Category Events

Point 88: Creative Innovator Award

Onetribe’s “Crystal Castle” Displays

Interview by Marina Pecorino

Onetribe’s award winning “Crystal Castle” display.
Jewelry by Alan Dumond of Origins Handmade

For the second year in a row, Jared Karnes of Onetribe took home the Creative Innovator Award. Last year it was the multidimensional “Topo” ear weight design. This year, the prize-winning pieces were the “Crystal Castle” displays. I, once again, had the honor of interviewing Jared about running a production queue based business in the piercing industry, and expanding horizons into working with a broader range of materials.

Marina Pecorino: In last year’s interview, you explained the metamorphosis your business made from having numerous employees across several continents, to a small, homebased, personal endeavor. Usually you hear of business models moving in the opposite direction. Can you tell us more about your vision for the future of Onetribe?

Jared Karnes: It’s been a wild ride. It’s easy to find a roadmap for growth, and I became accustomed to thinking about my business as something that  should  continuously  grow.  It was much more challenging to take a step back and decide to be dramatically smaller. Going forward, I’m very interested in play, agility, and unpredictability. I want to spend more time making because I love to do it and not because of a production queue. My sketchbooks need liberation! I will never stop making body jewelry, but I am less interested in being perceived as just a body jewelry company. I have been making a serious effort to explore new forms and use materials in new ways. Ceramic has been an exciting diversion and something I intend to spend a lot more time doing.

MP: I’ve been watching the development of the Crystal Castle displays on social media, and it has been fascinating. Can you explain the development process?

JK: I have always had a fascination with crystalline shapes. The unique facets of quartz crystals and the stacking of perfect pyrite cubes captivate me, but I found myself wondering what these shapes would look like in beautiful colors and textures. I wanted to see these shapes in coral, periwinkle, or sparkly matte black.

There’s been an explosion of body jewelry display options, and I have loved many of the unique shapes from display specific companies, but the use of wood does not inspire me. I thought ceramic would be a great challenge, and it can fit well with a high-end aesthetic for displaying precious metals and stones. Also, a bunch of my friends are making outrageously good ends and hinged rings, and I thought it would be rad to give that work a stage.

I started working with clay in January as a way to let my  hands and mind wander with a forgiving material and meditative process. After hand-making solid prototypes of crystal forms, I realized they were far too heavy to have around glass display cases. I decided to learn slip casting, which uses plaster molds and liquid clay “slip” to cast thin walled hollow objects. After teaching myself mold making and slip casting, I was able to finalize a process and select (or in some cases custom grind) quartz crystals in suitable shapes for single Cryst displays. The larger Crystal Castles are then hand built by modifying and attaching single cast crystals into a more massive structure which I fire as one piece.

MP: Has the result diverged from your original vision at all? What joys and challenges did you face along the way?

JK: They have manifested true to my original intent primarily because I used the crystals as a tool to learn ceramic processes. Early on in the project, I created a specific goal for the product that would require me to learn specific methods in order. It was a challenge to develop a product and processes in a new medium in a little over 90 days, but I enjoyed going for it. Watching something that was soft clay and gloppy liquid glaze transform into stone coated in a layer of glass is mind-boggling.

One of the hardest problems to solve was how to handle the bottoms of both the single Cryst and the Castles. I made several two and three-piece plaster molds that cast pieces with a solid base and a hole in the center. These were faster to cast and clean up, but the molds are more time consuming and fragile. This option also created more waste while building the Castles, limited my access to the interior for installing hardware, and prevented me from being able to adjust the angle of view. I went back to one piece open molds for most shapes and created a “pool” mold for casting a bottom onto each piece. With this additional step of adding the bottom last, I can trim the walls of a display and reduce the height or allow it to lean back for a better viewing angle in different kinds of display cases.

MP: How have you felt about working with these new mediums? What similarities and differences have you discovered that you didn’t expect?

JK: Clay is AMAZING. I never worked it in high school or art school, but it has long been an interest. I recently dug up some notes from a meeting with my employees in 2008; we were discussing options for ceramic in our industry. I started carving and polishing fired porcelain like a stone around 2012, but did not touch soft clay until this year. The profound differences in process and feel changed how I think about materials. Stone carving is both literally and figuratively abrasive. The hands take a lot of abuse, and the process is very loud. Clay is soft and nearly silent. It yields to the touch in a wet state, it maintains a memory of each contact with tool or hand, and it carves easily in a dry state. Through the process of introducing heat, it becomes a hard stone, made from the same essential elements as the stones I carve every day. Once I realized that working ceramic encompasses both this new soft character and the hard nature of the rocks I already work, I was hooked in a way that I did not expect.

MP: Do you have a favorite memory or story to share about this year’s Conference?

JK: My best memories from this year were the result of an unfortunate travel clustercuss. The airline canceled several of my flights, and my booth bag was incorrectly routed. I showed up to the Expo floor in Vegas with no jewelry or booth materials. Many people reached out to me to offer help or to check in and see how I was doing. I felt like I had a big community rooting for me, and that was wonderful. My bag eventually showed up, and all was well.

MP: Every time I walked by your booth this year, you had a small crowd. How has your vendor experience changed over time and in the new space?

JK: My first few years vending I was concerned about bringing a certain amount of product and meeting sales goals that I had set. My outlook overall has shifted, and my conference attendance is now far more rooted in teaching and learning. I am there to make money and create more opportunities for myself, but while doing that I want to see the evolution of our industry, build up newcomers, feel like I am part of a community, and be transparent about what I do and how I do it. Especially now that I am one person in a tiny workshop, the conference experience helps me feel connected to my customers and other makers in a way that the internet cannot replicate.

