have allowed their deeply held convictions on any given subject to give them a feeling of self-importance that makes any other “less than” merely because of a differing opinion. These typical instances of an “elitist” should not poison the well of what an expert or elite piercer is.
In comparison, an elite piercer has a deeper and more full understanding of a given subject or area of focus, and assert that they should not only disseminate that learning, but must expand upon their knowledge indefinitely. Elite piercers should be helpful, while being open to discussion and the pursuit of innovative ideas. They should always work hard to develop themselves as educators and maintain the philosophy that complacency is the death song of a good leader. They use their skill and understanding to advance the field in its totality, and they do not use it to amass “internet cool points.” When discussing ideas, they hold fast to their opinions, yet are accepting of provocation without being inexorable when presented with a valid argument. They are not from any single group, and one can not befriend themselves into their ranks. These are essential semantic distinctions and must be understood.
Piercers who are working towards developing these traits, and the elevation of those individuals who possess them, can be used to benefit everyone; creating opportunities for anyone who wishes to better the industry by instigating positive changes that vivify and encourage the culture that should be fostered. Creating an outlet for positive change will benefit the practitioners who are a part of this group, those who strive to be a part of it, and the clients assisted with the craft. Together, these changes will bring about a better experience for anyone who enters into the orbit of a piercer. This position of earned power requires a great deal of courage and demands a certain level of humility. This humility should not come at the expense of the critical need for depth of conviction, however. This is increasingly more important as a growing crisis of trusted piercers softening their positions rises in learning settings where they avoid conflict with others that may not agree with their ideas. By denying that some piercers are better or more knowledgeable, the bar of competence is deeply lowered, to a point where demonstrably inadequate piercers are given the same weighted influence as their more educated peers. Weakening informed opinions, coupled with the growing focus towards educating new or struggling piercers, will be catastrophic.
This tendency is seen, more and more, in the classroom at the annual Association of Professional Piercers educational conference. Teachers, selected because of their expertise concerning a subject, often concede points that may be contentious between practitioners. Sterile gloves, touted as an essential step forward by many, are rejected as just past the line of necessary by others. Surface finish, a subject that does not, at face value, seem like a position open to controversy, brings about inimical arguments where the ethical foundation in opposition is built on nothing more than“having not killed anyone.” Even standards adopted from other industries are cherry-picked to not further complicate established practices in one studio or another. What is an attendee to learn from exchanges that offer nothing more than “this is just how we do it?” It is ascertained that there is no reason to believe that any single idea is authoritative and that any position is equal as long as it falls within one’s “experience.” This should not be tolerable. The teacher, or any attendee with a reasoned argument to make, should not concede to an idea they disagree with unless they have been convinced they are, indeed, wrong. It is easy to say this concession is made only to avoid ostracizing a piercer who practices different standards. After all, there is room for differing approaches to piercing. There is merit to this, but it misses the point of reasoned dialog. One is to come to an opinion based on defensible points of reference. Which one of these positions is correct is debatable, thus refusing to debate is detrimental. Sterile gloves or surface finish may seem like silly and arbitrary examples, but it is analogous of many, more serious disagreements that plague the industry.
Potential problems that can arise when the industry embraces a perceived shadowy network of super piercers dictating what type of piercings will trend or how best to pierce a navel must be considered, as well. Piercers are not above being ego-driven and closed to critical evaluation. The fact that being open to critique is hailed as something special in the aforementioned online communities is telling. Experts on any given subject in the industry can also be wrong, biased, or they may be unable to see the nuance to a given idea.
Some, though not many, may even fall into the classification of “elitist,” making the need to be able to distinguish them even more critical. Regardless, allowing uninformed piercers to postulate ignorant ideas that go unchallenged can influence leadership within the APP or the online communities to implement policy or suggest ideas that hinder growth. This is the antithesis of what is essential to piercing’s future.
Thankfully, the piercing industry benefits from its interconnectedness, and delving into oligarchical ruin is not likely. Not only is it unlikely, but the structures already in place—structures that have led to a trusted network of expert piercers, such as the vetting process in the online forums—will make the problem an improbability. Piercers who, through hard work, rise to high positions will be accountable to every other piercer, at least to those working towards increasing the field’s prestige themselves. There is little room for ego-driven self-importance, especially when piercers looking to leadership for change are relentless in exposing muddied thinking and promoting good ideas. Critical examination of any proposition, regardless of whom it is coming from, is the mechanism by which the industry will flourish, and it must be encouraged.
It can not be denied that elitism has damaged the piercing industry. It has created fear. In this culture of fear, piercers have begun to turn inward, allowing subjectivity to be the essential consideration when ideas are posited. Many are rejecting, consciously or not, that there are those who are presenting more informed positions. They are labeling these other piercers inaccurately, using stigmatized terms to create ad hominem attacks and stifling required debate. This is a failure in need of reform. There are opinions that hold more water than others, and these opinions, though entirely open to challenge, are going to be presented by piercers that have spent the time to hone and expand on them. It is crucial to accept that an elite group of piercers exists, that this group’s roster is in constant flux, and that this is good for the industry. The acceptance of this fact will cause a shift that will make more widely applicable ideas resulting in the highest good for the industry. It must also be accepted that conviction to an opinion and being receptive to those who challenge it are two sides of the same coin of advancement. The industry must not fall for the false narrative that expertise is a prelude to elitism. Instead, the industry and its practitioners should embrace the title of “elite” as a call to responsible action, and work to earn that title every day.
1) Asimov, Isaac, “A Cult of Ignorance.” Newsweek, January 21,1980, 19.
2) Kakutani, Michiko, “‘The Death of Expertise’ Explores How Ignorance Became a Virtue,” The New York Times, March 21, 2017, https://www.nytimes.com/2017/03/21/books/the-death-of-expertise-explores-how-ignorance-became-a-virtue.html