Posts tagged featured

Point #63: Dallas Suscon 2013

Bethra headshotBy Bethra Szumski

Before I begin, I should make a special note: this was my first Suscon, ever. The event was held in Dallas, Texas from March 29 through 31, 2013. As in the past, it was organized by Allen Falkner and his team of hardworking volunteers. I’ve been to plenty of shows, two One Project campouts, and helped out with hook placement and cleanup, but I never really jumped into the middle of the suspension bed so-to-speak. So when I arrived, I appeared as most: not as an APP representative but as a student , eager to learn more about the art of suspension, and apparently I arrived just in time to witness and participate in a historic event.

The evening before the event began, representatives of attending groups gathered for a dinner and discussion. Organized by Allen Falkner, the topic of discussion was about creating a non-profit organization that could serve as an official representation and a vehicle for advocacy for the art of suspension and its practitioners. The group voiced many concerns, both for and against organizing such a group (and all of which were valid). However, everyone agreed that they did not want to see suspension made illegal, and forming such a group could provide much needed representation with lawmakers. After much discussion, the general consensus was that organization—to a point—would be a good thing, though what comes next has yet to be decided.

Photo by Mark Kaplan
Photo by Mark Kaplan

As the event began, it quickly became apparent the focus of Suscon was to be a learning event. I took numerous classes—from knot tying to suturing, intro to suspension, and basic rigging and rituals. While many more advanced courses were offered, including aseptic technique, bedside manner, and outdoor rigging to name a few, I stuck to the “newbie” ones. Whenever I wasn’t in class, I was being included in suspension set-ups. (Thanks to Dana Dinius and Chris Jennell—both team leads—for including me.)

One of the most memorable moments was the evening lecture and art suspension performed by Stelarc. During his lecture, he discussed and showed his art pieces and performances. (He referred to himself in these works as “The Body.”) Ripples of laughter went through the audience as he described how The Body was arrested by the NYPD after a guerilla suspension he performed , long before the practice became more common in cities around the world. When asked why he refers to himself in this way, he responded that he didn’t believe in the Freudian view of the self (i.e., the id, ego, and super-ego); instead, he believes in the idea of a digital self—one outside control of the physical body, where man and machine act in a symbiotic states. The suspension itself was stunning. After an hour of complex rigging, the group went up, all pushing back from a metal symbol in the center of the circle. The machinery amplified the sound of grinding metal, and gears jutted out as the bodies were raised and lowered. The lighting was cool and one had the sense of quiet non-presence, even as the shadows of the participants were cast upon the floor. The nagging, unvoiced question in my mind as his talk closed was:

“So your saying the body contains no soul and your work is all about that idea?”

Being far from religious myself, my own experience with pain and ritual is still all about my body and soul in conversation, so it was absolutely fascinating to experience a view so philosophically different from my own and yet with similar practices.

Stelarc and Wings of Desire — Dallas Suscon 2013. Photo by Mark Kaplan.
Stelarc and Wings of Desire — Dallas Suscon 2013. Photo by Mark Kaplan.

The suspension community is unique as a body art group. For one, making a living from suspension is nearly unheard of; instead, it is a labor of love. Any money coming in generally goes to better equipment and promotion. Unlike other body arts, such as piercing or tattooing, suspension is performance art and ritual with practitioners coming from all kinds of backgrounds. (I met engineers, gymnastic instructors, IT specialists, professional riggers, hospital workers, an opera singer—I already knew her—and the list goes on and on.) This community has extended to include body art enthusiasts in a way no other has; in fact, many groups will only have one or two actual body modification practitioners. Napoleon once said that, in battle, “the moral is to the physical as three to one.” Loosely, this means that spiritual and mental attributes, such as tenacity, morale, teamwork, dedication, and willpower, are far more important than numbers, equipment, hunger, or pain. Never has this felt more true than at Suscon 2013.

I had always imagined my first time at Suscon much like when a little girl thinks of her wedding day. I decided on Saturday that on Sunday (Easter) I would suspend; I put myself in the hands of fate and asked those who had so graciously made me part of their team—and those in my network—to guide me through. My goal was just to get up in the air, and I did—for two short bursts. As I came down, the beautiful faces around me were wet with tears. Someone said “that was so beautiful”. It felt beautiful, though I wasn’t able to push past the pain. Even so, this event was not simply a learning experience; for me, it was a rite of passage.

For information about suspension, in general, click here.

Point #63: Arkansas Legislation

Misty Forsberg headshotBy Misty Forsberg

When it comes to discussing what has taken place with the legislative changes in Arkansas, I still feel a little uneasy saying that it is all said and done. I think that after over a year of walking on eggshells—we didn’t celebrate too early or get our hopes up before anything was finalized—has had a lasting effect on my ability to really relax now that things are officially signed and in place as law. The whole process really has been two stories unfolding, side-by-side, as we both fought for higher standards to be put in place surrounding body art, yet at the same time tried to prevent a ban on scarification*.  Steve Joyner handed me some of the best advice at the very beginning of this whole process when he made it clear that we would hate this before it was over, but that it would be worth it. At the time I didn’t understand what he meant. After countless nights crying at my laptop as I removed paragraph after paragraph that the state wouldn’t agree to budge on—and times where I genuinely didn’t know if I was capable of accomplishing what I had set out to do—those words now make complete sense. It was one of the most rewarding and—at times—most heartbreaking projects I have ever had the pleasure of working on.

