Posts tagged safe piercing

Point 76: From the Editor – Kendra Jane B

Kendra Jane headshotKendra Jane Berndt
Managing Editor of Content & Archives

With a blink of an eye it is over; another Conference has come and gone. The 21st annual Association of Professional Piercers Conference was my sixth, and these six years have been quite the journey. I have gone from apprentice and Al D. Scholar to Board Member. This year’s Conference had me wearing more hats and running more steps than ever, but it also came with the chance for me to share what I do with my two daughters (and show them off a bit). Being able to share the one week of the year that makes me feel the most alive and like myself with the two people that I love more than words; I have to say it was the most rewarding experience. It was an honor to introduce them to a wonderful group of people, my community, my family, the most beautiful people I know. After all they say it takes a village to raise a child, and I belong to a great village.

I consider myself very fortunate to have grown up in a household with a mother that is not only educated, but owned her own business, travelled the world, and can change a tire or build a deck. She set me up for success without even realizing it. She allowed me to learn from my own mistakes while still showing me compassion. She may not have agreed with all of my life choices, but she always supported me. As a female leader in our community, I feel that I have a responsibility to be supportive, compassionate, and to encourage the growth of those around me.

I am so fortunate to be one of just a handful of women to have served the APP as a member of the Board of Directors. My way has been paved by powerhouses like Bethrah Szumski, Alicia Cardenas, Elayne Angel, and Ash Misako. This gives me some very big shoes to fill. These amazing ladies have shown that intelligence, hard work, determination, and perseverance will succeed. So I want to take this opportunity to say how fortunate I feel to have had the support of these fierce ladies in my career. It is no secret that our industry has been a male dominated industry since its inception (as with the majority of industries). Now that I have the opportunity to set an example for generations of young ladies, it is difficult to find words to express my appreciation. Thank you for allowing me the opportunity to be my best, both personally and professionally.

Point 73: Children’s Ear Piercing – Kendra Jane B

Kendra Jane BerndtThe Point Issue 73 - Professionals dont use piercing guns
April Thomas
Julie Taylor

Most of us receive at least one phone a week— sometimes even a day—from a concerned parent wanting to know the best option to pierce their child’s lobes. We are frequently seeing that the safe piercing message is reaching the masses. However, we are still seeing many piercings done with piercing guns. Whether it is because they are unable to find the information in the places they are visiting or because they are intimidated to visit their local tattoo or piercing studio to have their questions answered, parents are using less than favorable methods to pierce their children’s lobes. Perhaps they are leery of taking their six or seven year old daughter or son into said studio because of things that have nothing to do with piercing, such as the music, a worry of profanity or inappropriate behaviour, etc.

Within this article, we have presented similar information in two forms. The first is intended for an audience with a more complete understanding of piercing industry jargon and intricacies. The second presentation has been simplified with our clients in mind. Our intention was to provide something that you are able to print and send home. You can choose which presentation is most appropriate for your target audience. Either way, we encourage you to share the link to this article and repost on every site that questions the safest way to pierce children’s ears.

What is the APP’s position on ear piercing guns?
It is the position of the Association of Professional Piercers that only sterile disposable equipment is suitable for body piercing, and that only materials which are certified as safe for internal implant should be placed inside a fresh or unhealed piercing. We consider any procedure that places vulnerable tissue in contact with either non-sterile equipment or jewelry that is not considered medically safe for long-term internal wear to be unsafe. Such procedures place the health of recipients at an unacceptable risk. For this reason, APP Members may not use reusable ear piercing guns for any type of piercing procedure.

Reusable ear piercing guns can put clients in direct contact with the blood and bodily fluids of previous clients.
Although they can become contaminated with bloodborne pathogens dozens of times in one day, ear piercing guns are often not sanitized in a medically recognized way. Plastic ear piercing guns cannot be autoclave sterilized and may not be sufficiently cleaned between use on multiple clients. Even if the antiseptic wipes used were able to kill all pathogens on contact, simply wiping the external surfaces of the gun with isopropyl alcohol or other antiseptics does not kill pathogens within the working parts of the gun. Blood from one client can become aerosolized, becoming airborne in microscopic particles, and contaminate the inside components of the gun. The next client’s tissue and jewelry may come into contact with these contaminated surfaces. This creates the possibility of transmitting bloodborne disease-causing microorganisms through such ear piercing, as many medical studies report.