The new location made everything a little more tense than usual, but I liked it. The Expo floor worked well, and I think most enjoyed the location of the classes, Expo, and rooms relative to each other.

MP: If studios or individuals want to contact you about Onetribe products, what is the best way to reach you? Is there a current average turn-around time that can be expected, or does it vary from project to project?

JK: The shop is always open at onetribe.net and I can be reached directly via the contact form there. I am most active on Instagram and post daily production process and material eye candy @onetribejewelry.

Turn-around times vary wildly on a per-project basis. Products ordered on my site usually ship within 10-14 business days. Custom jewelry work is on average three to four weeks, with complex projects taking longer. Stocked displays ship within a few days, while custom display sets and Crystal Castles depend on all of the other workloads, but are worth the wait.

MP: Is there anything else you’d like to share with The Point readership?

JK: I was delighted to see so many young companies showing great work at Conference this year. While there are some pervasive style trends, I have seen quality from a lot of people who deserve the opportunity to show us how far they can go. I encourage everyone to support small makers whenever possible. This diversity of ideas and the growing culture of positivity over pettiness are hella exciting to see.

Point 88: BPA: Fakir Musafar, In Pursuit of the Spirit

From Inside the Archive: by Devin Ruiz-Altamura

I wasn’t prepared for the magic I felt when entering the completed exhibit room for the first time. I had probably handled each object in that room more than a dozen times over the past nine months, and written down their item numbers or descriptions just as many times. It didn’t make this collection any less powerful for me. I hope everyone else who got a chance to see the exhibit found it as moving as I did. This year’s  Body Piercing Archive exhibit, “Fakir Musafar: In Pursuit of the Spirit,” was our most ambitious to date. It was also the most comprehensive exhibit that has ever been seen on Fakir Musafar’s life and legacy. Featured were over 2,000 square feet of original images, digital media, and fabricated items, many of which had not been collected or displayed together under one roof since their creation. Visitors were led through the exhibit by a diverse crew of docents, all who had unique and personal experiences with Fakir himself and the Fakir Intensives School.

Fakir memorial altar, photo by John Balk

The exhibit opened with a timeline of the life of Roland Loomis, also known as Fakir Musafar. The timeline acted as a guide through the room and the objects. Next, a series of banners displaying all of the various personas that Fakir inhabited: Roland Loomis, Yogi Ankora, Fakiki, The Perfect Gentleman, Ibitoe, Golden Apollo, etc. Some of the first items displayed were examples of early corseting inspiration, and original National Geographic issues that planted seeds in a young Roland’s mind. It was extremely gratifying to see what parts of Fakir’s history were a surprise to the various docents and speakers. These little surprises really showed the amount of dedication that Paul King and Becky Dill put into their research, and the generosity that Cléo Dubios showed us in sharing some never before seen photos and artifacts. From there was a chance to see many of the various handmade masks, devices, jewelry, and tools that Fakir designed and fabricated for his own use in photoshoots and personal play.

Part of the Exhibit, photo by Devin Ruiz-Altamura

The transitional space between the first and second half of the exhibit held some of the work that served as an introduction to Fakir for many people, myself included. The film Dances Sacred and Profane could be viewed here alongside a performance Fakir did with Cléo Dubois, his wife and partner.

Photo by Paul King

Standing amongst the tour group for Paul King’s first guided tour of the exhibit, seeing Fakir on screen taking Kavadi, was another truly surreal moment for me. I remembered  being 12 or 13 watching that clip for the first time and thinking this was exactly what interested me the most. All these years later with half a decade of counter work at Cold Steel under my belt and a relatively new position with the Body Piercing Archive, I couldn’t help but be so thankful for Fakir’s unexpected influence on my life.

Photo by Paul King

The second half of the exhibit highlight ed Body Play Magazine and the Fakir Intensives School. Printed media, photography, and graphic design were all large parts of Fakir’s life; Body Play Magazine was the culmination of all of these passions and interests. Original working layouts of the magazine could be seen alongside their completed counterparts and final editions.

Photo by Paul King

The Fakir Intensives School was many people’s first hand experience with Fakir, and the foundation of so many memories. It was great photos or even be able to see themselves evolve over the many years they had attended or been an instructor. I love knowing that Fakir got to spend the second half of his life immersed in the community he desperately searched for in his early years. He got to witness first hand the impact he had on our industry, and on so many people’s lives—not something many get to experience in their lifetime.

Photo by Paul King

The backdrop for this more recent history was a grand display of the most iconic hand fabricated objects and sculpture associated with Fakir. The Bed of Blades and Bed of Nails from his first public performance at the 1977 international tattoo convention in Reno, Nevada, the Sword Swing and wooden and aluminum “encumberments” seen in various photoshoots, the horizontal suspension rig used for countless people’s spiritual flights, the Witches Cradle seen in Body Play Magazine, and the Kavadi featured on the poster for Dances Sacred and Profane. The sheer amount of work and devotion Fakir put into his spiritual endeavors and “body play” was inspiring.

Photo by Paul King

The culmination of the exhibit was a small curtained room that, once entered, dazzled the viewer with a bright display of red and gold. Before this room had even been filled, the impact of the change of color and tone brought those of us there to tears. The alter that was set up within was lovingly curated by Grin, a Fakir Intensives instructor and close friend of Fakir and Cléo. Flowers, candles, and sentimental objects were all present and served as a beautiful tribute to a person whose vast career and extraordinary life could hardly be contained within any exhibit walls.

The Body Piercing Archive would like to thank all docents, speakers, and volunteers that gave their energy, love, and time.