2
Photo by Misty Forsberg

For the sake of this not becoming a novel, the brief history of how this started began when the Arkansas Department of Health held a meeting with a group of two piercers—one permanent cosmetic artist and around ten tattoo artists—to discuss the idea of making legislative changes that might help our state. While the others attending the meeting came unprepared with any sort of solutions to the complaints they had with our current laws, Dustin Jackson and I took the advice of Steve Joyner by meeting beforehand; we arrived prepared with a printed copy of Oregon’s body art laws, notes on improved training requirements we felt were necessary, and resources that the state could turn to for updated piercing information and facts. Our planning paid off, and after the first meeting it became clear that the state was relying on the two of us to hand them the legislation we wanted to see in place; without really knowing it, we had jumped straight into the deep end of the pool.

The next year was a blur of meetings with each other, the state, and Steve as he guided us through the many hoops that must be jumped through to write and implement legislative changes. The seemingly endless lineup of meetings to keep the momentum going were difficult on us all; the meetings required hours of driving, several days at a time away from our work as well as our families, and—for Steve—five meetings that involved long flights out from California. To say that it was a crash course for Dustin and I would be an understatement, and to add to the turbulence that comes with any change to an industry, the state’s attempts to send out ‘sample’ drafts of what the new laws might look like turned our already difficult task into an all out uphill battle to calm nerves and dispel the misconceptions it created. The only positive reaction that came from the uproar it caused was the formation of the Arkansas Body Modification Association by Joe Phillips. The ABMA is a group open to all licensed Arkansas artists which, for the first time, brought us together in an organized and unified way to work toward a common goal as opposed to fighting against ourselves. It couldn’t have come together at a better time. The AMBA allowed us to have a small network of artists that voted together on the issues that Dustin and I had sought to change; it turned the ideas of two people into a voice that could actually represent the body art industry.

With the approval of the Department of Health, the State Board of Private Career Education, and a Senator (who sponsored the bill), we thought we were finally on our way to a successful piece of legislation. But before any celebration could take place, I received word that a Senator was drafting a bill to ban certain forms of body art, including scarification. That Senator happened to be Missy Irvin who, as our sponsor, held the future of our body art bill in her hands. We had some warning that this might take place (thanks to a previous meeting in which the attorney for the Department of Health questioned us about several forms of heavy body modification). Even so, I was unprepared as I read the draft she had written. Being the only active scarification artist in my state (at least, that I was aware of), it was incredibly difficult to not feel like I had been slapped in the face by the people I had dedicated so many hours of work to. After several failed attempts to educate those presenting the ban about the inaccuracies throughout their bill, I realized that the decision was not whether or not to fight this, but how to fight this and who would I have to stand with me.

This is where the story really divides between our bill, SB388, and the modification ban, SB387. I wish that I could write this from an unbiased or universal viewpoint of all those involved, but it would be impossible to even try. I can’t really explain the internal conflict of knowing that fighting for something I loved and believed in might destroy the year of work that we had all put in with SB388. Steve and I discussed the possible consequences of fighting against the same Senator that had the power to kill our bill before it was ever heard, and the rational side of me knew that if it absolutely came down to it I would have to put the interest of my industry as a piercer first. (He was a good enough friend to not sugar coat the fact that I was—very likely—fighting a losing battle, one that would pit me against a Senator and the Department of Health to defend scarification as a legitimate form of body art.) The odds were not good, and the impact on SB388 could have been grave if it wasn’t approached carefully.

Arkansas Legislation
Photo by Misty Forsberg

The first round of fighting was broken between two meetings in the Senate Committee for Public Health, Welfare, and Labor. It was somewhat surreal that I was personally responsible for speaking on behalf of my industry. Although I expected to be terrified, I felt—more than anything—fortunate to have those I worked with trust me to be in this position. In the end, the overwhelming crush of losing the fight for scarification was countered by the unanimous vote in favor of our body art bill, SB388. With an unexpected show of media attention on the potential scarification ban, and SB388 looking more and more likely to pass on through the house, we were given a difficult decision; take a gamble by talking to the media (which could easily turn on us) or roll over and allow scarification to silently become illegal. We took the gamble and began speaking out online, in the media, and to other artists to try and get as much awareness as possible before the House Committee meeting—which would be our last chance to overturn the ban. The gamble paid off, and the worldwide response was incredible; emails poured into the inboxes of the House members scheduled to vote on both bills.

The day before the meeting at the House, Senator Irvin and the Department of Health offered to amend the bill to meet our requests if, in turn, we would quit speaking against it in the media and agree not to oppose it in the committee meeting. I was speechless; not only were they no longer considering banning scarification, they were willing to list it as a regulated form of body art (one which individuals can be licensed in—like tattooing, piercing, and branding). Our voice had finally been heard! We chose to speak in favor of the bill at the meeting in order reassure the members of the committee, who had received email after email against it, that the amendments satisfied the needs of our industry. In the end, both bills passed unanimously.

I honestly have no words that can explain the combination of relief, excitement, disbelief, and gratefulness I realized once we had won. Although much of what we want to accomplish will come in the months ahead, as we write the rules and regulations, our biggest battle is now behind us. With this bill in place, the most significant advances for the piercing industry will include requiring that all steel and titanium jewelry for initial piercing meet ASTM standards (accompanied with mill test certificates), requiring all acceptable materials for initial piercing will be listed in the rules and regulations, banning the use of piercing guns outside of the earlobe, setting age limits set for all body art procedures, and requiring yearly BBP certification for artists, and stricter requirements for body art instructors. And, hopefully, this list will only continue to grow as we move forward over the next few months.

Oddly, the most valuable lesson I learned from this was not about legislative writing, legalities, or how to create change in my state. It was about support, the importance of all of us supporting each other as an industry. There were several points in this fight that I felt utterly alone, overwhelmed, and defeated because I had no idea how I would win such an unbalanced fight. The victory in scarification did not come from me speaking against it; it came from groups like the APP who chose to take a stance and support what we were fighting against—even though it was outside of their focus on body piercing—the A.P.T.P.I. and all the individuals who helped us from overseas, from tattoo artists to body piercers, who were willing to stand behind us with nothing to gain. Our state’s fight is done for now, but there will always be another one taking place. Individually, we might be body piercers, tattoo artists, modification artists, or whatever else we identify as, but if we don’t learn to fight for each other as one unified industry, we will all suffer because of it.