The Point Issue 73 - childrens ear piercing Frankie PistoneAs is now well known, the Hepatitis virus can live for extended periods of time on inanimate surfaces, and could be harbored within a piercing gun for several weeks or more. Hepatitis and common staph infections, which could be found on such surfaces, constitute a serious public health threat if they are introduced into even one reusable piercing gun. Considering the dozens of clients whose initial piercings may have direct contact with a single gun in one day, this is a cause for serious concern. Babies, young children, and others with immature or compromised immune systems may be at higher risk.

Additionally, it has not been documented how often piercing guns malfunction. Some operators report that the earring adapter that holds the jewelry will often not release the earring, requiring its removal with pliers. These pliers, which contact contaminated jewelry immediately after it has passed through the client’s tissue, may be reused on multiple customers without full sterilization. Few, if any, gun piercing establishments possess the expensive sterilization equipment (steam autoclave or chemclave) necessary for such a process.

Piercing guns can cause significant tissue damage.
Though slightly pointy in appearance, most ear piercing studs are quite dull. Therefore, these instruments use excessive pressure over a larger surface area in order to force the metal shaft through the skin. The effect on the body is more like a crush injury than a piercing and causes similar tissue damage. Medically, this is referred to as “blunt force trauma.” At the least, it can result in significant pain and swelling for the client, but it also has the potential to cause scarring and increased incidence of auricular chondritis, a severe tissue disfigurement.

Occasionally the intense pressure and speed of the gun’s spring-loaded mechanism is not sufficient to force the blunt jewelry through the flesh. In these cases, the earring stud may become lodged part way through the client’s ear. The gun operator, who may not be trained to deal with this possibility, has two options. S/he can remove the jewelry and repierce the ear, risking contamination of the gun and surrounding environment with blood flow from the original wound. Alternately, the operator can attempt to manually force the stud through the client’s flesh, causing excessive trauma to the client and risking a needlestick-type injury for the operator. How often such gun malfunction occurs has not been documented by manufacturers, but some gun operators report that it is frequent.

When used on structural tissue such as cartilage, more serious complications such as auricular chondritis, shattered cartilage, and excessive scarring are common. Gun piercings can result in the separation of subcutaneous fascia from cartilage tissue, creating spaces in which fluids collect. This can lead to both temporary swelling and permanent lumps of tissue at or near the piercing site. These range from mildly annoying to grossly disfiguring, and some require surgery to correct. Incidence can be minimized by having the piercing performed with a sharp surgical needle, which slides smoothly through the tissue and causes less tissue separation. A trained piercer will also use a post-piercing pressure technique that minimizes hypertrophic scar formation.

Cartilage has less blood flow than lobe tissue and a correspondingly longer healing time. Therefore infections in this area are much more common and can be much more destructive. The use of non-sterile piercing equipment and insufficient aftercare has been associated with increased incidence of auricular chondritis, a severe and disfiguring infection in cartilage tissue. This can result in deformity and collapse of structural ear tissue, requiring antibiotic therapy and extensive reconstructive surgery to correct. Again, medical literature has documented many such cases and is available on request.

The Point Issue 73 - childrens ear piercing - Courtney MaxwellThe length and design of gun studs is inappropriate for healing piercings.
Ear piercing studs are too short for some earlobes and most cartilage. Initially, the pressure of the gun’s mechanism is sufficient to force the pieces to lock over the tissue. However, once they are locked on, the compressed tissue cannot return to its normal state. This constriction causes further irritation. At the least, the diminished air and blood circulation in the compressed tissue can lead to prolonged healing, minor complications, and scarring. More disturbingly, the pressure of such tight jewelry can result in additional swelling and impaction. Both piercers and medical personnel have seen stud gun jewelry completely embedded in ear lobes and cartilage (as well as navels, nostrils and lips), even when pierced “properly” with a gun. This may require the jewelry to be cut out surgically, particularly in cases where one or both sides of the gun stud have disappeared completely beneath the surface of the skin. Such risk is minimal when jewelry is custom fit to the anatomy of the client, and installed with a needle piercing technique which creates less trauma and swelling. Custom fit jewelry should allow sufficient room for swelling and can be downsized to fit snugly on healed tissue.

Jewelry that fits too closely also increases the risk of infection because it does not allow for thorough cleaning. During normal healing, body fluids containing cellular discharge and other products of the healing process are excreted from the piercing. But with inappropriate jewelry, they can become trapped around the fistula. The fluid coagulates, becoming sticky and trapping bacteria against the skin. Unless thoroughly and frequently removed, this becomes an invitation for secondary infection. The design of the “butterfly” clasp of most gun studs can exacerbate this problem. Again, these consequences can be avoided with implant-grade jewelry that is designed for ease of cleaning and long-term wear.

