Searched For paul king

Point 85: Meet the BPA

by Paul King

“The mission of the Body Piercing Archive is to select, collect, document, preserve, exhibit, and interpret the personal, social, and material evolving histories of Body Piercing to ensure these artifacts are available to present and successive generations.”

PAUL R. KING—BPA FOUNDER & COMMITTEE CHAIR, APP TREASURER

Let’s start with our founder, Paul King. Paul has been a professional body piercer since 1991 and an enthusiast before that. Paul has a BA in Anthropology from UC Berkeley and has lectured in universities, community groups, and conferences on various aspects of body modification since 1993. In 1999, Paul partnered to create Cold Steel America in San Francisco, CA. He is an active Business Member of the Association of Professional Piercers. In 2005, he successfully completed a three year elected Board position as Treasurer for the APP. In 2007, he received the APP’s President’s Award for contributions to the piercing industry. He has served as a Board-appointed Treasurer and Officer of the APP since 2008. In 2014, with the support of the APP Board, Paul King created the Body Piercing Archive.

BRIAN SKELLIE—BPA COMMITTEE MEMBER, APP MEDICAL LIAISON

Brian founded Piercing Experience in 1992 as a piercer inspired to research and evolve safe body modification and share the results with the community. He is a frequent APP contributor ever since the first Conference, an active Business Member since 1996, an educator who has presented many seminars and workshops at conferences in North and South America and Europe, former Editor of The Point, former chair of the Media Committee, and completed his third term Board Member as President, now serving as Medical Liaison.

BECKY DILL—BPA COMMITTEE MEMBER, INCOMING APP BOARD MEMBER

Becky Dill has been piercing professionally since 2003. She has been a part of the Cold Steel America family since 2009 and the Body Piercing Archive since its inception.

Becky is a Business Member of the Association of Professional Piercers; since becoming a Member she has participated in the APP Mentor Program and led roundtable discussions during the annual Conference & Exposition in Las Vegas. Additionally, she is also a founding member of the Bay Area Piercers Group.

DANNY GREENWOOD—DESIGN GURU, APP ASSOCIATE MEMBER

Danny Greenwood started working counter in 2007, and has been a member of the Cold Steel Piercing family since 2008. Danny is an Associate Member of the Association of Professional Piercers. Danny is the Phantom to our Opera: working behind the scenes on our website and various graphic design needs  (and hiding away from the daylight as much as possible.)

When she isn’t busy handling the ordering and photographing of fancy jewelry for Cold Steel America, you can expect Danny to be watching too much TV with her fat cat and thinking about snacks.

DEVIN RUIZ-ALTAMURA—BPA COMMITTEE MEMBER

Devin began working counter at Cold Steel Piercing in 2014 and is an Associate Member of the Association of Professional Piercers. Devin is the newest addition to the BPA and excited to bring you insights into the inner workings via social media. As  a native San Franciscan, a body piercing enthusiast, and student of the Paul King School of Being a Big ol’ History Nerd, she is honored to be preserving and sharing history that is near and dear to her heart.

When Devin isn’t archiving or obsessing over body jewelry she is probably planting things, reading comics, or telling her dogs how much she loves them. (She is also responsible for the majority of the bios you are currently enjoying originally posted on The Body Piercing Archive Instagram.)

MATTE ERICKSON—BPA COMMITTEE MEMBER, APP BUSINESS MEMBER

Matte began piercing in 1994 in Colorado Springs, Co.and re-located to Fairfield, Ca in 1998 and since then, has become the prevalent piercer in Solano and Napa counties. Since 2002, He has attended the Association of Professional Piercers Conference to continue his education and stay up on the latest advances and techniques.

I am sure there are more for each list, but, I think you get the idea. One of my motto’s is, “just because you can pierce something, doesn’t mean you should”.

Now a committee member for the Body Piercing Archive Committee. History has always been very important to him. He is also a member of the Bay Area and Sacramento piecers groups, The International Suspension Alliance And is also responsible for many of the Photographs The Point uses throughout its publications.

GENE GOWEN—BPA COMMITTEE MEMBER AND FUNDRAISING COORDINATOR

Gene Gowen is owner of and piercer at Cold River Piercing in Albany, NY. He had always wanted to get involved with the APP, but didn’t think he’d be much good at any of the usual ways people volunteer with the organization. Paul started the BPA and needed some help raising funds for the work the archive was doing. So he asked if Gene could be responsible for generating sellable items at Conference, to raise funds for the BPA. Like any other staunch New Englander, Gene has a mother who makes and gives away quilts for everyone’s big life events. So the idea came to him that maybe we could make some quilted projects from old shop shirts, which everyone has in abundance.

That’s really all it came down to. He saw a place where someone needed some help and thought he might be able to be of some use.

OLIVIA THERIAULT—BPA COMMITTEE MEMBER

Olivia began her professional piercing journey in 2012, on the quiet coast of Nova Scotia. She is a permanent fixture at her hometown studio, Skin Decision. When she is home in the woods, you will often find her transcribing audio files for the BPA or outside playing with bugs!

Olivia is a proud Business Member of the Association of Professional Piercers and has attended a variety of seminars, conferences, and retreats to further her understanding of our industry.