Arkansas Legislation 2
Photo by Misty Forsberg

Thank you so much to Steve Joyner for guiding us through this process, as well as the A.P.T.P.I, ABMA, and the countless individuals who reached out to make sure that our very small group knew that we were not alone. A very special thank you to the APP for taking such a huge step by supporting us in keeping scarification a safe and regulated practice in our state.

*In our state, Branding is listed as a separate form of body art from scarification. Throughout this article, scarification is intended to specifically mean forms of cutting the skin to form an intentional scar as opposed to all forms of scarification in general.

 

Point #62: 18th Annual Conference And Exposition — Class and Conference Schedule

EDITOR’S NOTE: Below is a basic timetable of what courses are being offered, and when. For full class descriptions and registration information, click here

Monday, June 10, 2013

9:00 AM  –  10:30 AM
Orientation / Mentor Program
11:00 AM  –  1:00 PM
Basic Steel & Titanium
11:00 AM  –  1:30 PM
Preventing Cross-Contamination in the Sterilization and Piercing Rooms (A)
11:00 AM  –  12:00 PM
ROUNDTABLE: Becoming an APP Member
11:00 AM  –  1:30 PM
Studio Documentation
12:30 PM  –  1:30 PM
ROUNDTABLE: Outreach: Sharing the Safe Piercing Message
2:00 PM  –  6:00 PM
Bloodborne Pathogens (BBP)
2:00 PM  –  3:30 PM
Customer Service Philosophy
2:00 PM  –  3:30 PM
Stretching: Everything More than Lobes
4:00 PM  –  6:30 PM
Preventing Cross-Contamination in the Sterilization and Piercing Rooms (B)
5:00 PM  –  6:00 PM
Bedside Manner and Grounding: Connecting with Your Client
5:00 PM  –  6:30 PM
Studio Aesthetics

Tuesday, June 11, 2013

10:00 AM  –  12:00 PM
Aftercare Series: Wound Healing Dynamics
10:00 AM  –  12:00 PM
Marketing & Social Media
10:00 AM  –  12:00 PM
Minimizing Tools: An Intro to Tool-Less Piercing (A)
10:00 AM  –  12:00 PM
Preventing Cross-Contamination in the Sterilization and Piercing Rooms (C)
10:00 AM  –  12:00 PM
The Ins and Outs of Female Genital Piercing
1:00 PM  –  3:00 PM
Surface Piercing: Going Deeper than the Surface (A)
1:30 PM  –  3:00 PM
Aftercare Series: Client Home Care
1:30 PM  –  2:30 PM
Roundtable: Interpersonal Studio Dynamics
2:00 PM  –  4:00 PM
Tools are Not the Devil (A)
3:30 PM  –  4:30 PM
Meeting: Health Inspectors
3:30 PM  –  4:30 PM
Meeting: International
3:30 PM  –  4:30 PM
Roundtable: Aftercare From the Masses
4:45 PM  –  6:15 PM
Aftercare Series: Troubleshooting
4:45 PM  –  6:15 PM
Basic Statim Usage
4:45 PM  –  5:45 PM
Roundtable: Shop Owners
4:45 PM  –  6:45 PM
Minimizing Tools: An Intro to Tool-Less Piercing (B)
6:15 PM  –  7:15 PM
Roundtable: Legislation
7:00 PM  –  9:30 PM
Preventing Cross-Contamination in the Sterilization and Piercing Rooms (D)
7:30 PM  –  9:00 PM
Anodizing is Awesome!
7:30 PM  –  9:30 PM
Aseptic Technique & Suspension
7:30 PM  –  9:30 PM
Corporate Branding: Delivering on Your Promise
8:00 PM  –  9:30 PM
Initial Jewelry: The “Rules” (and when to break them)

Wednesday, June 12, 2013

10:00 AM  –  12:00 PM
Ear Projects: The Ear as Art
10:00 AM  –  11:30 AM
Managing Difficult Clients
10:00 AM  –  11:30 AM
Photography Tips for Industry Professionals
10:00 AM  –  12:30 PM
Preventing Cross-Contamination in the Sterilization and Piercing Rooms (E)
10:00 AM  –  12:00 PM
Minimizing Tools: An Intro to Tool-Less Piercing (C)
1:00 PM  –  3:00 PM
Anatomy of the Body for Piercers
1:00 PM  –  3:00 PM
Surface Piercing: Going Deeper than the Surface (B)
1:00 PM  –  3:00 PM
Tools are Not the Devil (B)
1:30 PM  –  2:30 PM
Roundtable: Statim Maintenance and Troubleshooting
3:15 PM  –  4:15 PM
Meeting: New Attendees & Mentors
3:15 PM  –  4:15 PM
Roundtable: Finding Balance Between Work and Life Outside the Studio
3:30 PM  –  6:30 PM
CPR
4:30 PM  –  6:30 PM
MEMBERS ONLY: Exploring Sexually Functional Piercings
4:30 PM  –  7:00 PM
Preventing Cross-Contamination in the Sterilization and Piercing Rooms (F)
4:45 PM  –  6:45 PM
Minimizing Tools: An Intro to Tool-Less Piercing (D)
7:00 PM  –  9:00 PM
Making Effective Piercing Rituals
7:30 PM  –  8:00 PM
Social: Members Mingle
8:00 PM  –  9:00 PM
Meeting: Members (APP members only)