Special Thanks to: Cléo Dubois, Jim Ward, Annie Sprinkle, Veronica Vera, Ken Coyote, Paul King, Becky Dill, Ian Bishop, Allen Falkner, Dustin Allor, Cody Vaughn, Betty Ann Peed, Jef Saunders, Cynthia Wright, Yossi Silverman, Grin, Paul Fox, Jamie Biggers, Matte Erikson, John Balk, Theo Williams, Jenna Dittrich, Rafael Diaz, Pablo Perelmuter, Danny Greenwood

Point 88: Piercers of Color Conference Scholarship – Information

Dear Artists & Owners,

As Body Piercers & Makers, our trade is rooted in indigenous practice, as ancient as 320 CE. Since then, body modification has been co-opted, suppressed, condemned & re-popularized in the Western World. Over the last couple decades, we’ve built an incredibly solid industry based on health & safety. As our field expands further & farther, the diversity of our members must follow. This year we celebrate the 24th Anniversary of our Professional Piercing Conference. 2019 is the first year that we’ve formally broken the silence, regarding our community’s ethnic disparity. After attending the 1st ever Cultural Inclusion Course & POC Roundtable Discussion, it has become very apparent that we need to actively create spaces for our visibility & accessibility. We can aid our profession and honor our extensive history, by culturally socializing our industry. We believe attendance & representation are the first frontier. With your assistance, we can offer a full scholarship to foster higher education for the POC community, by the POC community.

To send two piercers to conference, we’ll need to raise at least $1,807. We’ve prepared a Paypal Pool solely for the POC Scholarship Fund. Paypal will issue a debit/credit card to charge tickets & hotel fees/holds, accordingly.

  • Full Conference & Expo Pass : $425.00 x 2 = $850
  • 5 Day Stay + Daily & Resort Fees + Incidentals at Planet Hollywood = $900
  • Paypal 3.3% Fee = $57

To make a contribution, please send your donations to paypal.me/pools/c/8fZyu8xjfm With this link, you can view our progress until we’ve met the goal. If we exceed the goal, excess funds will stay in the pool for next year’s scholarship recipients.

Sincerely,

Keiana ‘Kookie’ Lynn + KonnichiwaKookie@gmail.com

Point 88: Scholarship Recipients

Photo by Autumn Swisher

Al D. Scholar—Branko Branislav

My very first thought on the 2019 APP Conference is simple: Hell yeah, that was so great to experience. I’m super motivated to do things better, to test and try different techniques, to get things done smoother. Here and there small but important tricks were shared. Presentations were interesting and gave me new angles on topics. There were so many beautiful people all around smiling and saying hello. You can talk to any person and connect on topics immediately. The days are long and full, and worth the time and effort. Oh, and yes there is a lot of fun.

I have to admit that even attending thanks to the Al D. Scholarship, still Conference was quite expensive for me. Not only the flight, but Vegas is damn expensive. However, I believe it is worth it. The Conference is simply a mind bomb: the brain is on full speed, the notebook with 30 pages of notes, and all those insights. It was not for me that I would discover a whole other world, as I’m a piercer of 15 years, and I already have a foundation of knowledge. But still having this collective knowledge of a thousand piercers for a week in one place will make you discover a lot of thoughts from techniques, safety, materials, and how to best work with social media.

And here comes the best; I now realize that piercers are super easy to share what they know. They are eager to share and that is very special. I know many communities and this is not the case always. Often people keep their tricks for themselves as that makes them work for a living, but that is not the case with piercers at Conference. Piercers didn’t mind telling you the trick they developed over 20 years of practicing. They made a presentation out of it for anyone at Conference. That is great. That is bringing us forward, keeping things even safer, and that is a top priority for all of us; having in mind that whatever I do should be beneficial for clients. That is about what we do at Conference. We care. We share.

I was a bit pushed to apply for Al D. Scholarship, and I’m very happy that I did apply. It was all fine, and I got the chance to come and volunteer at Conference. Volunteer work was great. I liked it very much, as you can experience the conference also from behind the scenes. Who would not be curious, right? The work itself isn’t very hard; it’s more the length of days that make it a bit challenging. But having the chance to say hello at the classroom door to 300 people each time, or being at the merch and getting to see the happy eyes of guys who just bought stuff… worth it! Not a surprising side effect is the big growth on the number of real friends (yes, also on FB) that I can call anytime. I already miss them as I’m based in Europe.

To sum up, I’m so glad I had the chance to come and experience it, and I’m already looking forward to coming back again. I will go through the door, and if they are closed I will climb up the window to get in.

Photo by Caitlin McDiarmid

Al D. Scholar—Danica Kamakana

From the moment I was told I was receiving an Al D. Scholarship, I felt an overwhelming sense of appreciation. The thought that I was deemed worthy of this opportunity  warmed my heart and  gave  me a sense of confidence I had not yet experienced during my evolving career.

The time had come.

It had been years in the making and caused an accumulation of emotions, seemingly becoming bottled up in my throat: excitement, anxiety, worry, wonderment. Feelings I just had to swallow in order to take that first step. As I walked into Planet Hollywood, I realized I was one of the last volunteers to arrive and that sent me even more into a panic. Would people even like me? Would I just belly flop through this whole week?

The volunteer meeting was just beginning, and we were all making our introductions, when I stood up amongst the group of over fifty people, most of them strangers to me, and I managed to shakily say my name, a few other facts about myself, and promptly sat right back down on my butt. As the meeting progressed, I started to feel my shoulders surrender, my smile went from nervous to elated, and I gained more confidence in my voice. A realization flooded over me; this group of volunteers was far more than a bunch of random people sitting in a room, they were each amazing, special, and here for one another. I began to feel less like a lone wolf and more like a little duck. A little duck under the loving wing of such a special person who became so dear to me, as she does to everyone in the volunteer family. If it were not for Caitlin, I’m sure we would all have been a little more hungry and dehydrated than we’d like and we would definitely be lacking caffeine.