Not all piercing jewelry is safe for prolonged wear.
Most ear piercing studs are not made of materials certified by the FDA, ASTM, or ISO as safe for long term implant in the human body. Even when coated in nontoxic gold plating, materials from underlying alloys can leach into human tissue through corrosion, scratches and surface defects, causing cytotoxicity and allergic reaction. Since manufacturing a durable corrosionand defect-free coating for such studs is extremely difficult, medical literature considers only implant grade steel (ASTM F138) and titanium (ASTM F67 and ASTM F136) to be appropriate for piercing jewelry composition. Studs made of any other materials, including nonimplant grade steel (steel not batch certified as ASTM F138), should not be used, regardless of the presence of surface plating.

Misuse of ear piercing guns is extremely common.
Even though many manufacturers’ instructions and local regulations prohibit it, some gun operators do not stop at piercing only the lobes, and may pierce ear cartilage, nostrils, navels, eyebrows, tongues and other body parts with the ear stud guns. This is absolutely inappropriate and very dangerous.

Although gun piercing establishments usually train their operators, this training is not standardized and may amount to merely viewing a video, reading an instruction booklet, and/or practicing on cosmetic sponges or other employees. Allegations have been made that some establishments do not inform their employees of the serious risks involved in both performing and receiving gun piercings, and do not instruct staff on how to deal with situations such as client medical complications or gun malfunction. Indeed, surveys conducted in jewelry stores, beauty parlors, and mall kiosks in England and the US revealed that many employees had little knowledge of risks or risk management related to their procedure.

Considering that a large proportion of gun operators’ clientele are minors or young adults, it is not surprising that few gun piercing complications are reported to medical personnel. Many clients may have been pierced without the knowledge or consent of parents or guardians who provide healthcare access. Therefore, the majority of the infections, scarring and minor complications may go unreported and untreated. Furthermore, because of the ease of acquiring a gun piercing and the lack of awareness of risk, many consumers fail to associate their negative experiences with the piercing gun itself. They believe that, since it is quicker and easier to acquire a gun piercing than a manicure, gun piercing must be inherently risk-free. Often it is only when complications prove so severe as to require immediate medical attention that the connection is made and gun stud complications get reported to medical personnel.

Despite these pronounced risks associated with gun piercing, most areas allow gun operators to perform piercings without supervision. Recent legislation has begun to prohibit the use of guns on ear cartilage and other non-lobe locations, and the state of New Hampshire has made all non-sterile equipment illegal, but these changes are not yet nationwide. It is our hope that, with accurate and adequate information, consumers and the legislatures will understand and therefore reject the use of gun piercing in the interests of the public health.

References Cited:

Pediatric Emergency Care. 1999 June 15(3): 189-92.
Ear-piercing techniques as a cause of auricular chondritis.
More DR, Seidel JS, Bryan PA.

International Journal of Pediatric Otorhinolaryngology. 1990 March 19(1): 73-6.
Embedded earrings: a complication of the ear-piercing gun.
Muntz HR, Pa-C DJ, Asher BF.

Plastic and Reconstructive Surgery. 2003 February 111(2): 891-7; discussion 898.
Ear reconstruction after auricular chondritis secondary to ear piercing.
Margulis A, Bauer BS, Alizadeh K.

Contact Dermatitis. 1984 Jan; 10(1): 39-41.
Nickel release from ear piercing kits and earrings.
Fischer T, Fregert S, Gruvberger B, Rystedt I.

British Journal of Plastic Surgery. 2002 April 55(3): 194-7.
Piercing the upper ear: a simple infection, a difficult reconstruction.
Cicchetti S, Skillman J, Gault DT.

Scottish Medical Journal. 2001 February 46(1): 9-10.
The risks of ear piercing in children.
Macgregor DM.

American Journal of Infection Control. 2001 August 29(4): 271-4.
Body piercing as a risk factor for viral hepatitis: an integrative research review.
Hayes MO, Harkness GA.

Journal Laryngology and Otology. 2001 July 115(7): 519-21.
Ear deformity in children following high ear-piercing: current practice, consent issues and legislation.
Jervis PN, Clifton NJ, Woolford TJ.

Cutis. 1994 February 53(2): 82.
Embedded earrings.
Cohen HA, Nussinovitch M, Straussberg R.

Scandinavian Journal of Rheumatology. 2001; 30(5): 311.
Does mechanical insult to cartilage trigger relapsing polychondritis?
Alissa H, Kadanoff R, Adams E.