Thursday, June 13, 2013

10:00 AM  –  11:30 AM
Gold and Diamonds! Knowledge, Sales and Custom Design
10:00 AM  –  12:00 PM
The Grieving Body: Does Body Modification Injure or Heal the Psyche?
10:00 AM  –  12:00 PM
Surface Piercing: Going Deeper than the Surface (C)
10:00 AM  –  12:00 PM
Tools are Not the Devil (C)
10:45 AM  –  11:45 AM
Roundtable: Breaking Barriers: Building a Local Piercer Group
12:15 PM  –  1:15 PM
Roundtable: Transitioning to and Selling Higher End Jewelry
12:30 PM  –  3:00 PM
Oro-Facial Anatomy for Safe & Successful Piercings
1:00 PM  –  3:00 PM
Minimizing Tools: An Intro to Tool-Less Piercing (E)
1:00 PM  –  3:00 PM
Tools are Not the Devil (D)
1:45 PM  –  2:45 PM
Roundtable: Working with Vegetarian/Vegan Clients
3:15 PM  –  4:45 PM
Going Paperless
3:15 PM  –  4:45 PM
Medical Risk Assessment
3:15 PM  –  4:15 PM
Roundtable: The Transgendered Effect
5:00 PM  –  6:30 PM
Beyond Ramps: Disabilities 101 for Piercing Professionals
5:00 PM  –  7:00 PM
MEMBERS ONLY: Technique Workshop
5:00 PM  –  7:00 PM
Surface Piercing: Going Deeper than the Surface (D)

Friday, June 14, 2013

10:00 AM  –  1:00 PM
First Aid
11:00 AM  –  1:00 PM
Tools are Not the Devil (E)
11:00 AM  –  1:00 PM
Surface Piercing: Going Deeper than the Surface (E)

Point #61: BMXnet 2012 Review – Essen, Germany October 12-14, 2012

By Elayne Angel

The sixth annual Body Modification Exchange Network (BMXnet) Conference in Essen, Germany October 12-14, 2012 was well attended by piercers, tattooists, and body modification artists from around Europe and beyond. Given its great distance from the US, there was a strong representation of American speakers present including Jim Ward, James Weber, Bethra Szumski, Brian Skellie, Ryan Ouellette, Steve Haworth, Paul King, Allen Falkner, and myself. There was also a “Sponsors Expo” featuring vendors of body jewelry and supplies for piercing, tattooing, body modification, and suspension, with merchants coming from as far away as Mexico to participate.

Photo by Rolf Buchholz

The eclectic and wonderful venue, for this years festivities, Unperfekehaus (imperfect house) is a large converted Franciscan nunnery in the heart of Essen. Now it is a combination artist’s colony/gallery, hotel, and  a restaurant/internet coffeehouse. It contains five floors of artists’ studios, plus meeting rooms, performance spaces, and more. The hotel rooms share common bathrooms, a full kitchen, and also a sauna, which was put to good use in the evenings. There is free wireless Internet throughout.

A vast buffet was available in the restaurant 12 hours a day to keep the conference-goers fed, and coffee, cappuccino, and tea were free flowing to keep us warm. Unlimited sodas, juices, and sparkling water drinks were also provided to the participants in this welcoming establishment with the “all you can eat and drink” BMX package deal.

There is no way to impart how incredibly cool the setting was if you weren’t there to enjoy and experience it, and even the best photos won’t do it justice. (One example being the large open space on the upper level had a huge skylight in the ceiling.) Some of the vendors were housed in this area, and others were set up on two of the floors below, which were surrounded by artists’ workshops.

Photo by Rolf Buchholz

Each studio is open to the visiting public and has a plaque out front explaining the individual’s background and artistic philosophy. Costume and jewelry designers, sculptors, and painters shared their colorful creations in the series of connected buildings which form the Unperfekehaus. Artworks of all types (much of it for sale) lined the halls and walls, as well as the studio spaces, lending a festive and creative vibe to the scene. Three separate dining rooms and several other public spaces provided plenty of opportunities for hanging out and socializing.  A rounded alcove filled with comfortable pillows and surrounded by psychedelic paintings was a popular retreat. A well-equipped theater complete with lighting and stage was the location for some classes, suspensions, and the entertainment in the evenings.

The wide array of courses, roundtables, demonstrations, and workshops included advanced body modification topics not in the curriculum at APP conferences such as Ear Reconstruction, Flesh Stapling, Wound Suturing, Advanced Scarification, Tongue Splitting, and Electrocautery and Laser Branding. More standard subjects were covered such as Jewelry Design, Anodizing, Sterilization and Instrument Management for Piercing, Stretching, Aseptic Technique, Troubleshooting and Scars, and Surface Piercings.

Photo by Rolf Buchholz

James Weber presented “A History of Body Piercing US Periodicals: from PFIQ to The Point,” which was a great precursor to Jim Ward’s talk later in the day, Gauntlet and the Evolution of the Modern Body Modification Movement. Many of the conference-goers were very excited to have their photos taken with the “Granddaddy of the Modern Piercing Movement” and have him sign their copies of his book, Running the Gauntlet. Paul King shared his knowledge with a fascinating presentation on the Piercing Rituals of the Plains Native Americans.
Offerings for tattoo artists included Hand-poking Tattoos, Automatic Sketching, Tattoo Machine Tuning, Lasers and the Tattoo Industry, and Sterilization and Instrument Management for Tattooing. Some classes were suited to all of the attending professionals, such as Marketing and Managing Difficult Clients.

Photo by Rolf Buchholz

As the conference progressed additional sessions called “barcamps” were scheduled into the times and spaces allotted for them. Once planned, they were announced via a bulletin board in the entryway. This permitted a useful spontaneity for new topics to be covered, or more in-depth discussions held on subjects of greater interest. I was asked to do a barcamp session of my Safe and Effective Female Genital Piercing course with a German translator present.
This allowed the students who were not fluent enough in English to understand the entire content of my class. Jim Ward, Paul King, and I also gathered for a showing of  “A Social History of Body Piercing,” an MTV documentary in which we all appeared.