Thank you, from the bottom of my heart, for all that you do every conference and throughout the year, Caitlin. You are irreplaceable! Each volunteer made running Conference seem effortless and without worry. I know that is because we had such amazing guidance from Caitlin and our super volunteers! I appreciate every single one of you!

Later, once I was able to go up to my room for the first time, I took a deep breath and looked at my badge. There it was, “Association of Professional Piercers 24th Annual Conference,” and it had my freakin’ name on it! I had my own badge. I had finally made it to my first conference! At that moment I made a promise to myself, that I would get out of my comfort zone during the week. I would talk to anyone and everyone, even when social anxiety tried  to creep up. I would make a point to participate in each class I attended and I wouldn’t be afraid to ask questions or ask for help.

I was so grateful that, even though I was a volunteer, I was given ample time to attend the classes I wanted and still was able to take a moment of downtime. Volunteering is not easy, though! The days are long: going to classes, working the doors and booths, attending office meetings, making sure to eat, stay hydrated, and being social. This can all seem like a daunting task, but taking valuable advice like “TAKE NAPS” definitely helps. Thanks, Zakk.

Each class was insightful, inspirational, well organized, and welcoming. All my apprehensions about raising my hand to ask a question quickly resolved itself and I felt like everyone in the room was there for the same reason: growth. I left each class highly motivated and looking forward to being able to put into practice all the knowledge I had gained.

As day five ended and I sat on my bed, I had this sense of sadness float over me. I thought about how soon this week would end and this community I loved would dissolve. I’d have to wait over a year to have this same feeling again. as soon as the sadness came so did the joy, though. I had found my place. Being born and raised on an island, in one of the most isolated places in the world, I rarely see modified people, and hardly get to be around such like-minded and inclusive folks. Yet, here I was, ending my search and finding my home away from home. Thank you to all of those who welcomed me without question, who reminded me of self-care, who shared their wisdom and experiences, and who hugged me when I needed it most. All these memories will be carried with me each day until, once again, I can greet you with a smile and be welcomed home.

Al D. Scholar—Kyla Hoffert

As I sit at the airport waiting to board my flight home, I reflect on the past week. I think about what this experience was for me, what it has meant to me, and what I have learned.

When applying for the Al D. Scholarship, I wasn’t very confident I would even be accepted. I made what I thought was a mediocre video in somewhat of a hurry. But I thought, “Oh what the hell, I’ll just give this a shot.” I was at a breaking point and a little lost, unsure if my career in piercing was even going to continue. I told myself if I didn’t get the scholarship I was going to hang it all up and go back to the healthcare field. The mere thought and excitement of possibly getting accepted is what helped get me through the winter months.

Upon finding out I had been accepted, I felt slightly rejuvenated. As I waited for Conference, I was overwhelmed with excitement and nervousness already. I knew there was a lot of work ahead. Daily, I looked forward to the various emails, phone calls, and messages I would receive during the six months or so leading up to Conference. With each one, my emotions shifted back and forth. There was so much to read and learn beforehand, but I made it a point to read the information given each day.

Once it was time to fly out, I was a mess. Completely engulfed by the stress of leaving home, being alone while traveling, and flying for the first time in 10 years. I felt confused, lost, and alone as I started my emotional week before even leaving home. I collected myself, boarded my plane, and before I knew it, I was in Las Vegas. I scrambled to find my luggage and find fellow Al D. Scholar, Christy. I honestly couldn’t have had a better buddy to ride to the hotel with. Quiet, but kind, Christy helped ease my nerves with her presence and calm demeanor.

The first few days went by so fast they were a bit of a blur. Every part of me was exhausted come Monday morning. At that point, I wasn’t sure whether or not I would make it through the week. I didn’t partake in any drinking or after-hours activities. While I could, I got as much sleep as possible. Without that, I certainly wouldn’t have made it through.

By the time Thursday rolled around, the realization that the week was almost over had set in. Overcome with not getting out and socializing, I became fully aware of how lonely I am/was. At best I have two people I’d consider acquaintances, but no one I felt I could sit and talk to, like that long lost friend we all have. So I sat in my room and cried; I knew I needed it. The months leading up to these moments have been a rollercoaster, even the week itself.

On Friday we attended our volunteer dinner. As we all ate, conversed, laughed, and cried, I finally realized I am not alone; my family has  been  here all along. I am just too damn stubborn to reach out sometimes.

I cannot thank each of you enough for giving me the opportunity to be a part of Conference this year. I have gained so much knowledge and appreciation, and I feel the love of such a connected group. A group that I am so proud to say that I am a part of now.

Al D. Scholar—Ryan Caruana

I am from Montreal, Quebec and I was an Al D. Scholar during the 24th annual APP Conference in May 2019. This opportunity could not have come at a better time, and was absolutely life changing. I am beyond grateful for not only the opportunity I was given, but the family I was welcomed into warmly. I would like to start off by sincerely thanking Caitlin “Momma Duck” McDiarmid and the entire volunteer team. Their hard work, dedication, and family mentality made my first Conference a week I will never forget. I would also like to thank Sleeping Goddess for making my trip to Conference this year possible!

Being a volunteer is a labor of love, and this year’s event has absolutely made me love every aspect of Conference. I was extremely excited to start my week, and was always looking forward to the next project. Upon completing setup I thought I understood the feeling that brings the other volunteers back every year, but that understanding came later. It wasn’t until I saw a first year attendee with tears of excitement looking at the crowd that I knew: this type of experience is what keeps us all coming back. This is what being a volunteer is all about, uplifting and giving back to our community.