Point 85: APP Board Members & Officers History

April 13, 1994—The first APP meeting participants (Listed as “founders” in The Point 1): (standing l-r) Irwin Kane (Gauntlet,Inc.), Raelyn Gallina, Vaughn (Body Manipulations), Michaela Grey and Jim Ward (Gauntlet, Inc.), Melisa Kaye (Body Manipulations), Richard White [Carter] (Primeval
Body), Joann Wyman (Body Manipulations), Elizabeth Brassil (Body Manipulations), Drew Ward (Gauntlet, Inc.) -(kneeling l-r) Blake Perlingieri (Nomad), Kristian White (Nomad) at Gauntlet corporate offices in San Francisco

2017–2020

  • Luis Garcia—International Liaison
  • Ryan Ouellette—Outreach
  • Brian Skellie—Medical Liaison
  • Kendra Jane—Vice President
  • Jef Saunders—President

2014–2017

  • Cody Vaughn—Vice President
  • Christopher Glunt—Medical Liaison
  • Steve Joyner—Legislation Liaison
  • Miro Hernandez—Public Relations Director
  • Jef Saunders—Membership Liaison
  • Aaron Pollack—Secretary (Board Appointed)

2013-2016

  • Brian Skellie—Global Media
    • Transitioned to President Q2 2014
  • Ashley Misako—Outreach

2011–2014

  • Elayne Angel—President
  • John Johnson—Vice President
  • Richard Frueh—Medical Liaison
  • Mike Martin—Legislation Liaison
    • Stepped down April 2013
  • Steve Joyner—Legislation Liaison
    • Appointed Legislative Chair June 2013
  • Sarvas Berry—Membership Liaison 2010–2013
  • Brian Skellie—International Liaison
  • Dana Dinius—Outreach Coordinator
    • Stepped down Q1 2012
  • Ashley Misako—Outreach
    • Appointed Q1 2012

2008–2011

  • James Weber—President
  • Didier Suarez—Vice-President
  • Elayne Angel—Medical Liaison
  • Eduardo Chavarria—Membership Liaison
  • Bethrah Szumski—Secretary
    • Stepped down Q2 2010
  • Paul King—Treasurer (Board Appointed Officer)

2007–2010

  • Danny Yerna—International Outreach Coordinator
  • Eric “Sque3z” Anderson—Outreach Coordinator

2005–2008

  • Alicia Cardenas—President
  • April Johnson—Vice President
  • James Weber—Medical Liaison
  • Luis Garcia—International Liaison

2005–2007

  • Christina Shull—Secretary
    • Stepped down Q3 2007

2005–2006

  • Jeffrey “Phish” Goldblatt—Outreach Coordinator
    • Stepped down Q2 2006
  • Schane Gross—Treasurer
    • Stepped down Q1 2006

2002–2005

  • Bethrah Szumski—President
  • Jason King—Vice-President
  • Crystal Sims—Secretary
  • Paul King—Treasurer
  • Elayne Angel—Medical Coordinator
  • Megg Mass—Outreach Coordinator
  • Alicia Cardenas—International Liaison

1999–2002 Second Election [The Point—Issue 15, May]

  • Patrick McCarthy—President
    • Elected to replace Gahdi Elias after he finished his Board term
  • April Williams-Warner—International Liaison
    • Elected to replace Al D. after he finished his Board term
  • Scott Brewer—Treasurer
    • Appointed by Pat McCarthy as interim Treasurer after Brian Skellie finished Board term June 1999. Later duly elected and stepped down Q1 2002

From The Point—Issue 16:

Many changes took place to the APP over the last year; one of the most important things was the election of a new Board. In September a new Vice President, Secretary, and Outreach Coordinator were elected. Then, in April a new President and International Liaison were introduced. During the meeting the new Board members were introduced to the membership.

APP Board Members as of October, 1999

  • Pat McCarthy—President
  • Steve Joyner—Vice President
  • Bethrah Szumski —Secretary
  • Scott Brewer—Treasurer
  • Elayne Angel —Outreach Coordinator
  • April Williams-Warner—International Liaison
  • Dr. Jack Ward—Medical Liaison

1999–2001 First APP Elected Board [The Point—Issue 14, April]

  • Steve Joyner—Vice President 1999
  • Bethrah Szumski—Secretary
  • Elayne Angel—Outreach Coordinator
  • Jeff Martin—Outreach Coordinator
    • Stepped down December 1999

From The Point—Issue 14:

The past year has seen Board member installment go from an appointment to an electoral process.

The first such election installed: Steve Joyner as Vice Chair, Elayne Angel as Outreach Coordinator, Bethrah Szumski as Secretary

As people come so do they go: Dave Vidra served as OSHA Liaison until Nov 1998, Derek Lowe served as Secretary until Nov 1998.

Jeff Martin served as Outreach Coordinator until Dec 1999.

1998 [The Point—Issue 13, Summer]

Stepped down:

  • David Vidra resigned November 1998 after multiple Board terms
  • Derek Lowe resigned November 1998

1998 Board of Directors [The Point—Issue 12, First Quarter]

  • Gahdi Elias (Mastodon)—Chair
    • Brian Skellie appointed to serve the duties of Chair while Gahdi traveled abroad
  • Kent Fazekas—Chair
    • Stepped down
  • Elizabeth Getschal—appointed Board Liaison under Chair

1997 Transitions [The Point—Issue 11, Fall]

  • David Vidra (BodyWork Productions)—OSHA /Legislative Liaison
    • Exchanged positions with Al D. Sowers
  • Al D. Sowers (Playspace Ltd./ Sin)—International Liaison
  • Michaela Grey finished her Board term and continued as a Business Member in good standing
  • Dr. John Ward—Medical Liaison

1997–1999 [The Point—Issue 10, June]