In addition to the numerous educational courses, there was plenty of entertainment in the evenings. Fetish-pinup-glamor model and burlesque performer Courtney Crave graced the stage on both Friday and Saturday nights. The first evening she played doctor with a teddy bear to Weird Al Yankovic’s song, “Like a Surgeon” and eviscerated the stuffed animal to find it filled with sex toys.

Photo by Rolf Buchholz

Coco Katsura gave a dramatic performance as a flying ninja suspended from hooks while brandishing a flaming sword. And finally, in the Superfly Suspension Show, two young men, hanging one from the other, swung around the stage at length with contented expressions on their modified faces. On Saturday night, Courtney performed her  “Sympathy for the Devil” floor routine to the Guns ‘n Roses cover of the tune. It was a dark and sexy show full of back bends and contortion work. CoRE staged their Embers of the Lotus suspension performance, and SchmerzMöbel (the “Pain Furniture Performance Crew”) created their Living Harp for the audience as a lyrical finale for the evening’s festivities.

There was widespread accord among the repeat attendees that this was best BMXnet gathering ever. Warm thanks and hearty congratulations to Stephan Stresik and his crew for hosting a truly wonderful event!

Point #61: The APP Brochures Overview Article Two: What They Are and How to Use Them

Julie Taylor, April Berardi, and Lou Quino

There is a hefty stack of informational brochures available through the Association of Professional Piercers that can be used in a variety of ways to educate the public about safe piercing. To help you better make use of these resources, we’ve summarized a few of these helpful educational pamphlets below and listed a number of ways in which studios have successfully utilized this vital information.

This is the second of three articles about the APP’s brochures. In this segment, we’ll be discussing “Oral Piercing Risks & Safety Measures,” “Body Aftercare,” and “Oral Aftercare”

Name of Brochure: Oral Piercing Risks & Safety Measures
“A well-informed and discerning consumer is subject to far fewer dangers than one with incomplete or inaccurate information. When properly performed, the piercing procedure itself takes only a few seconds and involves minimal discomfort and often no blood. Healing is commonly rapid and uneventful.”

This brochure can help a piercee not only seek out a safe place to be pierced by a professional, but also provides guidelines for the appropriate placement, aftercare, and jewelry for oral piercings.  This brochure also succinctly outlines the steps required to diminish potential hazards and concerns, such as the fear of an unsafe procedure, the potential for damage to teeth and oral structures, and the risk of infection.

The risks of piercings can only be truly controlled with the conscientious efforts of 2010brochuressafe piercers to share accurate information with the public. We suggest the use of the following two pamphlets to educate anyone who may be interested in oral piercings or may be concerned about oral piercing safety. Members are encouraged to pass along these brochures to any medical professional who may deal with piercees. Examples of these medical professionals include school nurses, dentists, EMT’s, ER personnel, and physicians. Many piercers have also found it helpful to share these during college outreach visits or with local college RA (Resident Assistant) programs.

Name of Brochures: “Oral Aftercare” and “Body Aftercare”
“These guidelines are based on a combination of vast professional experience, common sense, research, and extensive clinical practice. This is not to be considered a substitute for medical advice from a doctor. If you suspect an infection, seek medical attention. Be aware that many doctors have not received specific training regarding piercing.”

These brochures contain helpful information for providing proper aftercare to a client or a potential client. They include helpful hints and tips, what to do and not to do, potential pitfalls and how to avoid them, along with a list of suggested care products.

These pamphlets provide a ready made, full-color alternative to creating your own studio brochures. Shop personnel should distribute these to clients who are receiving oral or body piercings, and to those inquiring about future piercings. Members have found it helpful to share this information with local healthcare professionals, schools, and at conventions.
**Note: The APP has special versions of each of these aftercare brochures available for minors. These brochures include simplified language and are available for outreach to middle schools and high schools.

Studios are always looking for more ways to get involved in their community, to spread the word and to support the APP’s mission. We hope that you found new ways to use the brochures discussed to promote safe piercing. The resources provided by the APP are invaluable and when used by the entire membership; in the same ways, we can impact our communities in a much bigger way than on our own.

To download these and other APP pamphlets, and for more information about the APP brochures and other resources, visit the APP’s website at www.safepiercing.org. You can place an order on the website or by contacting (888) 888-1APP. Or, you can download web or print quality .PDF files of the brochures for free!

Point #60: The 17th Annual Conference in Las Vegas, Nevada – June 17-22, 2012

By Russ Foxx

Of the three APP conferences I have attended thus far, this year’s was definitely my most memorable and exciting. The sense of camaraderie in conjunction with the positive energy of all the attendees from so many countries and walks of life made me feel more at home than I ever have before.

I really feel that I should stress the importance of Conference; it is a must for any progressive piercer who wants to give their all to this industry. The number of members seems to keep growing just as the bar keeps being raised, and I don’t think that it is a coincidence. This event not only puts into perspective the necessity of safety in all aspects of the industry but also constantly amends and revises to keep up with our incredibly discerning standards. [Editor’s note: The criteria for membership has not substantially changed for quite some time.]

Just like so many years before, Bally’s was a fabulous venue for our event, and the staff took great care of us. Even though we were in a casino 24/7, that didn’t come close to overshadowing what we were really there for. It seemed to me that having our large group stationed in a busy casino actually served as a bonus opportunity for visibly modified individuals to really represent ourselves to the general public in a positive fashion. Scene points to Bally’s for that!

This year boasted record numbers of volunteers who donated their time to assist in keeping the conference running without a hitch. Between the volunteers and the APP Board members, it was a really tight ship overall. They definitely deserve recognition for the amount of hard work they put in, not to mention the fact that everyone did it smiling!