As a first time attendee myself, I was quite nervous about meeting some members of the community I look up to (there are quite a few of you), but being part of the volunteer team made this experience so easy. The people I was once afraid to say hello to were now part of the same project as me, or were having coffee together before the day and just talking as friends. I was terrified to speak to Jim Ward until I was asked to help him set up the Gauntlet booth.

While there were too many moments and classes that I absolutely adored, I must draw attention to Fakir Musafar: In Pursuit of the Spirit. I credit Fakir with my introduction to body piercing, and my first inspiration to become a body piercer. Fakir’s influence has provided me with experiences and memories that are more valuable than words could ever describe. Meeting Fakir in 2017 was the start of my career, and more importantly the beginning of a new life. Fakir, your energy transfers to every person I meet, and for this I am truly grateful. Thank you for showing me the new path I now follow.

I will be returning to Conference every year for the foreseeable future, and I would absolutely be honored to volunteer each and every year. For anyone who wants to get even more out of their conference experience, I wholeheartedly suggest joining the volunteers if possible. For those who need it, I encourage you to apply for the various scholarships. The Al D. Scholarship has improved not only my career, but my quality of life and confidence immensely. Thank you to everyone who made this possible and my new volunteer family: I love you all!

Originally, I was working in a subpar shop in Mississippi; low-quality jewelry, carpet in the lobby. Do I need to say more? My mentor said we would do our best to make it to Conference in 2018, which, unfortunately, didn’t happen, but  thankfully I did learn of the Al D. Scholarship.

My mentor wouldn’t let me shadow   at other shops because he didn’t believe we should train our “competition,” even though these shops were in other states. I once “made the mistake” of liking another shop’s Facebook page and it was over for me at that particular sub par shop. I was more than okay with leaving at that point. After about three months of no work, I got the opportunity to create my own space for piercings inside of a tattoo shop; specifically, the one I liked on Facebook. Go figure.

I felt even more responsible to learn and be the best piercer I could be after leaving the previous shop. It seemed impossible for me to get to Conference, but I knew it was something I had to do. It was all my online peers would talk and rave about. I knew this scholarship could help me as I was now opening up a new business, taking care of my family, and trying to balance self-care along the way. It was easy to apply and to honestly lay it all out on the table. I didn’t have anything to lose; they were either going to say yes or no. I pulled the trigger and applied as soon as the application became available in 2018.

I’ll never forget the process—from interviews, to receiving a call from Cale. I was busy when Cale called so I had a nice little voicemail that’s now a keepsake, in a weird way. I waited until my lunch break to call back to get what I thought for sure was a “we’re so happy you applied but…” speech. Instead, I found out I was one of twelve recipients of the Al. D Scholarship! I couldn’t believe it.

Everyone told me, “you are so lucky,” and I believed them, but one of the things I learned after going to Conference and thanking everyone for giving me the scholarship is that I, and those eleven others, earned that spot. We weren’t “lucky,” we earned our keep. Every Scholar worked their ass off to be where they were and that is why we were chosen. It felt so nice to be seen and valued by the people in the industry. They saw my struggle of working a full-time job outside the industry in order to afford better for my clients. They didn’t see me as  less  of  a piercer because of that. Instead they celebrated the means I would go through to provide better for my clients. When I say “thank you,” this is what I am thankful for.

I’ve sort of isolated myself at home, as I don’t have a community to share my piercer thoughts with. I didn’t know this yet but that all changed as soon as   I got off the shuttle that Friday in May. I was welcomed by such warm people in the volunteer family. I was so used to feeling like an outcast back home, I could feel myself drawn back to that feeling of isolation even there surrounded by all that love. I just want to tell others that may feel this way that it’s okay. It’s not easy going to an industry event feeling like you came from something lesser than. Honestly, though, most people that attend are just trying to better themselves. They’re not there to look down on you. I’m not saying it was easy opening up to people, but it was worth it, in my opinion, because it allowed me to learn  more. I feel like I learned as much about myself as I did about this industry, and I do know that I’m grateful. Thank you, again, to Pupil Hall for sponsoring my Al. D Scholarship. Also, thank you, Caitlin, for always listening when I needed you to and to the volunteer family for being so freaking awesome.

Al D. Scholar—Šimon Svěrák

When I received the Al D. Scholarship to attend the APP Conference and Exposition, I was very happy and had the highest expectations. I must say, those expectations were fulfilled almost completely. I personally had four main goals:

  1. To learn new piercing techniques.
  2. To try and supply my country with high end, quality jewelry.
  3. To experience the culture of the country where the modern piercing industry started, and to meet people involved in the beginning of this industry (even if postmortem like the Fakir Musafar exhibition.)
  4. To establish contacts to start a Czech and Slovak association of professional piercers, along with Branko Branislav. Blascak who was also an Al D. Scholar this year.
  1. To learn new piercing techniques.  For the last three years I have attended BMXnet. I think the information taught at BMXnet and at the APP Conference and Exposition, specifically concerning piercing, is quite similar; there are a lot of the same speakers. So, there was not that much new information for me to learn, just some small tips and tricks or some inspiration. It the end, though, this was very encouraging  for  me, because I discovered I am probably more experienced than I thought I was.
  2. To supply my country with high end jewelry. There is little or no high-quality jewelry market in my country. I would not say we use low quality jewelry; I would say it is rather mediocre. The main reason is it is simply not affordable for our customers. I think that, given the economic situation of the EU and the level of development in the piercing industry in Prague, now is the right time to work towards changing that. New people I met during Conference were very helpful in this; they gave me a lot of tips about what jewelry I should buy, how I should present it to my customers, what the pros and cons of this better jewelry are, etc. They even went with me through the Expo and introduced me to brand managers. When I came back to my country I found that selling this jewelry to customers was more difficult than I expected, but I think there is a way. It just needs a lot of patience and more education for my customers. I am planning to do some blog or vlog posts about the importance and design of jewelry to provide our customers with information they need and hopefully it will help to start a new market.
  3. To experience the roots of modern body piercing industry. I was very excited about the opportunity to attend a class by Jim Ward concerning his relationship with Fakir and I was excited to visit the Fakir exhibition (not to mention classes with speakers like Annie Sprinkle and others.) I have read Running the Gauntlet, Modern Primitives, and other books and getting the opportunity to meet the people involved in the creation of our subculture was more than enriching. It helped me to better realize the importance of sexuality in the development of the modern body piercing culture and I learned of its relation to spirituality. Caitlin also encouraged me to speak with Paul King who recommended a few books to study. Another part of this was experiencing the USA itself. I understand much better how the culture of the Native Americans affected the characteristics of American rationality in relation to spirituality, religion, sexuality, and the body piercing experience. I am going to gather my thoughts on this topic for a public presentation titled “Body Piercing as Fetish” by the end of this year.
  4. To start Czech and Slovak association of professional piercers. I managed to establish contacts with a few people who provided me with a lot of valuable info about starting our own association, mainly Nicole Holmes and Cale Belford. There is still a great deal of work to do. I plan to focus on this more after the holidays, likely in September.