  • Kent Fazekas—Chair
    • Transitioned from Treasurer
  • Brian Skellie—Treasurer
  • Michaela Grey—International Liaison
    • Transitioned from Chair
  • Crystal Cross
    • Stepped down
  • Curt Warren (Koi)—Coordinator
  • Rob Petroff
    • Stepped down
  • Jeff Martin (Obscurities)—Outreach coordinator
  • Tracy Faraca
    • Stepped down
  • Derek Lowe (Steve’s Tattoo and Body Piercing)—Secretary
  • Allen Falkner
    • Stepped down

1996 Two new Board Members [The Point—Issue 8, August]

  • David Vidra (BodyWork Productions)—Medical Liaison
  • Al D. Sowers (Playspace Ltd./ Sin)—OSHA /Legislative Liaison
  • Crystal Cross (Primeval Body)—New Title: International Liaison
  • Blake Perlingieri and Maria Tashjian finish their Board terms and continue as Business Members in good standing
  • Rev. Drew Lewis started APP archives [Not Board Member (Media Committee)]

1995 Initial Appointed Board [The Point—Issue 6, November]

  • Crystal Cross & Richard White (Primeval Body)
  • Ahna Edwards (Attitudes, Inc.)—Outreach Coordinator
  • Position taken over by Tracy Faraca (Attitudes, Inc.)
  • Kent Fazekas (Body Accents)—Treasurer
  • Gahdi (Mastodon)—Vice Chair
  • Michaela Grey (Gauntlet, Inc.)—Chair
  • Blake Perlingieri & Kristian White (Nomad)
  • Rob Petroff (Insane Creations)—Coordinating Board Member
  • Maria Tashjian (Venus Modern Body Arts)
  • Allen Falkner (Obscurities)—Secretary

Point 84: Volunteer Thank You

by Caitlin McDiarmid, APP Administrator

This year’s volunteers. Photo by Shanna Hutchins

2018 is over and the planning for 2019 is well underway, with only 10 months between conferences.

I was extremely proud of this year’s crop of Al D. Scholars. Not only were they exceptional workers, but they really crammed in as much education as possible with their busy schedules. They made friends with each other and with the larger volunteer group. By the end of the week, they understood fully the gift of service and working with a team which had now become their family.

Our Al D. Scholars this year were: Anji Amarjargal (San Francisco, CA/Mongolia); Àngel Armengol Docio (Barcelona, Spain); Zakk Boyer (Fayetteville, NC); Becky Crossan (Stockton-on-Tees, UK); Txas Norris (Oviedo, Spain); Debbie Moore (Cork Ireland); Jon Salzer (Atlantic Beach, FL), and Daniel Wright (Liverpool, UK). Thank you for your courageous work and your willingness to be open to what seems like a chaotic mess (the volunteer experience), but has its own rhythm and makes beautiful music if you let it.

I want to thank LeRoi and Tether for contributing to the Al D. Scholarship fund; and PunkMedics for sponsoring five full “Forever Learning” Scholarships in Rick Frueh’s name; and NeoMetal for sponsoring one “Live Long and Prosper” Scholarship in Mark Siekierski’s name.

Jesse Enz, Shave Seven Wolfe, Danny Greenwood

Once again Piercers contributed to the No Excuses fund and sent Maggie Kellett and Victoria Rothman to Conference.

This year we invited back a few of the scholars from previous years who had received outstanding reviews: Jess Farrar, Nicole Holmes, Alicia Lowe, Erica Martin, Saku Penttilä, Michelle Rose, Cas Willems

We had volunteers, who have been with us for a bit, return to continue in service: Dae Jedic, José Carlos Calvo, Charlie LeBeau, James Biggers, Jason Heeney, Nathan Lee Grosvenor

The following love volunteers completed training, enabling them to become official volunteers this year: Megan Naito & Vivi Madero

Our AV crew was: Brian Moeller, Allen Falkner, Lani Soleil, Jesse Enz, Aiden Johnson, Paul Rainer, Shana Gyure, Michelle Rose

The AV shifts might be short but these folks handle one of the most pressure filled roles of Conference and we thank them for their hard work.

Julie Taylor had some additional challenges with the new location of our Registration. She met them head on, and along with the Volunteer Underground and other volunteers, was successful at getting both new and returning attend- ees down to the Event Center on our busy first days.

The Super Volunteers are our most experienced volunteers – and it shows. I am continuously impressed how fast they breakdown the 10 plus pallets and get everything sorted and organized for Conference. I’m continuously so happy that I don’t have to micromanage my team – that they have grown into brilliant mentors in their own right.

Our Classroom Supers: Seven Wolfe, Ryan Clark, Mike Mc, Marita Wikström, Zach Fitzgerald

Our Booth Supers: Casey Hosch, Danny Greenwood, Mark Montgomery,  Ken Seyler, Dianna Brown, Andru Rogge, John Robberson, Andre Berg, Jezebel Voulé, Jacob Spjut,  Kenny Hughes, Luz de Luna Duran

Our Registration Supers: Kendra Jane B., Theo Sheffler, Anna York, Badur Ramji, Stephanie Hill, Ismael Vargas Guerrero, Logan Wright (trainee)

Shorty is both a general volunteer and is the exclusive assist on the app. This year was the first that we didn’t have a paper program and Shorty’s an integral part of the success of the app.

I need to thank my Conference Managers: Will Spencer & Gus Diamond they were exceptional and took on even more work – as we all missed having Sarah Wooten as part of the mix.

Thank you Rob Gold for managing the Volunteer Underground this year – it’s a lovely thing to see how many different ways people can be of service.