The speakers and techs did a fantastic job on the talks this year. The amount of time and effort these individuals put into each class was staggering! During conference, teaching has clearly turned into a full-time job for many of these instructors. Their efforts paint a landscape of just how far we’ve come over the years and the importance of working together toward a common goal. Not only do I find this humbling, but it should inspire more of us to do the same and chip in. I’m noticing now more than ever a steady and relevant growth in the number of piercers with legitimate bloodborne pathogens certifications. This really makes me feel that we’re on the right track.

The vendors at the exposition this year stood out as nothing short of cutting edge, actively setting the stage for newest slick styles and trends keeping our body jewelry customized and fashionable. It didn’t take much time browsing the expo floor to clearly see how much effort and expertise these companies had put into getting their wares ready for the big conference. My advice to any new faces that haven’t been to APP before is to bring as much cash as you can to spend at the expo. This is a great opportunity to pick up lots of gorgeous new jewelry from top-tier manufacturers at modest and wholesale prices. Don’t just shop for yourself, but be sure to sharpen up your jewelry displays with special items that will sweep your clients off of their feet.

This year’s post-apocalyptic themed banquet party was a total blast, complete with a well-dressed crowd and the perfect mix of intensity and humor. What dinner party is not  complete without a gorilla and a giant banana duking it out after delving into a bucket of bath salts? The collaborations between CoRE and so many other talented sideshow performers was a perfect fit for the evening. Great dinner, great show, great awards, great company. The after party was, as always, well worth the ticket price (even though I didn’t win the grand prize at the raffle I had my hopes set on).

I had the opportunity to spend time hanging out with, and learning from, so many piercers that even after a decade of poking holes my inspiration continues to increase. This keeps my passion and love for what we do in perspective and repeatedly reinforces that I’m doing what I’m truly meant to be doing. This year’s conference marks my new journey into finally opening my own studio that carries APP standards and membership under its wings. I can’t wait to dive into finally becoming an APP member, and so should you.

Point #60: Internet Posting Etiquette

By Bethra Szumski

Without question, the Internet—social networking in particular—is changing the way that people interact. It brings people closer by creating more convenient communication between friends, family members, and co-workers. In many ways it has reduced the “need” for more personal communication. This is creating a totally new mindset in our culture.

One of the major consequences of this transition is that people often have difficulty with the line between what is (and should remain) private information, and what is safe and suitable for public consumption. As Americans we have the right to freedom of speech—but that doesn’t mean what we say publicly can’t get us fired, arrested, or divorced. Most of us voluntarily post more information online than any intelligence agency in the world could possibly uncover. People in every field and profession from politics to education have lost opportunities and employment due to imprudent Internet activity.

In a field like ours, which on some level is built on freedom of expression, an individual is unlikely to risk being fired for posting profanity or political views. However, there are certainly online “dealbreakers” that have led to folks losing their studio positions. Based on these stories, I’ve come up with some general guidelines for body artists to consider when posting content to their social networks:

  1. Never assume, no matter how carefully you choose your “friends,” that something you post about a business or individual won’t be relayed back to them.
  2. Understand that nothing you post—even if you delete it—ever, ever, ever, ever, ever, ever truly goes away. [I wrote that six times because that’s how many backup copies Facebook keeps of every photo you upload, every word you type, and every page you visit.]
  3. If you have a problem with your studio, keep it in your studio. If you need to seek advice or vent about a situation, do it privately—preferably in person—with a handful of colleagues that you trust. Never post complaints about studio policy, coworkers, bosses, or clients on the web. Find a private place to vent instead.
  4. As a point of studio policy, it’s important for workers to know what kinds of posts are likely to get them in hot water. As long as you declare your place of employment—or if any of the people in your network even know where you work—you are a representative of that business. The argument “if you don’t like my posts, don’t read them” holds little water when you represent a business or entity. People will show their disapproval by not frequenting your establishment or purchasing your product. Studio politics play a big role here as well. Posting negative remarks about competing studios or practitioners will put your entire business at odds with that establishment. And even if what you say is true, gossiping about it online is unprofessional.
  5. Your personal social media accounts, especially on your cell phone, can catch you in a lie faster than anything else. If you call in sick, really be sick. Checking in at the bar or golf course that day is an offense that could get you fired, no matter what your position.

If any of these ring a bell it’s not surprising. Technology is moving too fast for most of us to keep up. The surprising thing to me is when people actually feel a sense of personal privacy and security on the Internet. Is this perhaps due to the intimacy we often feel with our electronic devices? After all, we talk to them, and they keep us company when we are alone, help us when we are lost, tell us everything we want to know about almost any topic, remind us of our appointments, provide us with sexual gratification—you name it. Most of the things we used to need from other people can now be found in a palm-sized device. It’s easy to believe that our special electronic friend could never do us wrong, but be cautious: this is a friend that could unknowingly betray you.

Point #59: The Tongue-Drive System

By James Weber

Late last February a rather curious news story made the rounds on Facebook and other social media sites and pop culture blogs. Various publications reported on an article about a project from Georgia Tech, one that enables a person with quadriplegia to control a wheelchair through the movement of the tongue by moving around a magnet worn in a tongue piercing. Piercers everywhere were sharing, reposting, and reblogging the article in a variety of places—including on my Facebook timeline. Fortunately, this was not news to me, as I’ve had the unique opportunity to be involved with the project as a consultant for several years. But after a dozen piercers forwarded me the article I realized it was time to write about my experience with the clinical trials of the Tongue Drive System.