To  conclude,  I must say the APP Conference was, for me, a very strong and good experience. It was very well organized and all the people were very nice. I think I managed to meet most of my goals while there.

Rick Frueh Memorial Scholarship—Melissa Ray

My first APP Conference has come and gone, and I am still awestruck by the entire experience. I had the incredible fortune of joining Caitlin and the rest of the volunteer family as an Al D. Scholar. Thanks to LeRoi Fine Jewelry, the Rick Frueh Memorial Scholarship, the Scholarship Committee and many others, I was able to not only attend the conference that I had longed to be a part of for many years, but to play an integral role in making things run smoothly while participating. Try as I might, words fail to convey what a rewarding experience this was for me.

As someone who struggles with social anxiety and being a generally introverted person, I was astounded at how the energy of Conference could melt so many of those symptoms away, leaving room for the kind of growth one can only achieve outside of their comfort zone. Volunteering at Conference provided me with a profound feeling of purpose; I wouldn’t know what to do with myself if attending in a non-volunteer capacity. My volunteer schedule was thoughtfully crafted, allowing me to attend an abundance of enriching classes that already have undoubtedly made a difference in how I think and work. Applying and perfecting new techniques learned at Conference is so rewarding, especially once you begin to see the positive results in action. Being in the presence of over a thousand people who share the same passion for body modification and vehement enthusiasm to learn as oneself is nothing short of inspiring. I can’t wait to see how my peers have evolved when we all meet again a year from now, having benefited profoundly from these experiences we shared at Conference.

As impactful as classes were for me, I must remark on how absolutely humbling it was to experience the Fakir Musafar: In Pursuit of the Spirit exhibit, put together so exquisitely by the Body Piercing Archive. I feel so lucky to have had this touching experience, and I can’t think of better hosts than Ken Coyote and Cléo Dubois herself. I will forever treasure their stories and the history they shared with us.

A successful Conference is defined in many different ways depending on who you speak with. This was the first Conference I attended; it was a huge success that met and exceeded every expectation I had, and the ones I had never imagined. I can’t thank everyone enough for the many roles they have played thus far in my personal and professional growth. I am endlessly thankful for this experience. It allowed me to learn so much more about piercing, my own goals and visions, and the endless possibilities of our profession. I absolutely cannot wait to do it all again in 2020. Until then, I will continue to do my best to evolve, learn, and contribute in the most meaningful ways possible to this industry that I adore and that has done so much for me.

Al D. Scholar—Victoria Rothman

Conference sprang anew in 2019. The reality of departure from our long-standing, home-away-from-home at Bally’s settling into our brains, sobering our emotions as we exited terminals, parked cars, and shut taxi doors, leaving the outer circle behind and entering the week-long marathon. This year marked only my third conference, still malleable, for me the uprooting was minimal. Into Planet Hollywood we trickled -our new dwelling. One by one, two by two; nervous, excited, and slightly missing home; we navigated ourselves through the hallways to find our (class)rooms like we did in elementary school, so long ago.

Hidden between the scramble to find new footing, I recall a sentiment of cleansing; and a healing joined by subtle release of customs staled throughout the years. For some we grieved, others we banished as no longer serving us. Practices established long before I came onto the scene, only described to me, let go silently; in unspoken agreement. Their only evidence of existence, a quiet inquiry, a gesture-a nod, a wink.

We grieved not, as we re-learned that with every end comes the adjacent genesis; a clean slate upon which to build anew. Inception hung in the air. The Heart Bar, our new watering hole, ready in waiting for us to create the first of many traditions. Here I conversed with my APP family, my volunteer family, my Al. D 2019 (what what!) family.

Conference became new again to me, as 11 of my peers and I joined the APP’s volunteer crew. Like a rite of passage, we stood among giants, before conference veterans, 20 year+ volunteers, founders; and introduced ourselves as not just scholars, Al D. scholars. Elbow to elbow, sometimes literally, we worked our way through the week, pulling late nights and early mornings. We often reminded ourselves and each other that, if we made it so, it could be one of the most important weeks of our careers. When it came down to work or play, we reminded each other. When we had to choose between sleep and overtime, we reminded each other. Through uncertainty, we looked to one another for guidance. And in joyous celebration we praised each other and our achievements. For me, the Al D. experience fostered a sense of belonging, and a pride in that belonging. The feeling of camaraderie I experienced that week is one I look forward to fostering for years to come.