British Journal of Dermatology. 2002 April 146(4): 636-42.
Decrease in nickel sensitization in a Danish schoolgirl population with ears pierced after implementation of a nickel- exposure regulation.
Jensen CS, Lisby S, Baadsgaard O, Volund A, Menne T.

Toxicology In Vitro. 2000 Dec 14(6): 497-504.
Cytotoxicity due to corrosion of ear piercing studs.
Rogero SO, Higa OZ, Saiki M, Correa OV, Costa I.

Journal of the American Medical Association. 1974 March 11; 227(10): 1165.
Ear piercing and hepatitis. Nonsterile instruments for ear piercing and the subsequent onset of viral hepatitis.
Johnson CJ, Anderson H, Spearman J, Madson J.

Journal of the American Medical Association. 1969 March 24; 207(12): 2285.
Hepatitis from ear piercing.
Van Sciver AE.

Journal of the American Medical Association. 291.8 (2004): 981-985.
Outbreak of Pseudomonas aeruginosa infections caused by commercial piercing of upper ear cartilage.
Keene, William E, Amy C Markum, and Mansour Samadpour.

Point #69: Marketing and Sales Through Display

IMG_5598By the Maya Jewelry team

Gone are the days of horn spirals being our only alternative jewelry option! As our industry continues to embrace an educated stance on high-quality jewelry, owners—and their employees—are raising the bar not only for the overall aesthetic of their studios, but the industry as a whole.

But there are many aspects at play when embarking on the marketing and sales of these products, and it all starts with your display cases—and your marketing strategies. Every year Maya Jewelry puts thought and intention into how it’s collection will be presented at the annual Association of Professional Piercers Conference. Although it may take many months of planning and preparation, it only takes one day to set up. From planning to execution it is a well thought out portrait of how we want Maya portrayed.

Maya Jewelry display at the APP Conference
Maya Jewelry display at the APP Conference

This planning and execution should include rotating your displays often. This keeps them fresh, keeps your clients interested, and offers them the opportunity to see a piece that they may have missed on their last visit. (If you don’t do this already, consider refreshing cases seasonally; it is a great way to allow separate pieces to shine.)

While Kristin of Metamorphosis (Indianapolis, IN) separates her cases by jewelry company, Nick of Dorje Adornments (Rochester, NY) organizes his cases by the cohesiveness of the collection. Being able to determine how your particular clientele prefers to shop will make all the difference in your sales. Try new placements to determine what works and what doesn’t. Get creative with materials and stands, using them to not only build and tie into your studios brand but also to accentuate the product without it being overbearing. Keep everything above waist level, polished, and well-lit. The more pieces you can hang to create different levels within your display and showcase the various dimensions within the actual design, the more distinctively each piece will be represented. Keep it creative but comfortable.

Industrial Tattoo Maya jewelry display
Industrial Tattoo Maya jewelry display

Another important element of product placement, one which lands on you as the representative, the face, and the spokesperson for what you carry. Wearing jewelry you sell displays it in a natural yet subtle way. It showcases the piece as  it is intended and shows how it looks and translates on an actual person. It also allows you and your client to build a connected sense of trust; if you don’t wear it, why would they want to? Mike of Iron Clad Tattoo (Troy, MI) even offers preferred rates to high profile clients, such as those who work within the service industry of his area. Bartenders, hair stylists, and many other customer-facing clients are one of the best forms of representation, as they will be asked about their jewelry often.

Kristin and Nick both offer various jewelry incentives to their staff, which is something more of us could join in on. Noah of Evolution Body Piercing (Albuquerque, NM) uses reward systems to encourage staff to really get involved with their sales. Have your employees exceeded sales goals for the month? That pair they have been coveting makes for the perfect token of appreciation.

You should also be sure to take time to educate your staff on the products they sell. Set up a meeting that focuses on product knowledge and sales. Kristin makes sure her staff studies catalogs and any available information through manufacturer websites. Mike likes to educate his staff and clients on where the products are coming from, and the care that is put into each piece’s creation. It is also imperative to understand the differences between the materials you offer, and how to properly care for them in order to ensure the life-long integrity of the pieces that walk out your door. This applies to all jewelry, be it a steel nostril screw or a pair of Maya Jewelry’s Kavadi’s.