Ed Chavarria and Luis Garcia – you continue to serve this organization in many ways and I consider you my friends and mentors.

Special thanks to Darrin Walters for not only bringing and paying for Ronald’s Donuts every morning… but taking me to the doctor to check my peepers.

Cale Belford is the Mentor to the Mentors – the leader of the group and the Mentor Program – and continues to do an amazing job. I heard more positive comments about the Mentors this year than ever before – thank you for making Conference a more welcoming and supportive event. A special thank you to Cale Belford for giving her all to the program.

This years’ Mentors were:

Aaron Solomon, Adam Richins, Aiden Johnson, Anna Beall, William Barron, Becky Dill, Blake Williams, Boge Gonzales, Cale Belford, Christy Lillard, Cozmo Whitest, Desi Arellano, Devyn Porter, Fernando Chavez, Gregory Charles, Hall Boyer, Jeremiah Currier, John Robberson, Johnny Velez, Josh Parkhurst, Julie Taylor, Kelly Carvara, Kris Heming, Krystal Klos, Lena Cemal, Mark Montgomery, Matte Erickson, Mike Mc, Nathaniel Tinker, Pablo Perelmuter, Pat Pierce, Perry Doig, Rich Hartwick, Rob Gold, Rob Hill, Ryan Clark, Shawn Porter, Shelby Richins, Jay “Stray” Johnson, Tanner Bennett, Tobias Vallone, Vanessa Jo, Whitney Thompson.

Theo Sheffler and Anna York enjoying the annual Volunteer breakfast at Bouchon

To John Johnson, I am not sure how the Conference Committee will do with- out you, but I am happy to have you back in the trenches. You did all the crappy off-site stuff this year – thank you, thank you, thank you.

To Jezebel Voulé, thanks for doing all the extras – your help keeps me sane and your friendship means more than you know.

Everyday I thank my blessings and two of those are Kendra Jane B. and Marina Pecorino. Without their work for the APP I would be drowning and unhappy and so incredibly tired. This year I came into Conference well rested and with an ease I haven’t experienced in a long time and it was largely because of these two lovely women.

Next year we move to a new hotel and I was thinking about how most of the volunteers have never known anything other than Bally’s. This pondering led me to look at a short list of volunteers who have volunteered for ten years or more for the APP. I was happy to honor the following people at the Banquet Dinner: John Johnson, Tiana McGuire, Jezebel Voulé, Anna York, Will Spencer, Gus Diamond, Seven Wolfe, Mark Montgomery, Ed Chavarria, Elayne Angel, Bethrah Szumski, Paul King, Darrin Walters, David Kelso, Sarah Wooten

They have served the APP for 10 years or more as Volunteers, as Committee Members, and as Board Members. I honor you. I thank you. And the whole of the organization has benefited from your dedication and service. The 10 year volunteer pin presented to you at Conference is a token of our appreciation.

Danny Greenwood, Jesse Enz, Seven Wolfe, Casey “dilla” Hosch, and Theo Sheffler. Photo by Danny Greenwood

Point 84: The Body Piercing Archive Exhibit

by Nick Johnson

Photo by Kendra Jane B.

Entering the annual Body Piercing Archive exhibit at Conference is something I al- ways look forward to. Each year seems to surpass the previous in quality and execution. It is not dissimilar to a well-curated museum hall. This year reached deep down and touched a very personal place in my heart with The Perforated Body: an Examination of Piercing in Performance. I came to body piercing through suspension and found my people, my tribe, my community. Seeing the many faces of my mentors and peers represented and getting to know more about those that inspired them stirred me with emotion and passion like never before.

I took every opportunity I could to sit in on guided tours with each of the different docents to gain greater insight and perspective on the numerous artists and performers represented. Couple this with the class session on Piercing in Performance and it created a fully realized and dynamic conversation about a topic paralleling our industry that newer piercers may not have known about.


Body Piercing Archive Exhibit docents and friends in the Jon John display. Clockwise from the left, Ron Athey, Dr Dominic Johnson, Steve Joyner, Paul King, Allen Falkner, Dr Julian Carter, and Darryl Carlton (stage name Divinity Fudge). Photo by Shanna Hutchins

To quote the opening panel of the exhibit, “For the professional body piercer, ‘Piercing’ is familiar, repetitive, and sometimes even mechanical. Yet piercing retains a mysterious complexity beyond the clinical eye… In performance, ‘piercing’ may engage an audience’s feelings of astonishment, wonderment, repul- sion and/or fear. As well, perforating or pene- trating the flesh can be utilized to non-verbally communicate aspects of power, autonomy, violence, and/or sexuality.” This last line I feel brings the act of piercing full circle when a client comes in to get pierced, perhaps they too are trying to communicate their own personal power, autonomy, or sexuality.

The exhibit included Bob Flanagan’s exploration of pain and the body while living with cystic fibrosis, Genesis P-Orridge’s exploration of identity and the occult, and Stelarc’s journey to transcend the body, among many others. Each artist represented has a strong will and way to show the world something through their personal lens.

Other highlights of the exhibit were Ron Athey and Divinity P. Fudge’s “Human Printing Press” from Four Scenes From a Harsh Life, hung much as it originally was above the heads of the audience. This small piece which sparked a congressional hearing on funding for the art in the United States was enlightening to hear about. The ability to see the costumes and props from CoRE up close allowed me to see the hardwork and dedication Steve Joyner has put into such an amazing performance group. The Jon John exhibit brought tears to my eyes, as I listened to Paul King talk about his relationship with such a beautiful life lost too soon.