Mark Siekierski Memorial Scholar—Christy Guare

So, I’ll start by saying that I am not great with words or expressing emotions, but I will try my best to keep this from being a total cringe! Three weeks since returning from Conference, and it has definitely been a struggle to figure out how to sum up my experience in just a few words. As I feel like I could talk about Conference forever, I thought I would focus on my experience with the volunteer team. Here goes.

The volunteer team truly left a lasting impression on me. I was taken aback by how much of a strong family the volunteer team is. Everyone is there to look after each other, to work their butts off, and have a great time together. And it’s true what everyone said; once you are a part of the volunteer team, you are a part of the family.

Even months before traveling from the UK to Vegas, it was immediately apparent the amount of care and love everyone has for the APP and Conference. Caitlin truly goes above and beyond, putting her all into making everything run smoothly, and it was clear that she deeply cares about every one of her ducklings. It is definitely clear why we all call her Momma Duck!

Honestly, it was definitely intense working with so many new faces and such big personalities in the industry. Applying for the scholarship as a small time piercer in the UK with only two years of piercing experience, I genuinely didn’t think I would be noticed, but every single person showed nothing but love and understanding, even when I was awkward and shy. My main regret from the week is that I didn’t speak to everyone more, as they were what made the week truly special.

The classes were invaluable, the people were nothing but loving, and I will never forget my first intense, exhausting week in Vegas. It has absolutely motivated me to go to more conferences (see you soon UK Conference!) and I truly hope that I have the chance to volunteer at APP Conference again.

I would like to add a huge thank you to Caitlin and the volunteer team for being so amazing, and also to the scholarship committee (Caitlin, Cale, and Ryan) and Sleeping Goddess for funding the Mark Siekierski Memorial Scholarship and making this insane opportunity possible!

The scholarship recipients also included
Gabby Ray and Yo Anna.

Scholar, Sebastian Wolfe Pickersgill from
United Kingdom, photo by Autumn Swisher

Point 88: Volunteers at Work

Photos by Marina Pecorino

Here, and below; David Kelso and Alicia Lowe working the Registration desk during the week
Here, and below: Reuniting & welcoming new volunteers during the pre-Conference meetings and meals
Volunteers working classroom doors: Past and present Al D. Scholars, Victoria Rothman (2019) and Jamie Biggers (2016)
Mark Montgomery…
…and Ryan Clark
Here and below: Celebrating & relaxing after a successful week at the post-Conference Volunteer dinner in the Bellagio after pack-out

Point 88: Volunteers, Thank You

by Jacob Spjut

Pre-Conference Volunteer Meeting
Photo by Darrin Walters, courtesy of Paul Rainer

Every year The Point publishes a thank you letter from Caitlin McDiarmid after the annual APP Conference. This is a wonderful opportunity to express through writing, and with a readership that may not have attended that year, or ever, appreciation from an individual in a leadership position. Caitlin does wonders to remind her “ducklings” that their contribution is noticed and has an impact. This year, though, we are trying something different.

I was very fortunate to be asked to write a thank you letter to the volunteers this year. Most volunteers are aware, but for those who do not know, I, during my first year as a volunteer in 2013, created the tradition of the “bus stop speech.” So, being able to compose a piece of writing that illuminates the thanks that I feel to those who work so hard is humbling.

The dedication of those involved with helping to create the APP Conference every year is astounding. It would not be mischaracterizing to say that the contribution made by every volunteer, every year, helps to continue the single greatest educational and social event our industry has ever had. While there are great opportunities for piercers to join together in the name of education at events all over the world, the event held every year in Las Vegas is paramount to the future of our industry.

Why is it important to have this image of grandiosity in one’s mind when reading a thank you letter? Because this grand event—and I mean to use that word, grand, in its full power— would not, and could not, exist if not for the volunteers that place their time, energy, resources, and soul into bringing it to life. It is easy for a lot of these volunteers to disappear from what is seen when an attendee is at Conference, as they are almost always on the run to their next task, but their contribution must be noted. The volunteer family, which   I am honored to have a part in, truly creates something otherworldly.

Volunteers at the closing party
Photo by Autumn Swisher

But, though we have a great number of volunteers who, over the last number of years, have ascended themselves to become great leaders in our group, the very foundation is built squarely upon the shoulders of the tiniest giant, Caitlin. To say so is not to dismiss the tremendous amount of work put in by so many other people every year, but, as a group, we are guided almost exclusively by Caitlin. This is what I am here to give thanks for.

Antoine de Saint-Exupéry once remarked that if you want to build a ship you must not just gather men to collect wood, divide the work, and give orders. One must instead teach those building to yearn for the endless sea. A great leader creates a community that is driven to greatness by establishing a common goal and aspiration. In a time when a word like “leader” is greatly diluted to mean any number of qualities required by an individual working together with others, finding the  exceptional qualities in an individual that represents something bordering on ethereal must be undertaken. It is not so difficult with Caitlin.

When a volunteer becomes tired, yearns for home, and is overexposed to the infinite possibilities presented at Conference, they seek the guidance of such a leader as Caitlin. We seek solace in Caitlin’s empathy and are rejuvenated by her desire to see us succeed. She drives any individual to work towards what they, deep inside, feel is right and worth accomplishing. This is most apparent in her approach to the Al D. Scholars that grace our group every year with new skills and with new eyes.

It is almost a cliche to say that coming on as a Scholar creates a great deal of internal turmoil that makes the very act of walking into the hotel the first day feel burdensome. When that level of apprehension poisons the well of one’s experience before it even begins, it takes an exceptional personality to bring that individual back above water and into a space that helps to build them up again.

Pre-Conference Volunteer breakfast at Bouchon of The Venetian

In the atmosphere Caitlin has cultivated, many have risen to make real change outside of their specific Conference duties, as well. Some are elected to be APP Board Members. Others become teachers. A few have even found work in studios they had once viewed as unattainable.