A powerful and effective way of approaching a sale is being able to read and understand your client in a short amount of time. Having a relatable demeanor is everything and within minutes you can easily have a lifelong client or an extremely bad review, so knowing how to shop with them is key. Lysa of Industrial Tattoo (Berkeley, CA) loves jewelry sales because she loves what she is selling and loves pleasing people even more so. Lysa and Nick both recognize just how important personal shopping can be, and how vital it is to get involved. Ask questions to decipher what they are looking for: a gift for someone else, that particular piece a special occasion, something to help make a bad day a little better, or just something, just because. Mike and Noah both also noted how important it is to educate your client of the designer—and their products high-quality, hand-crafted nature. Nick does it right by taking on the roll of a stylist, offering his honest opinion in an appropriate manner if something looks great on them or not and being able to pull other styles that they may not have even considered. You want to see your client confident and excited by the end of your interaction and knowing what role to take on in order to do so will be your most potent tool.

Dorje Adornments Maya jewelry display
Dorje Adornments Maya jewelry display

It is no secret that social media plays a crucial role in the direction of advertising now. It is necessary for every company and studio owner to jump on this bandwagon if you do not wish to be left behind. You can use these platforms to your advantage to build your studio’s brand and your clientele and besides, who doesn’t love free advertising?

Much like your displaying techniques, it is best to keep your pages current and inviting. Using high-quality, cohesive photos to enable your viewer a poignant impression of exactly what you are offering. If you post a photo of beautiful jewelry sitting next to a large inanimate object, your point is lost. At Maya, we offer usage of all of our product and editorial photography to our clients which enables them to remain consistent in their branding of our collection. Keep the content of your specific post in context as you only get one shot. Posting often, using appropriate hashtags, and following through with comment response will allow your posts to be more interactive and encourages your followers to get involved and feel like they are a part your studio and our community.

Marketing and sales are a fraction (albeit an important fraction) of the display tactics which make up your company. Just remember to decipher your target market then come up with an approach to grow it using the 3 C’s: creative, comfortable, comprehensive. Your impression can last a lifetime.

Point #69: In Memorium – Raelyn Gallina

James Weber headshotBy James Weber

On September 6, 2014, the body modification industry lost one of its pioneers. After a long battle with cancer, Raelyn Gallina passed away.

In the early days of modern body modification, it was definitely a man’s world. Doug Malloy, Jim Ward, and Fakir are credited as being the “fathers” of the modern piercing movement, but while they were servicing a primarily male clientele, Raelyn was blazing a trail among women, offering piercing, branding, and scarification in the lesbian BDSM community. While Doug, Jim, and Fakir get the lion’s share of the credit for what modern piercing has become since it emerged in the late 70s, Raelyn’s name has often been little more than a footnote—and that’s a shame. (It is called “his-story,” after all.)

Raelyn_scarification
Raelyn was well known for her cuttings. Photos by Mark I. Chester.

While she made her home in California’s Bay Area (the center of the modern body modification resurgence in the U.S. through the late 70s and 80s), Raelyn also had a tremendous impact on early body modification on the East Coast thanks to her travels. In the early 90s, she would see clients and do workshops in and around the Philadelphia, Washington D.C., and Baltimore areas, offering not only piercing, but also branding and scarification. At a time when feminists were leading the movement to politicize the body, she was creating a safe space for lesbians, leatherwomen, butches, femmes, the queer-identified, and even the occasional man. She presided over a women’s space, but welcomed everyone from the local queer communities.

Raelyn (right) and her partner, Babs
Raelyn (right) and her partner, Babs

Raelyn battled inflammatory breast cancer over ten years ago, and last May she found herself dealing with a recurrence that affected parts of  her brain, bones, mediastinum, and lungs. She finished a course of 25 radiation sessions in June of 2013, and spent the fall and winter recovering. Although that radiation did a good job on many sites, Raelyn was still undergoing radiation treatments. Sadly, she lost that long, final battle.

Her partner of many years, Babs, was requesting help with medical bills, and with Raelyn’s passing, funeral costs have added to this expense. To anyone who is able to give even a small amount: any donation is useful and appreciated. You can send funds through the GoFundMe site (gofundme.com/8z2314), although they do take a percentage of all donations). PayPal donations can be made to the email address 2gardenhens@gmail.com, or checks or money orders can be sent to:

Babs McGary
1271 Washington Ave., #640
San Leandro, CA 94577

Raelyn was a pioneer in piercing, branding, and scarification, and even one of the early organizers of the APP, and without her influence our industry would not be where it is today. The world is poorer for her passing.

 

Point #69: Informed Consent and the Body Modification Industry

Kendra JaneBy Kendra Jane

Authors note: During research for this brief piece it became apparent that is not a topic that one can do justice to in a few short paragraphs.  Please consider the following piece merely an introduction for a full length research article that will be forthcoming.