As a piercer and as a suspension practitioner, this year’s exhibit has given me quite a bit to ponder about where life will take my peers and myself. I sincerely hope that in ten or twenty years time I will have the opportunity to see more of my contemporaries or even myself alongside such legends. The Body Piercing Archive is such an amazing and important entity, without it a lot of our history could have been lost to time. It’s important to know where you come from so that you can better see your own road ahead of you. If you can, please support the BPA and our industry’s other historians such as Scared Debris. I look forward to next year’s exhibit and seeing more of our beautiful history.

The Point – Issue 84

Point 83: Jonathan Arias, 1983-2017

THE BODY PIERCING ARCHIVE

by Paul King

This year’s APP Conference in Las Vegas provides a unique opportunity to view materials from Jon John’s performances. After the exhibition, his archive relocates to the Queen Mary University in London as part of their permanent collection.

It is with sadness that we share the news of Jon John’s passing. Publicly, he was known for his performance art as well as his gallery-tattoo shops, AKA Berlin and AKA London. AKA Berlin was opened in November of 2009, with a partner Valentin Plessy. Jon’s driving concept behind AKA was to create a supportive nexus for artistic talent. Resident artists became co-creators and family. Riding the success of AKA Berlin, Jon John opened AKA London in January of 2013. Unfortunately, it was one year later that he received his cancer diagnosis and began scaling back. Eventually, AKA London had to be closed. Today, the vision of AKA Berlin carries on under the very capable and talented hands of tattooist Philippe Fernandez, with Gabriel Meister as the lead piercer.

Although Jon John was an adept tattooist, body piercer, and jeweler, it was his performance art that gave him the greatest pleasure and purpose. Perhaps Jon John’s own words, best describe the significance of his art (please read his Artist’s Manifesto on page 57). In addition to his solo work, he collaborated with artists such as Ron Athey, Joey Arias, Marilyn Manson, Nick Knight, Paul King, Rancinan, Kiril Bikov, Juano Diaz, David Harrow, and others.

Against the strong warnings of his doctors, Jon John insisted on a farewell performance. He had been working on a performance piece for over a year that was delving into emotional and physical complexities of illness, medical treatment, love, life, and death. This performance, Love On Me: The Finest Hour, offered closure for family and friends:

My heart bursts with gratitude from our shared ritual. My family, friends, artists, and lovers, free from the artificial constraints of this body, this place, and this time, you have healed my spirit – we are together, always.

Less than one month after this final performance, at the age of 33, Jon John passed away with family and friends by his side. He had no regrets, no resentments, and nothing left unsaid. He remained an inspiration of love, his guiding principle, throughout his death as he had throughout his life.

—Paul King, friend and co-creator

  • For more information about Jon John:
    • www.akaberlin.com
    • www.jonjohn.net
  • To view performances:
    • https://vimeo.com/jonjohn

Point 83: The Body Piercing Archive Presents: The Perforated Body: An Exploration of Piercing Performance

This year, the Body Piercing Archive (BPA) is celebrating performance artists that have pierced their bodies from the past to present. In our exhibit we examine the methods and motivations which utilize perforation as an element of powerful performance. See the Conference schedule for free guided tours led by artists and scholars.

Kris-Canavan and Manuel Vason Collaboration, London, 2003
Tolentino and Fila It Will All End in (Ultra Red) Tears 2013

EXHIBIT HOURS:

Tuesday 10 am–6 pm Wednesday 10 am–6 pm Thursday 10 am–6 pm Friday 10 am–1 pm

RECOMMENDED TOURS:

TUESDAY
  • 10:00 am–10:30 am Tour Guide: Paul King
  • 12:00 pm–12:30 pm Tour Guide: Steve Joyner
  • 2:00 pm–2:30 pm Tour Guide: Dr. Dominic Johnson
  • 4:00 pm–4:30 pm Tour Guide: Lukas Zpira
WEDNESDAY
  • 10:00 am–10:30 am Tour Guide: Dr. Julian Carter
  • 12:00 pm–12:30 pm Tour Guide: Allen Falkner
  • 2:00 pm–2:30 pm Tour Guide: Lukas Zpira
  • 4:00 pm–4:30 pm Tour Guide: Ron Athey & Darryl Carlton
THURSDAY
  • 10:00 am–10:30 am Tour Guide: Ron Athey & Darryl Carlton
  • 12:00 pm–12:30 pm Tour Guide: Dr. Dominic Johnson
  • 2:00 pm–2:30 pm Tour Guide: Allen Falkner
  • 4:00 pm–4:30 pm Tour Guide: Steve Joyner
FRIDAY
  • 10:00 am–10:30 am Tour Guide: Paul King

Point 83: Point of View

EVERYTHING OLD IS NEW AGAIN

Left: A carnival or
circus performer from the 1890s
The amazing Mr. Lifto performing with the Jim Rose Circus.

Remember grandma’s junk that you couldn’t give away ten years ago and ended up sending to the Salvation Army or the dump? Just look at the prices they’re charging for it now that it’s become “collectable.”

Some of us who are a little older may even have seen a revival in popularity of the fads and fashions of our youth. Anyone for disco, bell bottoms, platform shoes, lava lamps, mood rings?

There are a lot of things in life like that somehow come full circle. Assuming you live long enough, it’s bound to happen to you too.

Piercing as a performance medium isn’t anything all that new, come to think of it. Just how many hundreds of years have Indian sadhus been working some dusty street corner, a skewer through their cheeks or hooks in their flesh, begging a few coins from passersby?