Caitlin, who is the first to interact with all new volunteers, welcomes all that want to progress the group and industry forward. In her kindness we find acceptance. In her diligence we find strength. We look to her because she not only gets us to love the endless sea, she paradoxically tames it for us while also allowing us to ride its tumultuous waves. This helps create, in those that allow it to be created, an antifragility, to use a term from Nassim Nicholas Taleb. We find we can accomplish anything, thanks to the strength we garner from her.

To many who attend Conference she is a recognizable name; a quiet speech giver at the closing party; a name at the bottom of an email from the APP. To us, her volunteer family, she is Mama Duck, and I do not think I am out of line to speak for every volunteer in expressing our gratitude for her presence and guidance. Thank you, Caitlin.

Point 88: The Silent Auction

Our Conference Sponsors contributed generously, allowing our first Silent Auction to be a tremendous success. This year, many auction certificates were snagged early for their Bid Now price (75% of the wholesale value), allowing auction participants to take home a guaranteed discount on future inventory for their studios. Some bidders went the patience and risk route, which resulted in an exciting Thursday afternoon in the Auction booth. A small number of auction certificates were awarded for as little as 20% of their wholesale value!

We would like to thank everyone who participated in the Silent Auction. Your participation provides the Association of Professional Piercers with support that makes Conference happen and allows the organization to operate throughout the year.

Thanks again to our Conference Sponsors who contributed charitably to the Silent Auction:

  • Anatometal Inc.
  • Auris Jewellery
  • Buddha Jewelry Organics
  • Fakir Intensives
  • Gold Heart Woodworks
  • Industrial Strength Body Jewelry
  • LeRoi Inc
  • Maya Jewelry
  • NeoMetal Inc.
  • Pupil Hall
  • Quetzalli Jewelry
  • Regalia
  • Sleeping Goddess Jewelry
  • Steri-Wash

Point 88: The President’s Corner

by Cody Vaughn

Hello dear readers of The Point: Journal of Body Piercing! I am incredibly humbled and proud to introduce myself to you all as the new President for the Association of Professional Piercers.

I would like to start by sharing with you all a little about myself. I was born and raised in Monterey, California. I have an amazing wife, Brittney Vaughn, and we both own and pierce at Vaughn Body Arts. We have three children and a big goofy dog named Lobo.

My love of body piercing started as a teenager while watching MTV late at night. I saw a pierced nipple for the very first time and well, here I am now (thank you, Red Hot ChiliPeppers).

I started piercing in 2004. I became an APP Member in 2009 and have been a volunteer with the Membership Committee ever since. I have also volunteered on other various APP committees on and off throughout the years, and have been serving as a Board Member since 2014. In addition to my volunteerism, I am a dedicated educator. I have been an instructor for The Fakir Intensives since 2011. Over the years, I have also had the pleasure of teaching at APP Conference and Camp APP in the United States, LBP in Mexico, and ruAPP in Russia. During my APP Board terms I have served as Vice President, Membership Liaison, and now as President. Needless to say, things have been very busy and exciting these past five years! But that is enough about me, let’s talk about APP Conference!

A few years ago a survey was sent out to APP Members requesting their feedback for Conference. The overwhelming response was that Conference makes the most sense in Las Vegas from a financial and entertainment standpoint. At the request of the membership, we started looking at other hotels to host our Conference.

Some were too small and couldn’t physically house all our attendees. Others were simply too expensive for the daily room rates. Then we toured Planet Hollywood. Making a very long and work-intensive story short, Planet Hollywood looked like the perfect next step for our growing conference.

Now, I’m one of those people that gets used to things and am fine with familiarity. I was always quite fond of Bally’s. I knew where everything was located. Huge group hangouts at the bar were always a sight to see. So why change it? I walked into Planet Hollywood thinking, “well if everybody wants a change of scenery, so be it, but what was wrong with Bally’s?” I am happy to say that I was wrong. So very, very wrong.

Our Conference at Planet Hollywood was simply fantastic. The overall look of the hotel felt updated and refreshing. The rooms were comfy and felt new and modern. And every room had a fridge!! (It’s the little things.)

The easy walk directly from the elevator to the conference space and Expo was incredibly convenient.

It felt wonderful to travel to and from classes without having to go through all the cigarette smoke on the gaming floor. I had the opportunity to speak with a lot of first-time attendees, long-time attendees, and vendors. The overwhelming amount of positive and enthusiastic comments about the new location were simply amazing.

It felt so good as a Board Member to hear how happy attendees were. Personally, this Conference was truly memorable because of the tributes for Fakir Musafar. Fakir was a friend of mine, my boss at The Intensives, and an altogether fun person to be around. He always seemed to have a new story I had never heard about something he did at some point. Did you realize Fakir was a puppeteer on a children’s television show for a little bit?

The Body Piercing Archive’s Fakir exhibit was breathtaking. In my biased opinion, it is their most amazing exhibit as of yet. Seeing all the amazing pictures and original items from Fakir’s body play journey and photography up close and in person was surreal.

Docent tours were lead by Cléo Dubois, Ken Coyote, Ian Bishop, Jef Saunders, Dustin Allor, Allen Falkner, Annie Sprinkle, Cynthia Wright, Betty Ann Peed, and Paul King; the tours were wonderfully done. Hearing each person’s unique relationship with Fakir was a memorable treat that I’ll never forget.

What a Conference! Smiles, tears, hugs, laughs. It was an emotional rollercoaster for sure.

I don’t want to give away any surprises, but with our next Conference in 2020 being our 25th anniversary, it is safe to say it’s going to be a special one.

Thank you for having me as a Board Member these past five years! I look forward to one more year of service and I look forward to learning with you all at our next Camp and Conference