Informed consent is the process of getting permission from a patient before conducting a healthcare intervention. In the case of body piercing or modification (which for the purpose of this article may include, but not be limited to, scarring, branding, ablating, or suspension), it is the process of getting consent from a client prior to any procedure. Most body modification practitioners worldwide already obtain some sort of informed consent—borrowing relevant pieces from the medical world, mainly from the fields of medical ethics and research ethics.

Informed consent can be said to have been given based upon a clear appreciation and understanding of the fact, implications, and future consequences of an action. This means what maybe more than adequate information for lobe piercing is not adequate when that same lobe piercing is being done at an initial size over [for the sake of argument] 4 gauge. The information one must relay to a client about a navel or nipple piercing, versus multi point ear projects as an example.

In order to provide informed consent, the individual giving the consent must have adequate reasoning faculties (be of sound mind and judgment) and be in possession of all relevant facts at the time consent is given. This means they need to be given all and any information necessary to make an informed decision about the procedure at hand. Impairments to reasoning and judgment which may make it impossible for someone to give informed consent include such factors such as basic intellectual or emotional immaturity, age, inability to comprehend the future, and any other impairment.

Due to the fact that expressions of consent or understanding do not necessarily mean that full adult consent was in fact given—or that full comprehension of relevant issues occurred—makes the idea of informed consent even more complicated. (It is also possible for consent to be implied within the usual subtleties of human communication rather than explicitly negotiated verbally or in writing.) For this reason you document everything in writing, especially when it comes to your business and your livelihood. A person may state he/she understands the implications of some action, as part of their consent, but in fact has failed to appreciate the possible consequences fully and later deny the validity of their consent for this reason.

baby ear piercingNote on Piercing Minors

Additional problems and ethical dilemmas arise when we talk about piercing a minor, or someone who is not able to provide consent for themselves based on laws and/or regulations. The American Academy of Pediatrics encourages medical professionals to seek the assent of older children and adolescents by providing age appropriate information to these children to help empower them in the decision making process, and this is something we—as piercers—can do as well.

Point #69: President’s Corner

Brian Skellie headshot at 2014 APP conference by April BerardiBrian Skellie
APP President

Some of the most fundamental ideas about piercing are those that are most intriguing and still relevant to question. What materials are available now to make jewelry for initial healing and prolonged wear in the body safe? How does one accurately direct an edge while traversing a body part to get consistent results? What can be done to minimize harm to the client and risk to the worker?

Part of what we can delight in as piercing practitioners is the potential for continued qualitative improvement in our work. Rumination upon these questions that can incite change, coupled with a willingness to progress and try new options opens us to the possibility that each procedure, each interaction and connection made with patrons can be our best to date. We have in our hands the means to find persuasive science and novel approaches to the challenges that we face, through access to libraries and communication with colleagues worldwide.

Presenters and performers preparing for the voyage to LBP 2014
Presenters and performers preparing for the voyage to LBP 2014

The constant flow of information among our peers engages this and advances our desire for better outcomes based on both understanding and inspiration. You are welcome to join in the conversation, add to it what you can offer, and benefit from the advantages of persistent educational opportunities. This organization exists to act as a crucible for bringing our ideas and skills together to make something more versatile, robust, complete, healthier, and easier to disseminate for the betterment of our craft and our society.

One of the aspects of this trade that I cherish most is the occasion to share with others what fascinates me about our work, and to learn from them in exchange. Whether that may be in written correspondence, a phone call, video conference, in person (or in a studio), or at an event. It is encouraging to observe that virtually every one of you seems to partake in them as often as possible—and this is evidenced by the many thousands of professional conversations logged online and the outstanding international attendance at several major educational events this year, including over twenty countries represented at our Conference.

Since the 2014 APP Conference, volunteer members working with the organization have traveled as educators to share ideas related to safety, theory, technique, technology, and history to conferences held by APP associate corporate members  in Germany, Mexico, and Italy. As a participant at each, I can say they have exemplified and improved upon some of the best aspects of our event, and at the same time were quite different and unique from one another, apart from geographic location and language.

IMG_20141004_114437
Bruno BMA describing the importance of asepsis at the 2014 BMXnet Conference in Essen, Germany

From October 2-5, the annual BMXnet event took place in Essen, Germany, and our business members Ana Paula Escalante, Christiane Löfblad, and Ryan Ouellette were welcomed back to the creative Unperfekthaus space to provide both informative lectures and hands-on demonstrations in technical skills workshops. The event is equipped to allow procedures to be performed live, and I had the privilege of demonstrating how to lose a connection and reconnect during a nostril piercing. (Sorry, David!)