While today’s performers may not be doing anything new, there can be no doubt as to the great range and variety of imaginative ways in which they are incorporating piercing into their acts.

Some of this issue’s featured performers use their piercings to perform amazing feats of strength or endurance to entertain and astonish their audience. Take, for instance, the Torture King or Mr. Lifto (shown here). This tradition has roots among traveling circus sideshow acts: human and animal freaks, fire eating (see Chuk’s story in this issue), and sword swallowing, to name a few. In this type of performance, the body and its limits tell the whole story. We are compelled to watch these variations on the human condition, to find bits of ourselves in the “Other.”

Piercing as metaphor is often used in more high-concept performance art. Stelarc, Orlan, and David Wojnarowich are among the many high-profile artists who make statements using temporary piercings and/or body alterations. In this issue Justin Chin explores the notion of immunity and transmissible diseases by “infecting” himself with his own blood. Dave Tavacol gives us a glimpse into an unpleasant but not so far-fetched future, putting a piercing-related twist on cultural disapproval suggestive of The Scarlet Letter.

As many of us know, piercings can project one into an altered state of consciousness. The feats of Amazonian shamans, Indian fakirs and sadhus, and the grand spectacle of a tribal rite of passage all bear historical testimony to this tradition. Mr. Fab is one of a growing number of exponents of the neotribal performance path, using piercings to share these ancient experiences with the audience.

Drag queens are some of the most elaborate performers of all, using familiar paraphernalia to subvert our comfortable understanding of culture, gender roles, and socially acceptable behavior in a theater of the absurd. As Trauma Flintstone, Cirus, Mark Pritchard, and Fennel explain, piercing can be one more theatrical prop. Fennel’s performances play out a particularly astute perspective on a common breed of nihilistic club performance currently much in vogue. In classic drag oneupmanship, he gets even by beating them at their own game.

Many of the performance artists who appear in this issue have been a part of the Ron Athey show. These include Crystal Cross, Julie Tolentino Wood, Marina Vain (Spike), and Paul King. They utilize piercing as metaphor, crude spectacle, punishing absurdity, powerful, bitter humor, and panache to make strong statements about AIDS, gender, homosexuality, religion (especially Christianity), fetishism, and outsider status. Their ever-expanding international audience bears testimony to the fact that piercing and performance are a naturally matched pair, centuries old and yet still fresh, with the power to move the viewer to another state of awareness.

—Michaela Grey & Jim Ward

Point 82: The Unusual 1930’s Pierced Heiress

By Paul King, BPA Founder & Researcher

One would think that a neck piercing in the 1930s would be the most surprising detail of any woman’s life, but not for our Piercing Pioneer, Georgia Perkins, a.k.a. Mrs. Jake Hamon.

Georgia was born in Kansas, where she  met her husband Jacob Louis Hamon, aka Jake. After Jake obtained a law degree, the couple moved to Oklahoma. In 1909, they had two children, Jake Jr. and Olive Belle.

Jake senior was a risk-taking, young Republican, who speculated on oil and railroads, both of which paid off, substantially

He became known as “The Oil King of Oklahoma.” Jake even brokered a deal to build a railroad with the famed circus entrepreneur, John Rigley.

From historical records, Jake’s character appears shady while he was the attorney general of Oklahoma. Rumors of corruption marred his political career from the beginning. Allegedly, he extorted gamblers on his road to building wealth and power. Soon after while lobbying in Washington, D.C., he was accused of attempting to bribe a Senator. By far, the most scandalous charges against him were for buying votes for Warren G. Harding’s nomination as the Republican party presidential candidate. The estimates for payouts ranged from $250,000 to $1,000,000 (approximately $3 to 12 million in today’s dollars). The backroom dealings were rumored to provide Jake and his cronies exclusive access to the oil rich fields of Teapot Dome, Wyoming. The ensuing congressional investigation would forever tarnish the legacies of Jake Hamon and President Harding. Hard to believe, but the Hamons’ personal lives were even more outrageous! At 40, Jake met the young Clara Belle Smith. The two fell in love. Reports remain contradictory for which or if both Hamons couldn’t stomach a ruinous divorce, so they remained married. Jake put his mistress through  school and then hired her on as his personal secretary. To make hotel stays less problematic, Jake paid $10,000 to his nephew to marry Clara so that she could legally obtain the last name Hamon. Despite these great lengths for appearances, the affair was a poorly kept secret.

As fate would have it, Georgia’s cousin was the wife of then presidential hopeful, Warren Harding. As mentioned previously, Jake paid a considerable sum to buy the nomination for Harding to go on to win the presidency. Once elected and with pressure from his wife, President Harding, or most likely Harding’s wife, would not accept Jake’s mistress in Washington. Jake would have to reconcile with his legal wife. It’s reported that Jake and Clara were known for drunken arguments. Their tensions crescendoed on November 21, 1920, in Ardmore, Oklahoma. Clara shot Jake in the liver. He died five days later. Jake’s story flip-flopped from self-inflicted to a desperate plea for leniency for Clara. The murder trial became national headline news followed around the country. Despite Georgia’s damning testimony and demands for the electric chair, Clara was acquitted on self-defense. One of Clara’s legal defense team was the twin brother of the judge! Obviously, the soundness of the jury’s verdict has been debated Despite the controversy, our piercing pioneer Georgia Perkins, the now widower Mrs. Jake Hamon, bounced back! In 1922, our protagonist married a wealthy Chicago banker, only to divorce him a year later. The cause given was domestic cruelty. Reportedly, her new husband “practiced his ju-jitsu” skills on his wife.