In late October of 2009 I was contacted by Dr. Maysam Ghovanloo, Associate Professor at the School of Electrical and Computer Engineering at the Georgia Institute of Technology. Over the phone he explained the project that he was working on, titled in the research protocol Development and Translational Assessment of a Tongue-Based Assistive Neuro-Technology for Individuals with Severe Neurological Disorders. Simply, this is a system that allows persons with quadriplegia to perform a variety of computer-aided tasks—including operating their wheelchairs—by changing the position of a small magnet inside their mouths. The magnet’s changing position is monitored by a headpiece that looks like a double-sided, hands-free phone headset.

His team had, at that point, experimented with different ways to attach the magnet to the tongue with varying degrees of success. Adhesives were only effective for very short periods, and the idea of permanently implanting a magnet into the tongue was not considered a workable alternative1. This left a third option suggested by Dr. Anne Laumann: attaching a magnet to the tongue with a tongue piercing.

He then came to the reason for his call: he asked if I would be interested in being involved in the clinical trials as a member of the Data Safety Monitoring Board. As I listened to him describe the details of my involvement, I thought about the incredible places my life as a piercer—and my job as an APP Board member—have brought me. I enthusiastically and without hesitation said “Yes!”

For those not familiar with clinical trials (and I was not when I initially agreed to be involved with the study), the Data Safety Monitoring Board (or DSMB, alternately called a Data Monitoring Committee) is a group of experts, independent of the study researchers, who monitor test-subject safety during a clinical trial. The DSMB does this by reviewing the study protocol and evaluating the study data, and will often make recommendations to those in charge of the study concerning the continuation, modification, or termination of the trial. The inclusion of a DSMB is required in studies involving human participants as specified by the Common Rule, which is the baseline standard of ethics by which any government-funded research in the United States must abide. (The clinical trial is sponsored jointly by both the National Science Foundation and the National Institute of Health, but nearly all academic institutions hold their researchers to these statements of rights regardless of funding.2)

I was excited to be part of the project, and the following May I received the full details of the study. The clinical trial was to be performed in three phases, with three sets of participants. The first involved ten able-bodied individuals with existing tongue piercings. These participants were to test the hardware and software created by his team and to quantify the ability of those participants to operate the wheelchair with the specially-designed post3 in their tongue piercing. The second group consisted of ten able-bodied volunteers without tongue piercings. These participants were to be pierced, given time to let the piercings heal, and then monitored operating the Tongue Drive System. The third group of participants was to be a selection of thirty people with quadriplegia—without existing tongue piercings—who were to be pierced and then monitored while the piercing healed. Afterward, they were to be evaluated on their ability to operate a computer and navigate an electric wheelchair through an obstacle course using the magnetic tongue jewelry.

The study was to be conducted in two different locations: in Atlanta, at the Georgia Institute of Technology and the Shepherd Center; and in Chicago, on the Northwestern Medical Center Campus and at the Rehabilitation Institute of Chicago, with half of the participants in each phase of the study coming from each location. (Five from each city for the first two phases, fifteen from each for the last.) Drs. Maysam Ghovanloo and Michael Jones were to oversee the trials in Atlanta, and Drs. Anne Laumann and Elliot Roth were to oversee the trials in Chicago.

The DSMB charter specified the eight people who had been drafted to be part of the DSMB: The board chair is a professor of rehabilitation science and technology; one member is a director of a rehabilitation engineering research center; one a professor of rehabilitation medicine. There are two M.D.s: one a neurologist; one an associate professor of dermatology; two biostatisticians (one acting as study administrator); and me. Also included in the documents sent was the full study protocol. This document outlined the finer points of the study, including the protocol for tongue piercings to be performed by the doctors involved with the study. The email also specified the possible times of the first meeting of the DSMB, to be conducted via conference call.

As I participated in the conference call several weeks later it was hard not to feel I was out of my element. While I routinely lecture at several local universities, it’s been quite a while since I’ve been in academia. But I soon realized I was not there for my academic credentials but for my position and experience—and as a de facto authority on piercing. This I could do.

During that first meeting I expressed the concerns I had about the piercing protocol, specifically about physicians performing the piercings—physicians with little or no experience doing so. “Do any of the members on the research team have prior piercing experience?” I wrote. “Even though it is not a complicated procedure, it is better for doctors who are involved in this task to have prior experience with tongue piercing.”

I was told that the physician overseeing the piercings in Atlanta had performed at least thirty tongue piercings in his private practice. And although Dr. Laumann—who was responsible for the tongue piercings in Chicago—had no prior piercing experience, she had conducted extensive research on piercing and tattooing4 and had often observed professional piercers at work. (Furthermore, she is considered an expert among dermatologists in the field of piercing and tattooing.) While my concerns were addressed, I do remember feeling hesitant at the close of that meeting.

The second DSMB meeting was held six months later, in December of 2010. At this time the results of the first and second phases of the clinical trial were to be discussed. Before the meeting I was given information about the second study group and about the tongue piercing method performed at the Chicago location—and including images from both locations. From the images provided, I was concerned that the piercings performed by the physicians looked as if they were done by first-year piercing apprentices—which, in a way, they were.

Of the twenty-one study participants who received a tongue piercing, five were noted as complaining about the placement of the piercing, and three piercings resulted in embedded jewelry. Based on the photos I guessed this was because either the piercing had been placed too far back on the tongue or the length for initial jewelry was improper—or both. I pointed out to the committee this left only about 60% of the subjects who were both comfortable with the placement of the piercing (at least enough to not state the contrary to researchers) and who did not have problems with embedded jewelry. I stated I thought this was far too small a percentage to ensure the well-being of each research participant. Even though it was outside my role as a DSMB member, I further stated the results of the study may be affected by the improperly placed piercings, as more than a few of the study participants had taken out their jewelry and dropped out of the study within a few days of being pierced, saying they were either unhappy with the placement or found the position of the piercing uncomfortable5.

I went on to express concerns about the piercing protocols and to question whether piercers could perform these procedures instead of physicians. Unfortunately, I was told the parameters of the study, and the rules at the medical centers where the piercings were being performed, did not allow non-medical professionals to perform the piercing procedures6.