Former APP Presidents Elayne Angel and Bethra Szumski (Secretary), Paul King (Treasurer), and I collectively taught a dozen classes and workshops during the event. An important element of our participation was to introduce the ideals and mission of the APP organization to new people. To that end we held a panel discussion with Ryan on how to continue our work to help fellow organizations such as BMXnet, ASAP, APTPI and LBP.

As an event that draws more international attendees than ever before, it seemed that this year English-speaking classes filled the schedule (38 in English/9 in German), and this was one of the topics discussed during the Future of BMXnet roundtable, led by one of the organizers, Stephan Strestik. They seem to have great potential, with their strong mix of educators and open exchange of ideas. The inclusion of an “all-you-can-eat” buffet for breakfast, lunch, and dinner and all-day soft drinks, coffee, and tea was very helpful, especially for those who might have skipped a meal or had to eat on the run at other events due to a full schedule.

The LBP's well-assembled dossier for their 2014 event
The LBP’s well-assembled dossier for their 2014 event

A few short weeks later, a voyage to Mexico City followed for the LBP 2do Congreso: La Asociación Latinoamericana de Body Piercing. Along with board member Jef Saunders and officers Bethra and Paul, we reunited with Ana Paula, serving as LBP Secretary, and LBP President Danny Yerna, who was previously APP International Liaison. Registration and entry to the provided transportation was fluid, and the participants who filled the meeting place quickly made it into their seats with their necessities and a binder full of all of the lecture handouts, which was provided as reading material for the road trip. Even the APP materials and class details were translated into Spanish! This allowed for in-depth discussion en route, and prepared everyone to ask informed questions—and cut down considerably on live translation time. The translation of materials in advance was first rate, and gave me peace of mind as a non-native presenter, since my competence in Spanish is not yet what I aspire to. (Aprendo español, pero yo no hablo con fluidez.)

We traveled with a large group of the attendees to the Centro Vacacional y de Convenciones IMSS Metepec, near Puebla, at the base of the Iztaccíhuatl – Popocatépetl National Park and namesake volcanoes. We drove through a beautiful nature reserve part of the park on the way. When we arrived, we toured the grounds and got a sense of the harmonious combination of natural and professional spaces the organizers found so attractive.

This event follows several successful APP Mexico conferences, and has evolved in a significantly different format in an all-inclusive setting—where transportation, lodging, and meals were all covered together with the event. Everyone was invited to take part in every class and workshop, and the planned social events, as well as to dine together. Even special guest Fakir Musafar and his partner Cleo Dubois spent a great deal of time mingling with the group outside of the auditorium.

The next week transported me to Venice, Italy where I met Paul and long-time APP conference participant Ron Garza for the Body Art Development International Piercing Class and Workshop event. This was a new offering by the APTPI affiliated organizers, with technique and theory lectures, coupled with hands-on supervised training. The format was punctual and could be repeated for focus on specifics with expert direction.

Our 20th Conference is in production now, with plenty of new ideas for you! See you at Bally’s in Las Vegas (June 7-12, 2015).

Point #69: In the Office

Caitlin McDiarmid headshotBy Caitlin McDiarmid

There is a lot to report since our 2014 Conference has ended. Over the last few months, the Conference Committee has convened multiple times, via Skype, and the overall 2015 Conference proposal that was submitted to the Board of Directors has been accepted.  2014 was extremely successful, and both the Association and our industry continue to experience fast-paced growth. This means as we grow as an Association, many things need to change with our Conference to accommodate all of our attendees and keep the event moving in the right direction! We are very excited to share a few of the changes attendees and vendors can expect in 2015.

WHAT’S NEW FOR 2015?