After her second marriage, Georgia started playing ranked golf in the nascent women’s tournaments. At this time, there were no “pro” females, the prizes were strictly honorary. Once cash was included, winnings still remained much lower than men’s. Even so, Georgia’s prowess on the green would keep her name in regional papers for most of the next de-cade, albeit, not headlining or sensational.


“Madison” piercing with monofilament weed eater line as a retainer, photo c. early 1990s.
Excerpt from the book African Giant, pre-1955 photo of Men of Mungonge Dance by Rehna Cloete near Kwango Congo. This is the type of image that might have inspired Mrs. Hamon. Left

 After the criminal and political scandals of the 1920s, much less information is available for Mrs. Jake Hamon. We know she traveled exclusively, including parts of Africa. However, it remains elusive from which peoples she drew inspiration for her throat pin piercing.

Then Ripley’s strange cartoon depicting “Mrs. Jake Hamon” with a throat piercing published in national syndication, December 15, 1933. As was the custom with the Ripley’s series, the following day, they released the details of whatever strange custom appeared the previous day.

“Vampire Bite” Piercings

So should this Ripley’s explanation be taken at face value? Did this throat pin really serve as a memorial to Jake Hamon, the selfish, politically corrupt, drunken, and child-abandoning adulterer?

I’ve been unable to find any additional representation of her piercing or information on her motivation or background story of the peoples she witnessed in Africa. Unfortunately, the Hamon Library in Dallas says they have no personal papers or letters for the first Mrs. Jake Hamon.

Forgive my digression, but this family’s colorfulness doesn’t quit  yet.

Georgia’s son Jake Jr. went on to marry a beautiful young woman named Nancy, an aspiring actress who had one role in a movie with Mae West, The Heat’s On. This marriage began the illustrious escapades of the second “Mrs. Jake Hamon.”

The couple were faithful Republican supporters and hobnobbed with presidents such as Johnson and the first Bush. After her husband’s passing, Nancy became a fabulously wealthy widower worth hundreds of millions. She is rumored to have said she wanted to live her life in such a fashion that her last check would bounce. She was a well-documented Dallas socialite, philanthropically shaping the city’s institutions, while throwing extravagant theme parties with elephants and performers such as Louis Armstrong. Of particular interest, she had lost her finger in a blendor accident. Carlo Rambaldi, the special effects artist for E.T., personally created her prosthetic finger with a graceful arc for cocktail parties.

I couldn’t make this shit up.

Point 81: UKAPP – An Attendee’s Perspective

Jess Farrar

On a Sunday in late September 2015, I attended the first official UKAPP seminar then titled UK Piercer Meet Up. We met in a social club’s basement that smelled like stale beer and had vaguely sticky floors. The ceilings were low, the lighting was dim and the space was cramped, but it didn’t dampen any of our spirits as we were too happy to be part of something bigger than ourselvesto start forging a community like the APP overseas we all aspire to.

The first year, I felt was a success, with Ryan Ouellette coming to not only teach, but also show support for our infant organisation and help us along the way. I met Ryan for the first time there and spoke with him about my goal of attending the APP Conference the following year, if I felt ready and confident enough to apply for the scholarship. His advice was impartial and well thought despite him being on the committee of people that awarded the scholarships; I already felt my anxiety about the prospect abate. He offered invaluable advice and support to many of us and helped educate us as a collective with his informative and relaxed teaching style. Simply having him there made the whole day seem more legitimate and established.

This first year was casual and took place over a single afternoon with just over thirty of us, but we left feeling refreshed and invigorated, ready to continue self-improvement as piercers and to strengthen the bonds we’d formed as a fledgling community. The majority of us had only met that day, some coming from other countries, previously with only professional contact online, if that.

The year that followed was full of education and interaction on a daily basis as more folks joined the UK Facebook group and started contributing with advice, techniques, and individual expertise. By the time September rolled around again we were all ready to gain some knowledge.

Yet more folks from APP came this time including Brian Skellie, Luis Garcia, and Paul King, who gave great classes. The new setting was a business suite at a swanky hotel which was a far cry from the first year’s venue. I think the room was full to overflowing that year with yet more people ready to learn; about sixty of us were there in 2016 for the two day event and the feeling of excitement continued to grow as our community and bonds strengthened.

I didn’t feel ready the previous year to apply for the Al D. Scholarship, but shortly after this round of classes and socialising I began to feel comfortable with the idea of doing the same thing in another country, on a grander scale, surrounded by familiar faces that I hadn’t met yet in real life. As daunting a prospect as it was, I applied for the scholarship in December 2016 and when I found I had been successful and chosen such a mixture of feelings flooded me elation, pride, and a gripping fear of feeling in over my head. Despite having wanted this moment to come for the past three years, I still didn’t feel truly ready or even deserving of the opportunity I’d been granted and I was determined to put my best foot forward, shedding the fear with each step. The UKAPP group was a fantastic tool to help me, as the previous connections I’d made with UK piercers made it easier for me to reach out to some individuals who had been in my position and ask about their first APP Conference experience, readying me for my own.

June 2017 finally came and I flew alone for the first time a huge deal in itself across the Atlantic to meet all the wonderful people that make Conference magic, to throw myself into the world of APP and I enjoyed every minute. Working as a volunteer while being a first time attendee (who took far too many classes) was exhausting, but it also helped to keep me grounded as I was instantly welcomed into a family of volunteers and organisers that lived, breathed, and slept (a bit) the Conference experience. I felt like I quickly became an integral cog in the well-oiled machine that is APP Conference. We all had a job that needed doing, a place we belonged, and a want to help one another, to make the best possible impression all round.