Despite my concerns, my suggestions and criticisms were well-received. Dr. Ghovanloo agreed to re-evaluate the piercing protocol and I offered him whatever help he needed. Most importantly, I got the impression the two doctors performing the piercings were somewhat humbled by the experience. While there was no doubt that these physicians have anatomical knowledge and surgical experience that far surpasses mine, they were quickly realizing this didn’t make them proficient piercers.

Several months after that conference call, I had the opportunity to finally meet Dr. Ghovanloo in person. The quarterly meeting of the APP’s board of directors was scheduled in Atlanta in February of 2010, and Dr. Ghovanloo arranged for me to meet some of the trial staff at the Shepherd Center. I had the sense he was excited as well, and he also arranged for the physician doing the piercings during the clinical trials in Atlanta to be there: Dr. Arthur Simon. As I was at a board meeting with Elayne Angel (the APP’s then-Medical Liaison, current President, and resident expert on tongue piercings), I asked about having her attend as well. He readily agreed.

When Elayne and I arrived we were greeted by Shepherd staff member and study coordinator Erica Sutton, and we were soon led to our meeting with Dr. Ghovanloo and Dr. Simon. Compared to the necessary formality of the DSMB meetings, it was a friendly and relaxed meeting. Dr. Ghovanloo and his colleagues were somewhat starstruck by Elayne (she often does that to people) especially since her book, The Piercing Bible, was used so extensively in drafting the trial piercing protocols.

As we talked about the clinical trials, it was hard to not be affected by Dr. Ghovanloo’s enthusiasm for the project. We spoke at length about the issues the doctors encountered when performing the piercings. Doctor Simon in particular was humbled after his experience. “How do you hold those little balls to screw on?” he asked at one point during the several hours we met, a little exasperated and only half joking. I can’t speak for Elayne, but I left with an immense respect for Dr. Ghovanloo, his staff, and the whole project. I also left with the impression that they had a lot more knowledge of—and a little more respect for—what we do as well.

Since that time, stage three of the clinical trials has already taken place. I’ve been informed by Dr. Ghovanloo that the third and final meeting of the DSMB will be scheduled in the coming weeks. In fact, trials are being planned using a new prototype that allows users to wear a dental retainer on the roof of their mouth embedded with sensors to control the system (instead of the headset)7, with the signals from these sensors wirelessly transmitted to an iPod or iPhone. Software installed on the iPod then determines the relative position of the magnet with respect to the array of sensors in real time, and this information is used to control the movements of a computer cursor or a powered wheelchair.

I’m looking forward to hearing when the project is out of the trial phase and more widely available to all who can use it. When that happens, I’m sure I’ll be hearing from Dr. Ghovanloo—and seeing the news again posted on Facebook.

More information about the current trials can be found on the Shepherd Center’s web site.

  1. Unlike implants under the skin, the tongue has no “pockets” in which to encase a foreign object, and there was also concern about the need to remove the magnet for surgeries and MRIs.
  2. The history of research ethics in the country is simultaneously fascinating and shameful. Most of the modern rules now in place concerning clinical trials in the U.S. are as a result of the public outcry over the Tuskegee Syphilis Experiment, a study that ran for four decades, from 1932 and 1972, in Tuskegee, Alabama. This clinical trial was conducted by the U.S. Public Health Service and was set up to study untreated syphilis in poor, rural black men who thought they were receiving free health care from the U.S. government. The study was terminated only after an article in the New York Times brought it to the attention of the public. more information
  3. In one of my early conversations with Dr. Ghovanloo I gave him the name of several manufacturers who I thought would be willing and/or able to make the jewelry needed for the trials. Barry Blanchard from Anatometal came through by manufacturing special barbells with a magnet encased in a laser-welded titanium ball fixed on top. Blue Mountain Steel also donated the barbells and piercing supplies for the initial piercings.
  4. Dr. Laumann has co-written several published papers on body piercing and tattooing. The most recent is titled, “Body Piercing: Complications and Prevention of Health Risks.”
  5. Dr. Ghovanloo and the other physicians had suggestions for the reasons for the high dropout rate among healthy subjects. In response to an early draft of this article, he wrote, “We simply lost contact with a few subjects after piercing, and cannot say for sure what their motivation was in participating in the trial and consequently dropping out after receiving the piercing.” Dr. Laumann, commenting on the Chicago site, wrote, “We prescreened thirty-two volunteers. Ten of these were screened and consented. Three of these were ineligible due to a short lingual frenulum, or ‘tongue web.’ This would have made the use of the TDS impracticable and for research it would have been considered inappropriate to cut the lingual frenulum. We pierced seven subjects and—you are correct—our first subject dropped out related to embedding of the jewelry and pain on the first day. After that we were careful to measure the thickness of the tongue and insert a barbell that allowed for 6.35 mm (1/4 inch) of swelling. Otherwise drop-outs came much later during the TDS testing phase related to scheduling and unrelated medical issues. One of the subjects, a piercer herself, was particularly pleased with the procedure, the tract placement and the appearance.”
  6. Though the protocols did not allow the procedure to be conducted by non-medical personnel, Gigi Gits, from Kolo, was present during one of the phase-two health subject’s piercings and Bethra Szumski, from Virtue and Vice, was able to offer advice at the first phase-three piercing session in Atlanta.
  7. Dr. Laumann: “The problem with headgear is that it needs to be removed at night, which means that the disabled individual cannot do anything in the morning until the headset is replaced and the TDS recalibrated. With secure intra-oral sensors, recalibration will not be necessary in the morning, nor will the sensors slip during use, which gives the wearer a great degree of independence. Of course, a dental retainer takes up space in the mouth and this may be difficult with a barbell in place.”