  • The Al D. Scholarship application policies and procedures have been updated. Initial applications will be accepted December 1, 2014 through January 31, 2015.  Due to the overwhelming response to the scholarship there will now be a more stringent application process. Applicants can expect to have to answer questions in writing,  there will be a video/essay submission component, and they will be interviewed by multiple committee members. Click here for more details.
  • Attendee registration for this years Conference will stay open right up until Conference starts, though prices will increase approximately three weeks prior to Conference. (Exact date to be determined.)
  • Self-registration will be available onsite, attendees will be able to fill out their registration forms online, and simply  pay and pick up their badges at the Registration Desk.
  • Attendees can upload their documentation for proof of piercing and proof of industry affiliation during the Registration process. (However, if this is not done proof of affiliation will still be required on-site.)
  • All classes will now have a predetermined class size or limit. Attendees should register early to make sure they get exactly the classes they want.
  • Attendees will now have to sign up for any classes they want to take in advance of attendance. This includes full Conference pass holders.
  • Partial Conference attendees will now have access to the workshop courses. (You asked for it, and your access is now granted!)
  • CPR and First Aid courses will no longer be offered at Conference. Dwindling class numbers and increased access to these courses in most communities, along with the desire to provide more hours of unique education at our Conference all contributed to the committee to make this change.
  • Only full Conference pass holders can utilize the “No-Show Passes.” These passes will be available for all classes and can be used to gain access to a class which was closed/full but registered attendees fail to attend (i.e., “no-show”).
  • Classroom check-in procedures are currently being reviewed, and we hope to implement even more technology to assist in quicker more accurate load-ins. We will keep you posted!
  • Social Wall – see your photos post in real time!
  • The APP will have a Conference app (through your digital app store)  available approximately 30-60 days before the Conference. This will be a digitally enhanced version of our Conference program!
    • View your schedule and set alarms & reminders
    • View class descriptions and Speaker information
    • Provide class and Speaker feedback
    • Get detailed information on Vendors and Sponsors
    • Find interactive Event Maps: Expo Floor, Conference Area, Las Vegas
    • Build your network: This feature will allow you to scan your fellow attendees’ and vendors’ badges and directly capture their contact info!
    • Enable you to post directly to your Social Media accounts.
  • We will be offering new classes in*: Lapidary Anthropology, Jewelry Display, Industry Careers for the Non-Piercers, Portfolios, Jewelry Polishing & Care, Apprentices, Ethics, Studio Analysis, and more!
  • The Conference Committee and others are also working on some special projects “outside of” Conference events, such as an archival exhibition, special merchandise and giveaways—all in celebration of our 20th Conference!

*subject to change due to instructor availability

We look forward to seeing all of you at Conference this year. We have a lot to celebrate with our 20th Anniversary. (add)

 

Point #69: From the Editor

Kim Zapata headshot_2014By Kimberly Zapata

It is with a mix of emotions that I write this From the Editor column, as it will be my last. After months of struggling to maintain that precious life/work balance we all seek, I found it to be too great after some very personal, and unexpected, circumstances arose. Something had to give; unfortunately, that something proved to be this publication.

I began my work with The Point in late 2009, just after I started working at Infinite Body Piercing, Inc. I sat down to edit articles for issue #49, my first, and felt totally and completely intimidated. I felt secure in my knowledge of language and grammar rules, but the content was mostly foreign. (I was modified, yes, and loved body modification but I had no industry experience. I was an outsider looking in.) I edited those articles as timidly as one could have, changing punctuation and fixing spelling mistakes. And edited in this manner for many issues, until James Weber encouraged me to be more aggressive — reminding me it was our publication and our industry, reminding me I was a part of that industry. I still felt an outsider as I wasn’t, and would never be, a piercer, but my confidence grew.

I continued serving  as a contributing editor for several years. but when James stepped down in 2012—and The Point switched from a print publication to an online one—I took the reigns, with issue #61.

The entire time I have worked with the APP and this publication,  as both editor and a contributing editor, has been nothing short of amazing. I hope to continue on as part of the “Point posse,” I just no longer have the time to dedicate to spearheading the publication that it (and you all) deserve.

What’s next for The Point? Whatever you want! That is the beauty of this publication, and our organization. The Point will become whatever you want it to, whatever you make of it. While it is with a touch of sadness that I must do this, I also know it will be exciting for The Point to get some “fresh blood” in, and take the publication to another level.

I want to thank my amazing Point team: Kendra Jane, Elayne Angel, and Jim Ward. It has been an honor and pleasure working with each of you. Even with all of the initial (and technical) hiccups, you made my transition smooth and seamless. You always made me feel part of a family I, for so long, convinced myself I wasn’t worthy of, and you have each touched my life, and my work, in a way I can never truly verbalize. I am eternally grateful for everything the three of you have given me.

And to James Weber, my predecessor and current boss: Thanks for seeing something special in the little girl with the overly wordy resume and “anime” hair. You took a chance on me and, looking back I cannot say I know why, but that chance has forever changed me, personally and professionally. I am blessed and honored to not only call you my boss but my friend.

I want to thank the Board, old and new, and the entire APP family: Thank you all for allowing me to be a part of this incredible organization and for trusting me with such an integral role. It has been a wonderful ride.