I had such a wonderful experience at my first APP Conference. It changed my life, certainly my outlook on friendships and the community we’re all a part of. I feel without first stepping out of my comfort zone by travelling to meet strangers in my own country, I never would have thought I’d be capable of attending Conference solo. I’d thought about it for such a long time and with such fervour that I almost made it seem unattainable to myself simply because I wanted it so much. Yet here I am, writing about my conference experiences with such a feeling of tranquillity as I do so, knowing I belong there, the feeling of being an outsider started to fade at that first UK meet up in 2015, but it truly left me when I became a part of the volunteer family at APP in June.

Three months passed since I returned from Vegas and the weekend of the third UKAPP drew closer. I felt no nerves this time, not even a pang of anxiety, simply excitement to be able to reconnect with fellow piercers, some I’d seen in Vegas a few months before, but most I’d not seen in a year. The venue was the same classy hotel, yet this time we had the entire floor available. More rooms had been opened up as an increase of vendors came this year, bringing their stunning wares. In addition to the larger variety of jewellery available, the raffle prizes were more prestigious. A scholarship program had been launched and there was a marked increase in the calibre and quantity of classes some were lectures, others became hands-on  workshops in a smaller setting and a few were open forums for discussion each uniquely taught and presented. This year too we had even more international speakers. We also had a really nice show of camaraderie from the UK folks as people with information to share with the collective and our industry took a stand and taught a class or two.

UKAPP has continually grown each and every year. Having already outgrown the venue we’ve recently been situated in, I think we’re even moving cities to allow for a larger area in a better connected city for next year. The first meet up I attended was something I was already proud to be a part of, but seeing how much it’s grown in the past two years is unbelievable. So much love and passion has been committed to this movement of furthering the UK industry as a whole. Instead of just being a group of individuals trying to accomplish our dreams, we are all starting to pull in the same, worthwhile direction, sharing information we know to be worth learning, regardless of whether the person benefiting from it is our “competitor” or not quite at a level of skill we’d like to see. This is how we get there, together.

The lesson APP taught me is that we are all simply cogs, we can get along just fine on our own, but when we group together to become part of something bigger than ourselves, that’s when the magic happens. UKAPP 2018 is already something I know anyone attending will be proud of, and while it’s nowhere near as polished or developed as APP it is a foundling organisation ready to grow, take shape and gather momentum. For anyone in the UK reading this, you should absolutely attend next year; you will not regret it. Same goes for people within Europe, we’re all pretty well connected so let’s not let borders get in the way of our collective education! Even folks further afield will find this event worthwhile, especially if you can use it as an opportunity to see the beautiful English countryside and some of our studios, just make sure you bring waterproof clothing; the reputation of our weather is there for a reason, so don’t say I didn’t warn you.

I sincerely look forward to seeing what the UKAPP has to offer us all in years to come and it’s been a pleasure to be a part of, if only as an observer and an attendee. I hope my involvement will only deepen and my self-confidence increases as time goes by. Regardless, one thing I am sure of is that the UKAPP is already an invaluable resource to new and seasoned piercers all over the United Kingdom, and our nearby colleagues. With further involvement from anyone in a position to help, it will not only benefit the people already part of the organisation, but for future generations of piercers to come.

I already know that if the UKAPP was established when I started piercing I would have grown faster as a piercer, but at the same time I’m glad I had the shaky, self-taught introduction that I did into this industry.  I treasure so much because through my own pitfalls and shortcomings, I have been able to work harder to change everything with my own hands and now I get to taste the fruits of my hard earned labour. I’m under no impression that this is a rite of passage that every person wanting to become a piercer must undergo, and I hold no bitterness or resentment toward the newest generation of piercers that have all this pertinent information readily available to them, but it is up to them to utilise it to the best of their ability. I only hope I will be able to help in one way or another with someone’s quest for knowledge, the very same way people like Ryan helped me. Be kind and considerate and never knock someone for truly wanting to learn and better themselves.

No matter where you feel you are in your piercing career a seasoned veteran around since BME days or someone fairly new, perhaps at apprentice level these organisations are here for you to make yourself a part of and improve yourself in any way you can. If you have something worth teaching, you know where to find people eager to listen. If you feel that you are a small fish in a big pond with deep seated feelings of inadequacy (kind of talking to myself here) that  is precisely what the UKAPP and APP are here for self betterment and in turn the betterment of our industry as a whole. It is not an unachievable dream, especially not if you take a deep breath and jump into this world of readily available, invaluable information feet first. We’ve all been in questionable situations at one time or another. Half the piercers I know, myself included, wouldn’t even say we had a proper apprenticeship. I can only speak for myself here, but without the APP’s outreach program and public education I would not have picked up as many pertinent bits of information that my “apprenticeship” neglected to recognise as important. Instead, it’s being a part of all of these forums and groups, these pockets of subculture that willingly impart lessons on anyone paying attention and asking the right questions that taught me how much I truly still had to learn. Get involved and visit the next conference for your sake as well  as that of your clients, peers, and even the general public. It is lack of understanding that breeds ill will and resentment, so the more we know, the more we can help with the betterment of one another and the industry; we all help continue the legacy in our own ways. Now that so many valuable tools are available to us, utilise them to educate yourself, for knowledge is power and we are forever learning!